Tricon Films & Television appoints Frank Saperstein as EVP, Kids, Family & Animation

Tricon Films & Television continues to grow its boutique Kids & Family division with the appointment of Frank Saperstein as executive VP, Kids, Family and Animation. In this new position, Saperstein will oversee all aspects of production and programming in the kids & family business, leveraging the company’s extensive development and production capabilities, while further expanding the division’s strategic partnerships.

In addition, Frank will be working closely with the previous interim head of kids & family, Jon Rutherford, who will continue to oversee Tricon’s international distribution & business development across all genres; and Ashley Rite, who will continue as head of kids development and work in distribution on pre-sales and acquisitions, reporting to both Saperstein and Rutherford. Saperstein is based in the company’s LA office, reporting to Tricon’s president, Andrea Gorfolova.

“I am very proud of what Ashley and I have built to date, but it’s now time to take this division to the next level,” said Jon Rutherford, senior VP of distribution & business development in a statement. “Frank has an unbelievable wealth of experience and a solid track record for building successful worldwide brands and alliances. We couldn’t be happier to have Frank join the Tricon family.”

“I am ecstatic and energised to join the wonderfully talented and focused Tricon family,” said Frank Saperstein. “Andrea has assembled a brilliant and forward thinking team of executives who I am thrilled to take my place beside to lead the continued strategic growth of the Kids, Family and Animation division. Jon, Ashley and I form the nucleus of an awesome team and I look forward to continuing to do business with old and new friends alike.”

Frank Saperstein is an Annecy Award winning and Primetime Emmy nominated executive producer, writer and director, who most recently served as CEO / executive producer for his own boutique development and production shingle Surprise Bag. Previously, Frank served as SVP of Family Television for Entertainment One, SVP of Kids and Animation for Blueprint Entertainment, Co-CEO/creative director of PASI (Philippine Animation Studio, Inc.) and as a development executive with VH1/MTV Networks.  Frank’s credits include gender-bending classics “Pee-wee’s Playhouse” (CBS) and “Ren & Stimpy” (Nickelodeon), as well as a stint as producer/director with Prince’s Paisley Park Studios.

‘Anjaan’ to hit mobile screens before its theatrical release

Anjaan an upcoming Tamil action thriller, starring popular and leading Indian actor, Suriya is all set to be encapsulated in a mobile game developed by Vroovy, a joint venture between south Asia’s largest digital media company Hungama and India’s largest game service company Gameshastra.

The mobile game was launched in Chennai by Suriya at an event in Prasad Film Laboratory Preview Theatre, on 29 July 2014 and will be available on Android and iOS.

Commenting on the mobile game based on the film, South Superstar Suriya said, “I am excited that, for the first time an exclusive game on Anjaan film is being made by Hungama and I am looking forward to its launch and hope the fans will love to play.”

The gameplay of Anjaan mobile game revolves around Suriya chasing the goons in a car. The features of the game include two types of Artificial Intelligence (AI) – One of them will be shooting and the other ones will just try to run away. There will be five different cars along with a Hummer as well. Power ups that consist of Nitro, Fuel, Ammo, Instant repair, shield weapons comprise of pistol and shotgun.

Particle effects will include weapons; car blasts, smoke and sparks on car to car dashing, polished textures and materials, store for purchasing cars and weapon along with Leader board.

“It has been a pleasurable experience for Vroovy to develop yet another mobile game for a Tamil film. With mobile games being an extension of the film to engage consumers, we are certain that the Anjaan mobile game will elevate the movie experience and keep the players engaged with its features and gameplay. We, at Hungama are ecstatic about the Tamil film industry opening up to newer digital avenues like mobile games to augment the reach of their films” explained Hungama Digital Media Entertainment, COO (Consumer Business & Allied Services), Siddhartha Roy.

The film that will hit screens on 15 August, 2014 will see Suriya in a never seen before role along with Samantha Prabhu and popular Bollywood actors Manoj Bajpai, Vidyut Jamwal and Dalip Tahil in supporting roles. The film with music by Yuvan Shankar Raja is directed by N. Lingusamy and produced by UTV Motion Pictures and Thirrupathi Brothers Film Media.

‘Singham Returns’ roars in Dolby Atmos this Independence Day

Reliance Entertainment in association with Ajay Devgn Films and Rohit Shetty Productions is all set to roll out the sequel to the 2011 superhit ‘Singham’ this Independence Day on 15 August across leading theatres in the country.

