Freelance Nuke compositor required – on site, London UK

We are looking for Freelance Nuke Artists for a few weeks work who have a good understanding of 3D. You would need to work on site so must live within commuting distance of London, UK.

If think you fit the bill please reply to jobs(at)atomicarts.net with the subject line "Nuke", your daily rate (whatever currency) and links to your work.

Thank you,

BrightPhoto + Jason Arber: Magnesium Project

Pierre Magnol, aka BrightPhoton, concepted, directed, animated, shot and composited these titles for the Jason Arber directed short film Magnesium Project.

SIT: debut U.S exhibition

Artist SIT has been part of the Amsterdam creative scene for many years. Doing action painting, graphic design, advertising and more until he got fed up. He went back to square one to find his true essence. Back to head and handcraft. SIT will be debuting in the U.S with an exhibition at C.A.V.E […]

renderman

how to make a green glass by using renderman which must be slightly transparent

python for modifying color knob on rotopaint

Hi, i was trying to change the color parameter of a rotopaint node. The problem when i use knob(‘color’). It points to color of a selected spline/bezier. How if i want to change the color parameter regardless any selected bezier (i want to use this color for next painting not the existing one). the knob(‘color’) is modifying the color param on the parameter window, this is not i want. I want to change the color parameter which is on the top of the viewer (when the rotopaint is active).

thanx

Senior Houdini Artist x2

Job Description

London based Realise Studio is looking for two Houdini artists available immediately.

Applicants should posses the following skillset:

– Strong knowledge of Houdini

– Knowledge of : rigid body and particle dynamics, volume modeling and rendering, procedural geometry generation and fluid dynamics

– Strong knowledge of lighting/shading/texturing

– Proven problem solving abilities

– Good communication skills

How to Apply

Please send your CV, reel, breakdowns and references to dominic@realisestudio.com

Artistic Image Creates Living Art

Coca-Cola needed a spot that conveyed the message that in this hectic world, illy brand coffee-flavoured energy drink is a great w…

Who Killed Disney\’s CGI Company?

In the days of increasingly powerful CGI, movie makers have to be savvy about making characters that aren\’t too realistic.

PF Match it – Multiple Cameras Help

Hi. I have a sequence of 23 shots, all of which were shot at the same location. I want to track every single camera, not only in relationship to the tracking points, but in relationship to each other, so that when i solve my cameras, I can have them all in 3D space in the correct position, and when brought to my 3D application, i only have to make one scene, and adjust the scale, position, and rotation once.

I am using PF Match It, which as far as I am concerned has the capability of tracking multiple cameras, however I am not getting the desired results.

I bring every single shot into my tree view, and an autotrack node to each one indiviually, track it, and then connect every single autotrack node into a user track node, where i set up a couple (3 to be specific – I wish i could use more, but in 23 cameras moving around can be hard to find many features in common) of common features, then add a camera solver node, connecting the 23 upouts, however some of my cameras don’t work at all….

Has anyone ever done this? Am I doing it correctly?

Any help would be greatly appreciated!

Thanks

De-compiling the VFX of Source Code

De-compiling the VFX of Source Code

Sourcecode_featured

For Source Code, director Duncan Jones looked to visual effects supervisor Louis Morin to help realize 850 shots of trains, explosions, virtual transitions and other crucial sequences in the film. fxguide looks at some of the key effects work from Modus FX, MPC, Rodeo FX, Oblique FX and Fly Studio.