composing vray render elements…

im trying to plus vray render elements together…

if i use a gamma output 1.0 in vray everything is working like expected…

if i render with linear workflow and gamma 2.2 the rendered images wont look like the composed one… its much to bright…

what is wrong here..?

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Luma Pictures – CG Sup

Luma CG Supervisor

LUMA PICTURES, located in Venice Beach, CA, is on the hunt for an experienced supervisor who has a substantial track record of leading teams technically and artistically through complex visual effects for film. A great eye and stellar problem solving skills are a must. Luma attracts some of the best in the business and many of the talented artists who have worked with us on a project basis have made Luma their home. We pride ourselves on providing a challenging environment with plenty of room to spread your wings and be your best.

Luma is on the hunt for an experienced supervisor who has a substantial track record of leading teams technically and artistically through complex visual effects for film. A great eye and steller problem solving skills are a must.

Extensive production experience in all the following areas: layout, animation, modeling, texturing, rigging, fur/hair, cloth, effects, lighting, and compositing. Must have an exceptional eye for taking shots from conception to final.

Evaluates the creative requirements of a project, determines their technical implications, and makes high-impact operational decisions.

Expected to be attentive to emerging industry technologies and production techniques, and determines practical applications for these advancements in order to improve production.

Strong aesthetic sense; demonstrates ability to make creative and aesthetic judgment calls quickly and under significant pressure..

Ability to manage time and balance priorities, often amidst the pressures of busy, deadline-driven production.

Ability to communicate effectively with a wide variety of personalities, both written and verbal.

– Must understand anatomy and perspective
– Proper modeling and texturing techniques
– Knowledge of rigging
– Complex shader network design and setup
– Lighting, rendering and optimization
– Capable of executing complex multi-layered comps
– General compositing knowledge inside Nuke

Ultimately, the successful candidate has extensive production experience, the ability to identify both current and potential technical challenges, and the ability to command high-level technical strategy across a potentially large (feature-film) production team.

Do not apply if you do not meet all the criteria above.

SUBMISSIONS:
If you think you fit the bill and want a quick response, email your resume, a link to your online reel/portfolio and a shot breakdown to jobs11@luma-pictures.com. Please make the email subject "ATTN: Recruiting – CG Sup". Do not attach images or movie files to your email because they will get filtered out. If you prefer to send hard copies, you can submit a resume, reel, shot breakdown and cover letter to:

Attention: Recruiting – CG SUP
Luma Pictures
248 Westminster Ave
Venice, CA 90291

Submitted materials will not be returned and no phone calls please.
www.luma-pictures.com

Sr. Lighting TD – Spin VFX Toronto

Spin VFX Toronto is accepting applications for:

Sr. Lighting TD

Spin is located at: 620 King St W, Toronto, ON M5V 1M6

Software Requirements: Renderman, Maya

Qualified applicants should have a minimum of 3-5 years Renderman experience.

This is a full-time position to start as soon as possible.

To apply, please submit a cover letter and resume with a link to your online website/portfolio to:

toronto-resume@spinpro.com

Hardcopy reel submissions to:

SPIN VFX TORONTO
ATTN: RECRUITMENT DEPT.
620 KING ST. WEST
TORONTO, ONTARIO, CANADA
M5V 1M6

www.spinpro.com

Due to the number of anticipated responses, only qualified applicants will be contacted.

NO PHONE CALLS OR DROP-INS PLEASE.

Staff Flame Artist – NYC

Leading New York design, visual effects and beauty shop is looking for an intermediate to senior level flame artist to join our team. Potential candidates should have the following:

-A minimum of 4 years DAYTIME experience as a flame artist.
-Must have excellent client skills, and the ability to work well under tight deadlines.
-Experience with Beauty, retouch and photoreal CG compositing a plus.

Please send a link to your reel & resume to nycflamegfx@gmail.com. Discretion assured.

Jellyfish Pictures are hiring Nuke and After Effects Artists

Looking for good After Effects Compositors (not motion graphics artists) for a high profile Music Promo VFX starting ASAP at the award winning Jellyfish Pictures in London.

Also looking for Nuke compositors for commercials work starting asap too.

Must be based in London / UK . Email me Reel and CV at :

haz.dulull [at] Jellyfishpictures.co.uk

Point Cloud with Camera to MAX

Hi, i have a problem with exported point cloud & camera trough FBX
my nuke project is 25 FPS, and 239 frames sequence.
My MAX scene have 25 FPS framerate.
When i import exported FBX file i have 249 frames.
Where are they from? this additional 10 frames thats makes my sequences unsynchronized make me crazy.
Thanks.

Roto Keyframes and the curve editor in 6.2v2

I have created a roto shape in Nuke version 6.2v2. I have animated the shape. I tried going to the curve editor to adjust my keyframes and the roto bezier does not even show up in the CE.

I’ve also tried this with a rotopaint node and the keyframes do not show up for that either.

Someone else at work who is running 6.1v2 does not have this problem with the keyframes.

Is this a bug? or is there a setting that needs to be adjusted?

Thanks. 😎

What Matters Most + Flying Lotus: Vans Syndicate x Luke Meier

Just came across L.A based What Matters Most; a co-operative of artists looking elevate each other’s work through a collective process. Some stunning work and fantastic direction. First up is Vans Syndicate x Luke Meier; Written and directed by Kahlil Joseph, in collaboration with Luke Meier, shot using the RED ONE as well […]

Occlusion in fusion

how can I make occlusion in fusion?
thanks!

THERE’S MORE

 

The response to the full line-up of Happy F5 has been phenomenal. You – the creative community – are so psyched to just get away from it all for a few days and hit the playground. Tickets are going fast – be sure to lock in yours.

And, yes, an update already! A bunch of new additions to the stellar line-up:

  • Iconic designer Todd Oldham introduces Wayne White for the final act of Happy F5
  • MSNBC anchor Thomas Roberts interviews Mark Romanek during his special session
  • Minivegas will speak to their installation “Atlantis” during one of our two mini-talks
  • Shantell Martin takes the stage in anticipation of her Hidden Oras installation in the second of our two mini-talks
  • Kid Koala and Minivegas will be joining Tanya Morgan on-stage for a collaborative live set at the beginning of the duo’s session

And don’t forget: to get the most out of the Tronic/F5 Virtual Exhibit, download the free, one-of-a-kind iPhone app Goldrun – http://bit.ly/cedb4j. Do this before you get to F5 to get the most out of the exhibit – from your walk up Broadway to the Hudson Hotel to the interior space at Roseland.

Posted on Motionographer