The trailer of the much anticipated sequel was released on YouTube on 11 July and has garnered nearly five million views. The story of the film revolves around Bajirao Singham, a very honest and dedicated police officer, who goes to any limits to stop crime and corruption.

The film has been natively mixed in Dolby Atmos and would be joining a long list of recently released Hollywood as well as Bollywood blockbusters to have used the best in sound technology.

Speaking exclusively to AnimationXpress.com, Dolby Laboratories head of marketing Ashim Mathur says: “Singham Returns has been natively mixed using Dolby Atmos, and is surely going to leave the audience at the edge of their seats while ‘experiencing the movie’ in Atmos.”

Dolby Atmos is presently available in nearly 35-40 screens across the country and Dolby is confident of having Atmos installed in at least 75-80 screens by the end of this calendar year. “Over the last few months many Hollywood blockbusters have been released using Atmos sound and even ‘Kick’ which is setting the cash registers ringing has been mixed on Atmos; but we also have regional language movie makers lapping up to this technology as they want the audience to experience the movie with the best sound on offer,” expounds Mathur.

On the association with Dolby Singham Returns director Rohit Shetty exults: “I am really pleased with the final output of using Dolby Atmos, and I am sure the audience too will enjoy every scene with the enhanced sound effects of Dolby Atmos.”

At a small gathering held today at PVR Cinemas, Juhu the cast of the film – Ajay Devgn and Kareena Kapoor Khan along with the burly director Rohit Shetty unveiled special merchandise for Singham Returns in association with PVR Cinemas. The goodies include popcorn bags, sippers and lunch boxes that can be carried home by patrons, as souvenirs at its various multiplexes.

Commenting on the merchandise initiative, PVR Pictures president Kamal Gianchandani says: “Cinema watching in India is changing at a dynamic pace today; and patrons want to take back a part of the film with them while leaving, so this is a small initiative in pushing that motive. Film merchandise is a huge hit in the west, and PVR being an industry leader is taking that first step in offering its patrons a global standard of movie watching experience in the country.”

Rosetta Stone Create a Smaller World

Rosetta Stone has just unveiled “Create a Smaller World”, a multi-platform advertising campaign encouraging millennials to learn a new language using online software. Every day, millions of people use a second language to make a happier, smarter, and more connected world. The multimedia campaign, online at rosettastone.com/smallerworld, includes TV, radio, print, digital marketing and social media. The :60 TV launch spot, directed by Young Replicant from Pulse Films, focuses on how learning a new language can help people form connections with others. The campaign will also be supported by a four-part web series developed in partnership with VICE, covering German, Spanish, English, French and English immersion experiences.

Rosetta Stone Create A Smaller World

Rosetta Stone Create A Smaller World - German

Germany is known for having particularly passionate soccer fans. (Or should we call them, “futball” fans?) Their passion grows exponentially during the World Cup. Which was evident when Rosetta Stone sent Colm, an American soccer player from NYU, to Berlin to watch the German vs U.S. World Cup game. Equipped with Rosetta Stone German, Colm quickly learned how to navigate the waters as a U.S. fan in a sea of German hooligans.

Rosetta Stone Create A Smaller World - Instagram Challenge

Rosetta Stone Create A Smaller World - Instagram Challenge

Credits

The Smaller World campaign was developed at Energy BBDO by chief creative officer Mark Taylor, creative director Jonathan Linder and associate creative director/copywriter Natalie Taylor, head of production Rowley Samuels, senior producer Elena Robinson, production business manager Zoe Grubbe,

Filming was shot by director Young Replicant via Pulse Films with producer Andy Scriven, executive producer Kira Carstensen and director of photography Jackson Hunt, working with Home Productions, Uruguay.

Editor was Daniel Luna at Union Editorial.

Sound was mixed at Stir Post by executive producer Mindy Verson.

Finishing was done at MPC LA by engineer Peter Erazmus.

Paper Cuts Guillotine Experience

Paper Cuts is an interactive paper guillotine by artists Mandy Smith and Hal Kirkland. It invites people to experience the world’s most recognizable instrument of death, head first. However, unlike its deadly ancestor, this blade offers nothing more final than a paper cut. The Paper Cuts guillotine experience, hosted in Amsterdam and London, brings a new twist to this infamous apparatus by transforming a powerful symbol of death into a thing of beauty. Delicate, inviting and something people may even line up for. Voluntarily this time. Every time the paper blade falls a camera films the person’s final fate-filled expression, forever immortalizing it on PaperCuts-Exhibtion.com as a sharable Gif.

