HAPPY F5 – RE:PLAY FILMS 01
Posted in: f5, f5 fest, festival, filmmakers, Films, General, Happiness, happy f5, Industry, party, replay, short films, speakers, StudentsWe’re very pleased to get this first batch of Happy F5 – RE:PLAY films online. We’ll be sharing three films at a time, one batch each Wednesday. Consider it F5 Wednesdays from here on out.
This first group includes work from Daniels, Kristoffer Borgli and Nomint. Each artist/studio has provided us a peek into the creative process for the work.
Our sincere thanks to all the artists behind RE:PLAY. Commissioned by F5, each team created unique and inspiring nuggets of creative expression. Perfect compliments to all of the other pearls that made up Happy F5 this year.
DANIELS – “PUPPETS”
PUPPETS – Daniels from F5 on Vimeo.
“RE:PLAY is a wonderful chance to be creative with no boundaries. When given total freedom as a storyteller, we (daniel&daniel) found ourselves battling between a desire to make something meaningful and honest and a desire to make something perverted (which is also in our case honest). Entirely by accident, Puppets became a perfect analogy for our self aware creative process. But mostly it’s lots of butt jokes.”
KRISTOFFER BORGLI – “I EXPECT NO ONE”
I EXPECT NO ONE – Kristoffer Borgli from F5 on Vimeo.
“There was so little time for the creative process, so the first thing I did was to limit myself. The theme was “happy”, so initially I wanted to do something outside in the sun, but at the time in Oslo there was still snow. Being fed up with snow after a long winter, there was no inspiration to be found outside. But I had seen this Villa drawn by Arne Korsmo, and wanting to film there for a long time. Also I had just watched the documentary “L’enfer d’Henri-Georges Clouzot”, which led me to buying a Slinky toy. So I limited myself to write something about a Slinky-toy inside this Villa.
The main theme is about a resourcefull young woman, not being able to have fun, even though she has all these material posessions. It’s not untill she is in an extreme situation where she can connect with her feelings. Slinky made the day after all.
Thank you DP Jon Gaute Espevold, my friends the actors, the Norwegian Foundation for Design and Architecture and the post production team at Storyline Studios!”
NOMINT – “MAHAHULA THE GIANT RODENT OF HAPPINESS”
MAHAHULA THE GIANT RODENT OF HAPPINESS – Nomint from F5 on Vimeo.
“When we where asked to make a video about happiness, we decided that we should take it from the very beginning, when it first appeared in the world.
We find happiness to be a very serious matter, definitely worthy of an awesome deity like Mahahula, an ancient gigantic infant rodent born from an alien space traveling seed that crash-landed on primordial earth. We wanted to depict happiness in all its glorious complexity: obscure, hard to find, huge and colorful. Is it more of a constant personal pursuit or is it a fortunate offering by others?
Mahahula came about with the sole purpose of spreading joy to the world, only there was no one around to hear her say so, as this was a long-long time ago. As we speak, she might or might not still be around warming our hearts for eternity.”
Absolute Gets Verizon Out of a Jam
Posted in: 1Short Film: Into the Light
Posted in: 1Los Angeles, CA – Beast, one of the nation’s top editorial houses, has announced the appointment of Yole Barrera to Senior Producer of its Los Angeles facility. Barrera, a seasoned post production veteran, joins Beast after freelance work at various commercial facilities that include Spot Welders, Rock Paper Scissors, Arcade Edit and Jigsaw. Some of her notable credits include the 2011 MTV Movie Awards, the first HD commercial in Utah for Lagoon and numerous spots for auto manufacturers such as GM, Honda, Ford and Jaguar to name a few.
"I’m delighted to have Yole as part of my team again," said Los Angeles Executive Producer Sybil McCarthy. "We shared a great rapport when we worked together in the past and I always admired her ability to handle the toughest jobs, while still making clients feel very special."
In addition to her experience as an editorial producer, Barrera also possesses extensive visual effects and finishing experience garnered at facilities such as Arsenal FX, Steele Studios and Beast’s sister company Method. Says Barrera, "I loved being on the VFX side and learning the values of what an "online" really is. The VFX side also broadened my eyes to be able to understand all levels of the business from offline edit to final delivery of projects. I truly have a passion for editorial and that’s what brought me back to this side of the business."
Barrera got her start in the industry as an office manager at Spot Welders and later moved into producing. Since then, she has gone on to work with some of the top directors, producers and agencies in the business.
About Beast
Beast is one of the country’s top editorial houses for commercials, music videos and web virals. With facilities in Santa Monica, New York, Austin, Detroit, Chicago and San Francisco, Beast serves a global clientele with an unparalleled roster of established, award-winning editors as well as up-and-coming talent. Since opening its doors in 2006, Beast has built an impressive and varied body of work for such clients as Harpo Films, Nike, Electronic Arts, Converse, AT&T, Reebok, Southwest Airlines, GM, Toyota, BMW, Mercedes, USAF, Linkin Park and Black Eyed Peas. www.beast.tv
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Media Contact:
Jeremy Monsayac
Jeremy.monsayac@bydeluxe.com
818.260.6267
Tracking in Nuke
Posted in: Work in Progress (WiP)I am currently taking Visual Effects at the Art Institute of Vancouver and have just began to get into Nuke. I haven’t done much to date, but I thought i’d post one of the simple tracking shots that I did for an assigment. I realize it isn’t much but feedback of any sort would be greatly appreciated!
In the shot I replaced the sign on a fridge (which was previously Snapple brand) with a Coca Cola sign.
Here is the link to the video: http://www.vimeo.com/23273415
Thanks, Taylor
Samsung is asking filmmakers to create 60-second films about how the Samsung Galaxy Tab 10.1 can help 24/7 digitally active people make their lives fuller by improving personal productivity, superior entertainment experience, and time management. The best films will earn a total of $15,000.
An early entry prize of $2,000 will be awarded to the
best video submitted before May 30th.
The last day to submit: June 27th, 2011.
If you want to view the full creative brief, check it out here:
samsung.com/zooppa/?mtag=film_individuals
Texture Artist – LA
Posted in: The Job LotRequired Skills & Experience:
working knowledge of Mari and Photoshop
A minimum of 4 years VFX industry experience as a texture painter in a feature film, tv or commercials environment
Experience creating textures for photo realistic environments based on concept art and/or photo reference
Demonstrable experience integrating textures into 3D environments using Maya and/or Nuke is beneficial
Possess a strong understanding of light, colour and perspective
Possess excellent artistic communication skills as well as an excellent eye for detail
Sound knowledge and understanding of visual effects pipelines, production and implementation, as well as the ability to work well in a team
A good understanding of 2D and 3D workflows within a feature film environment
http://www.smoothdevil.com/index.php?page=job&job_id=1624
closes: 22 Jun 2011
Demo Reel Piece
Posted in: Work in Progress (WiP)MPC on track with Fast Five
Posted in: 1MPC on track with Fast Five
The latest incarnation in the Fast & Furious series, Justin Lin’s Fast Five, features a dynamic train heist sequence in which the main characters attempt to steal high performance cars from a speeding train. Shot practically in Arizona, the scene was augmented with visual effects by MPC in Vancouver. fxguide talks to MPC’s VFX supe Guillaume Rocheron.