For some, taxidermy is a practice about art, science and a love of wildlife. Directed by Nicole Triche. More on this documentary: goo.gl/86fj3R Watch more on Aeon: aeon.co/video Subscribe: vimeo.com/aeonvideo
Travel along with the Voyager spacecrafts as they traverse the solar system on their planetary expedition spanning over three decades. A film by – Santiago Menghini santiagomenghini.com/voyagers This film showcases the images and sounds of the solar system through the real photographs and plasma frequencies received by the voyager crafts. Featuring The Golden Record – Murmurs of Earth: The Voyager Interstellar Record Containing the sounds, music, & images of earth by Carl Sagan, F.D. Drake, Ann Druyan, Timothy Ferris, Jon Lomberg, and Linda Salzan. Visuals, Edit, & Sound by Santiago Menghini Sound Design by Pascal Plante Sound Mix by Giuliu Wehrli Jimmy Carter (voice) by Dave Callaway Voyager 3D Model by Andrew Simonenko Visuals Created with the use of photographs and textures from: NASA/JPL, NASA/CICLOPS, NASA/GODDARD Space Flight Center Scientific Visualization Studio, ESA, U.S. Geological Survey, Bjorn Jonsson, & Other unknown online sources. The film is a tribute to the voyager missions. Nemesis Films Inc. 2015
Gift of Gab is a portrait of iconic artist Timothy Parker, from the seminal hip-hop group Blackalicious, whose battle with kidney disease ends up fueling the creation of their first album in 10 years. Directed by Michael Jacobs, the film premiered at the 2016 Tribeca Film Festival.
The complexity of love, in 13 untranslatable words. Made for the podcast “Love Me” – http://www.cbc.ca/loveme Director/Animator: Andrew Norton Illustrations by: Drew Shannon Story Editors/Producers: Mira Burt-Wintonick & Cristal Duhaime Adapted from the book “Lost in Translation” by Ella Frances Sanders
Behind-the-scenes at Denim Therapy!
How Denim Therapy Repaires Your Jeans; How to repair jeans
After you send them in (or drop them off) we assess the damage. Jeans are then repaired using MatchPerfect ™ Cotton Thread Selection. Then we stack them on the big wall of denim, where they wait to be shipped of picked up. We love seeing the before and after, just as much as you do!
For more cool denim style & news coverage, visit Denim Therapy’s blog: http://blog.denimtherapy.com
Need your jeans tailored, hemmed, or repaired? We’ve got ya. Visit the denim repair experts at http://denimtherapy.com
Music:
“Wild Flag” by Romance
Denim Therapy repairs jeans and rebuilds relationships. Want your best friends back? Check out what we can do to rehabilitate your denim.
http://denimtherapy.com
Eric Kvatek, photographer. Shot in New York, Film by Amy Leverton for Kingpins Media.
Wearing Redwing Pecos boots in suede, RRL slim bootcut jeans, Harley tee, Kapital camo denim jacket and a vintage Levi’s jacket.
Beatbox phenomenon Reeps One in experimental VR music video. Immersive 360° experience with 3D sound. This is Reeps One coming at you from every angle. [WATCH ON COMPATIBLE ANDROID DEVICE WITH HEADPHONES FOR SPATIAL AUDIO, & ALWAYS IN 4K!]
Does Not Exist drops you into the center of Reeps One’s first virtual reality Beatbox performance – exploring the latest technology for VR and head-tracked 3D spatial audio. Working in 360 from the ground up, the track was composed to fully utilise the 360 sonic and visual space, creating a totally new style of music video. The piece was composed, recorded and shot in just one week.
To experience Does Not Exist in 360 with spatial audio, view on the YouTube App on a compatible Android device (https://goo.gl/nyL9Yg). Headphones are required to experience 3D spatial audio.
An original concept by Aurelia Soundworks, created in Los Angeles by The Mill and Aurelia Soundworks.
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REEPS ONE
http://www.reepsone.co.uk
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http://www.facebook.com/reepsone
Tweets by Reeps1
THE MILL
http://www.themill.com
http://www.facebook.com/MillChannel
http://twitter.com/millchannel
http://instagram.com/millchannel
http://www.youtube.com/user/millchannel
AURELIA SOUNDWORKS
http://aureliasoundworks.com
http://www.facebook.com/aureliasoundworks/
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Credits
Artist: Reeps One
Original Music Composed & Produced by
Reeps One & John Hendicott
Directed by
Gawain Liddiard & John Hendicott
Produced by
The Mill & Aurelia Soundworks
VFX Supervisor
Gawain Liddiard
Producer
Ginny Galloway
Sound Design & Spatial Audio Mix
John Hendicott
Spatial Audio Technologist
Chris Timpson
Director of Photography
Edward T. Button
VFX Producer
Daniel Midgley
Technical Innovations Manager
Tawfeeq Martin
Aurelia Soundworks
Co-Producers: Chris Timpson, Irene Tsouprake Holombo; Supervising Producer: Edward T. Button; Associate Producer: Sharon “Rocky” Roggio; Production Manager: Annie Klein; Production Designer: Sharon “Rocky” Roggio; Talent Creative Consultant: Anastasia Niedinger; Construction: Taylor Martin, Jena Serbu; Key Grip: Paul Smith; Swing: Mark Dahl; Stills/BTS: Nick Holombo; Craft/Catering: Claudia Black; Location Management: Ginny Galloway; Location Scout: Hope Leigh Rollins; Production Assistant: James Swindells.
The Mill
Creative Director: Gawain Liddiard, Lead Artist: Patrick Heinen; 2D Artists: Brett Lopinsky, Peter Sidoriak, Kelsey Napier, Daniel Lang; Technical Director: Tawfeeq Martin; Art Department: Greg Park; Producer: Daniel Midgley; Production Coordinator: Sardor Kaziyev; Colourist: Gregory Reese; Executive Producer, Colour: Thatcher Peterson: Colour Producer: Diane Valera
Special Thanks: Partners
YouTube
Fraunhofer
Blue Ripple Sound
Shure
Genelec
Audio Ease
Roland
GetInvolved Ltd
Directors : Ludovic Versace & Félicien Colmet Daâge Music : Richard Pons 2D Animation : Félicien Colmet Daâge, Ludovic Versace, Manu Lantam 3D Animation : Olivier Jeannel, Thomas Benazech Compositing / Motion design : Davide Mendes Production : Les Monstres (c) Association La Voix des Rroms
Professor at the University of Glasgow, Ian Garwood discuss his video essay, “How Little We Know”.
What is the most effective non-verbal communicator in cinema? Camera movement? Framing? What about color? Though Lynne Ramsay’s filmography may be small in quantity, the meticulous filmmaker has crafted three features that rely heavily on color as a form of communication. More specifically, the color red. As she has progressed, Ramsay seems to have found a knack for using the color red as a storyteller. She uses the color the least in her first feature, RATCATCHER, where even the tiniest sliver of red alarms our eyes due to the film’s bleak, washed-away palette. On the other hand, her latest feature, WE NEED TO TALK ABOUT KEVIN, uses red so excessively that it becomes impossible to ignore the significance. But no matter how frequently she chooses to use the color, one thing is for sure: it is communicating something. Here is a look at Lynne Ramsay’s symbolic use of the color red. Music: “Dedicated to the One I Love” by The Mamas & The Papas Films: RATCATCHER (1999) MORVERN CALLAR (2002) WE NEED TO TALK ABOUT KEVIN (2011) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
