Fait majeur et source d’inspiration, la Deuxième Guerre mondiale n’a pas échappé à Hollywood. Cinq hommes et une guerre suit cinq réalisateurs de légende dont les incroyables histoires de guerre ont fait date. Diffusion sur Netflix le 31 mars.
C-HRがストⅡの世界に飛び込んだ！？
懐かしのゲーム、ストリートファイターⅡの世界を、
C-HRが駆け巡る！ストⅡお馴染みのキャラクターも登場し、ボーナスステージも出現！
C-HRとVEGAの夢のような対決も見どころ！
勝敗の行方はいかに！？
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From Gothic Lolitas to Yoyogi Rockabillies, the Tokyo neighborhood of Harajuku is a wellspring of some of the world’s most unique and extreme fashion trends. Rife with restaurants, shops, and cafes, it’s a hangout ‘hood for the city’s youth, whose style is confined to uniforms from elementary school through to high school graduation. And, perhaps to rebel from such strict sameness, they spend their weekends seeing how far they can push the limits.
One of the oldest and most pervasive Harajuku style groups is Decora, characterized by a pursuit of kawaii, or “cuteness,” which is expressed in massive piles of hair clips, face bandaids, creative layering, and a mishmash of colors and textures. Don’t let “cute” confuse you: There’s nothing delicate or elegant about Decora. It’s bright, it’s loud, and it’s in your face (or rather, on your face, via a Hello Kitty bandaid). Though the style can appear as frivolous as a Halloween costume, there’s a real statement behind the bevy of barrettes. In the face of pervasive group-mindedness, a rigid social order, and cultural reticence, the Decora have figured out a way to break free.
In the first episode of our new documentary series, Style Out There, our host Asha Leo travels to Harajuku to meet with street fashion superstars, like 90884 designer Kurebayashi, Junnyan, and Shoichi Aoki, the founder of FRUiTS magazine, to peel back the rainbow-colored stickers and uncover the depth behind Decora.
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Rosslare Harbour/Euro port roundabout revisited July 2016, plenty of faux pas during 10-15 min video shoot.
Musya feeds the hoglets with her milk and stays with them at night after their mother was killed in a lawnmower accident.
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Dust off those far out platforms and enjoy this blast from the past! Get the “Inferno” music video + more bonus features when you bring home “Guardians of the Galaxy Vol. 2” to Digital Aug 8, Blu-ray Aug 22 & new to 4K UHD: http://bit.ly/2uHkDrN
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Copland V. Bon Iver:
A symphonic mash-up of Aaron Copland’s suite from ‘Appalachian Spring’ and the music of Bon Iver (Justin Vernon)
Performed by the Colorado Music Festival Orchestra
Vocalists: Avery Leigh Draut, Bill Prokopow and Kéren Tayar
Recomposed, arranged and conducted by Steve Hackman
Playlist:
Woods (Introduction) 0:00
— Copland: Very slowly 0:37
Calgary 3:33
Perth 6:50
— Copland: Slow 10:21
Skinny Love 12:40
— Copland: Fast 16:57
Towers 17:49
— Copland: More deliberate tempo 19:55
Michicant 22:20
— Copland: Allegro 24:59
Minnesota, WI 26:36
— Copland: Meno mosso 29:22
Holocene 31:36
— Copland: Doppio movimento 35:55
— Copland: Moderato 39:15
Re: Stacks 41:00
— Copland: Very Calm 44:46
Aaron Copland’s ‘Appalachian Spring’ is published by Boosey and Hawkes: http://www.boosey.com/cr/music/Aaron-Copland-Appalachian-Spring/55227
Bon Iver’s music is available on Jagjaguwar records: http://jagjaguwar.com/artist/boniver/
Audio Mixing and Mastering: Ryan Black and Bill Prokopow
Music preparation: Brad Ritchie at Main Office Productions
Photography: Shimmer-Ready Productions
Graphic VFX: Graham Roberts
Thank you to Jan Burton, Sacha Millstone, Tom Liebman,
Will McDonough, Jordan Bahat and Brian Siedband
:STEREO HIDEOUT:
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Playstation has recently released a video which describes the making of ‘Uncharted: The Lost Legacy’. Creative Director Shaun Escayg explains the motivation behind finding new characters. Game Director Kurt Magenau has spoken how the game has been elevated from Uncharted 4!
