Fuel VFX Sydney – Pipeline TD

FUEL VFX specialises in visual effects for feature films, television and commercials for both local and international clients.

We are currently looking for a Pipeline TD to join the team.

Responsibilities:

  • The applicant will report directly to the head of R&D, being involved in the development and maintenance of our VFX pipeline.
  • Writing C++ and Python plugins and extensions for 3rd party packages such as Maya, Houdini and Nuke; will also be a big part of the applicant’s responsibilities.
  • The ability to work in a team and to communicate with artists is equally important as the applicant’s programming skills.:
  • Research, design, implement, test and optimize pipeline tools
  • Develop and maintain proprietary shaders or plugins and recommend relevant external alternatives
  • Acquire and maintain up-to-date knowledge in the relevant fields


Qualifications:

  • Excellent problem solving and communication skills required.
  • Strong C++ plugin programming knowledge required.
  • Good working knowledge of Python required.
  • Experience with scripting or writing plugins for Houdini, Maya or Nuke required.
  • Linux knowledge and scripting experience an asset.
  • Experience with SQL databases an asset.
  • Experience writing for Renderman, Mental Ray or other production renderers an asset.


Please forward your Cover Letter & CV to: recruitment[at]fuelvfx.com and put “Pipeline TD” in the subject line.

Your application will be considered in the strictest confidence.

Thank you

Making of Dream Place

In this article artist will discuss the process of creating this work, entitled The Dream Place, hope you will enjoy

3D Coat 3.5 Review

3D-Coat is a voxel sculpting software developed by Ukraine-based Pilgway, that aims to make it possible to sculpt without any topo…

VFX & 3D artist needed for low budget commercial

Commercial for PlayStation

video you can see here
http://vimeo.com/24520127
(password: ps3)

We’re looking for some talented artist (not production, vfx company) who can do black bird and logoshot in the end of this videoclip which we did. Girl in the end running behind column. This moment where she’s transforming (we not see transformation) we see only result – the bird flying forward from the frame. When one feather falling down forming logoshot PS3 and slogan.

References how bird can look

http://vimeo.com/734237
http://www.youtube.com/watch?v=1j7zvzEZgLY

attached pictures is about shape and feathers of the bird which can be discussed

so we’re waiting how much it can cost and your previous works and we hope you will really interested to do this

thanks and waiting for your answers

mail@alexmart.ru
skype: alexmart_ru

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Imaginary Forces: Starhawk E3 Trailer

Sony unveiled its latest sci-fi western combat video game, Starhawk, at E3 – the world’s largest video game conference. Imaginary Forces director Grant Lau and VFX Supervisor Alex Frisch created a futuristic world filled with spaceships, ATV’s, robotic fighters, and massive explosions entirely in CG. Imaginary Forces collaborated with 3rd Floor, who did the […]

3D Modeler required!

Hi Everyone, 🙂

I am in search of a very experienced 3D Modeler, who could model two characters for me (a male and a female)! There will be a pay of US$ 100 for both the characters!

Anyone interested, kindly please e-mail me at : kaustavsinha10@gmail.com

Thanks,
Kaustav

FX Reel, Spring 2011

Hello everyone. Heres my reel from my work this winter. Enjoy. A link to the break down sheet is below.

Breakdown Sheet: http://www.landerb3d.com/BMLBreakDown2011.pdf

[Review] Frank

Editor’s note: Like all our reviews, this is one is uncompensated and written purely out of curiosity about a new service that might be useful to some of our readers.

As a freelancer, there are two major hurdles to getting booked: 1) being sought after by employers, and 2) actually getting booked. Most freelancers focus the majority of their energy on the first task—as they should—leaving the second task to producers.

But the system of holds and the back-and-forth communication required to get a successful booking sometimes means things fall through the cracks. If you don’t believe me, take a peek at the typical producer’s calendar. Total. Nightmare.

To alleviate some of that confusion for both freelancers and producers, the folks at Haus created Frank. It was made specifically for booking freelancers in the motion design context, but it’s being used by more and more folks for other things (like babysitters and substitute teachers).

Let’s be clear: Frank is not a social network or a portfolio sharing site or some kind of LinkedIn-Facebook-Behance love child. No. That’s not Frank at all.

Frank’s aim is much simpler: To help people book freelancers (and to help freelancers get booked). It’s this laser-like focus that makes Frank so damned easy to use—and that keeps it from devolving into something lesser.

How it Works: Hold, Please

As a producer, I just need to add some contacts by name and email and pick a range of dates for a hold. Frank then sends a hold request to the appropriate contact.

On the freelancer side, you get an email containing a link back to a communication system on Frank.

By keeping the communication in the world of Frank, everything can be tracked and managed (by both sides). It’s much cleaner than a bevy or emails, phone calls and/or IMs, and it ensures that calendars are updated accordingly.

Back on the producer side, when I’m ready to book, I can change the hold to a booking. Frank sends another message, just as before. Easy as pie.

What We Like

  1. It’s private. As a producer, you don’t typically want to share your talent pool with the world. Frank keeps your contacts just that—your contacts.
  2. It’s well-designed. The calendar interface is beautiful and responsive, and the entire process from initial hold request through booking makes intuitive sense.
  3. It’s free for freelancers. There’s no cost to create a profile and to keep your availability updated.

Ideas for Improvement

When a hold is changed to a booking, the automatic email that’s sent to the freelancer wasn’t entirely clear to me the first time I read it.

As a freelancer, I didn’t realize that I was receiving a booking request. The subject line (Are you available?) was the same for the hold and for the booking, and I found that a little confusing. Maybe some sort of indicator that the correspondence is about a booking vs. a holding would have helped.

Once you click through to the Frank communication page, you see a title that says “Booking Request,” but again, I think the change could have been a little more obvious.

The Future of Frank

Frank’s still pretty young, but it seems ready for prime time. I chatted with Jared Plummer, one of the founders of Haus, and he’s optimistic about its future. The main challenge now is getting freelancers into the system, he said.

Producers already “get” it, for obvious reasons, but some freelancers only want to work with certain producers, so they can be touchy about putting their info into a new tool. (Again, that’s why Frank is a private, closed system.)

What Do You Think?

Have you guys already been using Frank? What do you think about it?

Posted on Motionographer

The Foundry Users Group NYC!

that is awesome thank for posting!

Setup for Shake 4.1

Hi guys, I know all about it being discontinued and so on, well I recently got hold of shake 4.1 and would like to know what would be the ideal Mac System setup would be to run shake 4.1? All I will be doing is to match up 3D elements onto live action plates, not sure if I would be doing roto or grading as I’m going for a 3D job not a 2D.

I don’t think I can afford a Mac Pro but I have looked at the imacs and mac mini being the cheapest. However the mac mini spec is pretty limited with only 2GB Ram (upgradable), would that be enough with all the render passes and live plate that need to be comp? Also the CPU is 2.4GHz Intel Core 2 Duo, is this fast enough? Of course on the other hand the cheapest imacs have i5 CPUs now and 4 GB ram but is this overkill? I guess I just want a reliable machine to run shake and comp out a sequence of images to be edited. Any thoughts and help welcome thank you.