Paper Cuts Guillotine

This piece is the first collaboration between artists Mandy Smith and Hal Kirkland. What began as a simple creative sit-down in an Amsterdam bar soon manifested into the 3.8-meter behemoth it is today. Mandy had always been disturbed by the idea of capital punishment since she was young and had begun to play with the idea of creating a series of deadly devices while juxtaposing them with the fragility and beauty of paper art. Hal suggested creating one at full-size, transforming the piece into a sculpture that allowed paper art – an art form usually too delicate to touch – to become inherently interactive. Both artists unified their craft, interactive skills sets and before long Paper Cuts was born.

Paper Cuts Guillotine Recording

Paper Cuts Guillotine Screen

Paper Cuts Guillotine Plaster

Paper Cuts Guillotine

Paper Cuts Guillotine

Credits

Paper Cuts was developed by interactive creative director/artist Hal Kirkland, paper artist Mandy Smith with production designer Barnaby Monk. Photography is by Aaron Tilly, London, and Dario Fusnecher, Amsterdam.

Sound was designed by sound director Michael Kneeboone at Toolbox Audio. The website was developed by creative developer Thijs van Hoof at Random Studio.

UNICEF and Qantas Redeem 5 Cent Pieces

UNICEF and Qantas are running “5 Fund”, an Australian campaign designed to inspire a nation to turn something that they think is practically useless, the 5c piece, into the most powerful coin in the world. To the average Aussie a 5 cent piece is seen as almost useless. Every day it’s simply discarded and left behind. Some would even go as far as to say the 5c piece is becoming more of a hassle to carry around than to have as a valuable piece of currency. To a child in a far off land, that same 5 cent piece is immensely powerful, and has the ability to supply clean drinking water for two days. Launched in May on 5Fund.org.au, the campaign is running on board Qantas flights, through print and online. It also has touch points at all domestic terminals across Australia.

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund Logo

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund

UNICEF and Qantas 5 Fund

Credits

The Fund 5 campaign was developed at Iris Worldwide Sydney by executive creative director Mike Spirkovski, creative group head James Griffiths, senior copywriter Phil Shearer, copywriter Daniel Miller, creative services manager Roger Dore, managing director Penny Dixon, group account director Jarrod Brennan, account manager Kym Lawson, account executive Courtney Borg, regional planning director Dan Pankraz, head of digital Darren Collins, senior designer David Fleming, working with UNICEF Australia Head of Corporate Partnerships JP Zwinkels, corporate partnerships manager Sally Roberts, corporate partnerships executive Marinke Kat and corporate partnerships executive Eammon Bryant.

Filming was shot by director Craig Rasmus via The Feds with executive producer Michael Cook.

Post production was done at Heckler by executive producer Will Alexander, executive creative director Garry Jacques, VFX supervisor Mick Watson, VFX producer Samantha Daley, VFX coordinator Tyrone Estephan, head of lighting Bryn Morrow, lighting director Albert Susantio, modeller Sina Rahimpour, animator Jialing Zhang, lead compositor Mark Kwanten, compositor Tim Parsons and online editor Maxence Peillon.

Audio production and sound design was done at Nylon Studios by sound designer Nathaniel Joyce and senior producer Tanya Carswell. Voice talent is Felix Williamson. Music, “Blood” by The Middle East, was licensed at Music Mill by Donna Fitzhenry and Nicole McCarthy.

Design and branding was by David Rees and Rich Smalley.

Amnesty Send a Kiss

Amnesty International in Hungary has launched “Kiss Against Homophobia”, (Szabad A Csók) an online campaign designed to raise support for the notion that everyone, regardless of gender identity or sexual orientation has the right to love anybody of any sex. Visitors to the Amnesty Send a Kiss campaign website, kissagainsthomophobia.com and szabadacsok.hu are invited to upload a puckering side-profile photograph. Pictures are randomly paired with other uploaded images showing someone of the same sex, as if the two were kissing.

Amnesty Send a Kiss

Amnesty International has been a committed advocate for human rights, and has been fighting against negative discrimination since 1961. As part of our efforts, Amnesty’s priority is to call attention to the inequalities and atrocities committed against members of the lesbian, gay, bisexual, trans- and intersexual (LMBTI) community. Amnesty Hungary aims to collect 365 kisses, one for each day of the year, by International Coming Out Day 2014 (October 11), demonstrating that love is a fundamental human right regardless of gender.

Amnesty Send a Kiss

Credits

The Send A Kiss campaign was developed at DDB Budapest by creative director Peter Tordai, creative strategic director Tom Hidvegi, head of art Guilherme Somensato, art directors Carlos Ramas and Luther Filho, copywriter Bence Bodnar, project managers Rozalia Szigeti and Zsofia Maul.