The post Explore the making of ‘Uncharted: The Lost Legacy’ appeared first on AnimationXpress.
Volkswagen is promoting the new Arteon 4-door fastback with an advertising campaign featuring blind photographer Pete Eckart. At the centre of the campaign is an inspiring mini documentary exploring Eckert’s unique creative vision. Pete Eckert trained in sculpture and industrial design before becoming blind through retinitis pigmentosa, an eye disease in which the back wall of the eye (retina) is damaged. He transformed his disability into an art form to allow sighted people a glimpse into the world of the blind. The Volkswagen Arteon short film highlights Eckert’s creative ability to leverage his aural and touch senses to capture striking abstract visuals that showcase his unconventional photography techniques while also capturing the unique beauty of the Volkswagen Arteon, the replacement for the up-market Volkswagen CC. Photographs from the campaign, featured below, are presented on the microsite arteon.volkswagen.com, in anticipation of the 2018 Arteon’s launch to the market.
To encapsulate Eckert’s technique as it unfolded in real time, film director O’Grady Peyton took an unorthodox and artistic approach, embracing the shoot’s unstructured and intimate setting to discover the most authentic moments. “Those moments of magic can’t be something that you plan for all the time,” notes O’Grady Peyton. “You need to allow yourself the opportunity to find and capture them on the spot as they happen. We also had a very small crew to maintain an intimate atmosphere on set. The lack of control which is often the case with small numbers was definitely a constant challenge.”
Pete Eckert is a blind photographer. He was born sighted but halfway through his life he went totally blind. He works with his other senses: sound, touch and memory. Through these senses, he builds images in his mind. He uses long exposures and colored light to create unique effects, known as light painting photography.
”I am a visual person. I just can’t see.” says the photographer about himself. Before he went blind, he was preparing his master’s degree in architecture at Yale. But the diagnosis and the ultimate loss of his sight didn’t stop him from teaching himself photography. With the help of his analog camera, different flash lights and his color palette, he developed a unique visual language.
For his amazing artworks of the new Arteon he started by approaching the car very sensitively. Slowly, almost reverently, he traced the lines from the exterior to the interior and internalized every square centimetre of the bodywork, until he had captured the complete Arteon in his mind. Or, as he puts it: “The Arteon emerges before my mind’s eye.”
With all his senses he envisioned the new Arteon and his beauty. The movements with his light color palette were caught by long time exposure – they create a unique imagination of the new Arteon in every single photo. The results are breathtaking visualizations of the car and his mind’s eye.
The Blind Photographer campaign was developed at Grabarz & Partner Hamburg by chief creative officer Ralf Heuel, creative group director Tobias Ahrens, creative team Svein Olsen, Sandra Kemmer, Navid Shahabi, Tim Berger, Vanessa Barz, Artur Schäfer, Tim Heller, Felix Otterski, Erwin Lorenz, Felix Albers, Phillip von Schwerin, Ann-Katrin Erich, group head digital Dirk Lanio, digital creative directors Julijus Rebic and Roman Jonsson, digital director Ina Croissier, head of TV Axel Deeper, art buyers Garnet Matthiesen, Anusha Atreya, and strategy team Oliver Waldmann and Valerie Gast.
Photography art work was by Pete Eckert.
Filming was shot by director TJ O’Grady Peyton via Bubbles Film, Berlin, with director of photography Stephan Fallucchi, producers Barbara Kranz and Frank Hasselbach. Filming was shot on an Arri Alexa camera.
Online grading was by Felix Drawe.
Sound and music were produced at Blut Audio, Hamburg.
Photography was produced at WIDE Production, Hamburg.
Social media photography was by David Daub at Wildfox Running.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
