W+K Tokyo Lab, along with breakbeat duo HIFANA, released a free Iphone App today; Fresh Push Play, is a sound sampler/sequencer/game … a new kind of music app that features 16 pads, and the equipment HIFANA use in their live performances. The app features a socially interactive game where players can simulate HIFANA original songs, […]
Just really would love the opportunity to move abroad for a few years and then come back to london so was wondering if anybody has done similar 😀
Thanks
Jon
Artist have been asked to recreate 3d Falcon model which would be later composed both in live action and entirely cg made shots of…
Take your animations to the next level with this essential guide to Maya. Packed with character animation techniques
Huge improvements to Hybrido workflow & performance for RealFlow 2012. RealFlow 2012 now provides a built-in, easy-to-use tool to …
An amazing follow-up to the Volkswagon Darth Vader Ad, but this one directed by MJZ’s Dante Ariola with 3d and post by The Mill, both for Deutsch and all for VW. Also check out the Black Beetle Youtube page … much like the previous page takeover done by Nintendo, but here throwing dirt and […]
CGArena forum member put together high quality HDRI packs which is available for download for the registered forum users
ultra noob query.
i renderout the zbufferpass via vray in 3dsmax (with default settings)
i apply a Zblur node in nuke.
i keep fiddling the sliders untill i see some seperation (in the focal place mode) and at times i simply cant find it!
now here is my question:
how do i read the onscreen values and get the sliders right @ one go (without have to fiddling around the sliders)?
i hope i was clear in explaining.
also if there is a comprehensive read somewhere out there, i would appreciate a lead!
thanks
m
Through complex problem solving, using both Maya and Double Negative’s proprietary Voxel based render system and custom pipeline tools, creating VFX for film.
Needs To Do
* The position of FX Technical Director requires someone with a thorough knowledge of 3D Computer Graphics, with several years of experience in a similar role working on broadcast or film projects.
Needs To Know
* Full knowledge of Maya (Mel and Houdini knowledge a plus)
* Effects animation experience
* Familiarity with pipeline issues
* Experience in producing effects such as smoke, fire, clouds, water, steam and explosions, plus experience with particle 2 rendering voxel based systems
* Minimum of 3 years demonstrable experience in effects work on feature films
* A good general TD BG is desirable
Needs To Be
* Pro-active
* Technically adept
* Team oriented
* Adaptable
* Able to take direction
Measures of Performance
* Delivery of required content, on time
* Continuous improvement
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