Favourite Child Detector for Modern Families

Parents will never tell you who their favorite child is. So to promote the new season of the politically incorrect comedy Modern Family on New Zealand’s Prime TV, FCB New Zealand invented a gadget that will. The Favourite Child Detector analyzes parents’ Facebook behavior – including “likes,” tags, comments and photos – to determine which child they favor. To test where you rank with your parents, or to test which child you as a parent prefer on Facebook, visit favouritechilddetector.com. The device can test almost anyone – your friends, colleagues, even your dog. Remember, these are modern families we’re talking about.

Favourite Child Detector site

Credits

The Favourite Child Detector gadget was developed at FCB New Zealand by executive creative director (Asia Pacific) James Mok, executive creative directors Regan Grafton and Tony Clewett, copywriter Alan Jones, art director Angelo An, senior digital producer Andrew Jackson, digital producer James McMullan, account manager Steph Hueber, head of digital production Hayden Thomsen, group account director Toby Sellers, media manager Roxane Vosper, senior digital media planner/buyer Lucy Leckie, working with Prime TV marketing director Kate Whittle.

We don’t want you here in Israel and Palestine

Palestinian Israeli Bereaved Families for Peace also known as The Parents Circle Families Forum (PCFF) is running “We Don’t Want You Here”, an online advertising campaign calling for peace. The film features Palestinian and Israeli residents who have lost a close family member to the conflict between the two nations. The PCFF operates under the principle that a process of reconciliation is a prerequisite for achieving a sustained peace.

We Don't Want You Here - Parents Circle Families Forum in Israel and Palestine

We Don't Want You Here - Parents Circle Families Forum in Israel and Palestine

We Don't Want You Here - Parents Circle Families Forum in Israel and Palestine

Since its inception in 1995, The Parents Circle- Families Forum has played a crucial role in spearheading the reconciliation process between Israelis and Palestinians. The PCFF now has hundreds of members, half Palestinian and half Israeli, who have all lost immediate family due to the conflict.

Credits

The We Don’t Want You Here campaign was developed at BBR Saatchi & Saatchi Israel by copywriter/VP production Dorit Gvili, art director Yuval Tzuckerman, and producer Bosmat Marmarely.

Filming was shot by director Ram Baruch with director of photography Shai Peleg and editor Zohar Elefant.

Oxfam Unleashes Inner David with Syncopated Storytelling

Oxfam America is running “Be David”, an inspiring long-form PSA telling the story of Joanna Manu, a woman who stood up to mining giants in Ghana and inspired a community organising movement. Joanna attended a training session sponsored by Oxfam America and stood up against land threats and environmental hazards wrought by an open pit gold mining company. The film, connecting Joanna’s story with the Biblical story of David and Goliath, suggests that we all have inner power to influence and make change. Film production collective Wander brings a Syncopated Storytelling℠ approach, using quick cuts, graphic design, and unexpected imagery to punctuate the film’s voice-over narration with warmth and humour. Viewers are encouraged to visit oxfamamerica.org/david and find their own inner David.

Joanna Manu 2007

“Joanna Manu is emblematic of how people can create real change if they have access to information and can exercise their rights,” says Oxfam America’s Creative Director Jane Huber. “Our hope is that ‘Be David’ will close the distance between Oxfam’s beneficiaries and American viewers and that it will inspire people to join our community to become activists in their own right.”

David and Goliath - Osmar Schindler

James Sarong in Mining Rubble in Oxfam Be David video

James Sarong on what used to be his farm in Oxfam Be David video

Wander’s Syncopated Storytelling℠ approach first debuted with the Rainforest Alliance – Follow The Frog brand film that was awarded with 2013 Cannes Lions, a TED Ads Worth Spreading, AICP Next, and many other honors. The collective has since gone on to create nationally and internationally recognized branded content and PSAs for LinkedIn, American Museum of Natural History, and Coexist.

“Syncopated Storytelling evolved organically to fulfill the needs of our clients who often have a complex or multilayer message,” explains Weber. “Through the rapid editorial style paired with a fast paced voiceover we are able to jam a ton of information into a short piece while keeping our audiences engaged, informed, and even entertained. And when the technique is used to further a great cause it is very, very gratifying.”

David and Goliath - Gustav Dore

Lithographs featured here are “David Slays Goliath” by Gustav Dore, and “David Und Goliath” by Osmar Schindler.