Is it possible to motion track only the destination grid and the source grid to stay in the same position all the time somehow. Cause when pipe a tracker in, both the source and the destination grid are moving together. Some workaround for this? I cannot think of anything right now.
Thanks
I know it could sound a bit stupid but is it possible to use Mental Ray shaders inside of Nuke?
Though C4D’s Projection Man is extensively used in feature films, I haven’t seen much discussion on it yet on the forums so I would like to hear more from you guys who are using it. What you think about it’s limitations and how can it be improved?
Glassworks goes big for MINI
‘MINI vs Monster’, a stereoscopic spot directed by Robert Jitzmark, features digital crowds and other VFX by Glassworks. Lead 2D and 3D artists Morton Vinther and Markus Lauterbach from the studio’s Amsterdam office break down the work for an fxinsider interview at fxguide. Included is a making of VFX clip.
How can i pass for you my script to best explain, is someone didnt understand??
Thank you
Street dance World Champions and stars of Britain’s Got Talent FLAWLESS bring their smash hit live tour Chase The Dream to DVD. Performing to thousands of fans, Flawless bring the house down with amazing new routines and sensational dance moves in the years most stunning stage show. And then join them backstage with exclusive access-all-areas, great interviews and jaw-dropping stunts. Simon Cowell described Flawless as ”one of the best things I have ever seen in my life” and with this DVD you’ll see why. It’s live… behind-the-scenes… and absolutely FLAWLESS!
Qualified candidates should submit samples of work to:
This Irish born, Berlin-based animator has accumulated a lot of fans over the years with his work such as 2009’s award winning “Please Say Something”, 2008’s bizarrely engaging child-like animation “Octocat”, and his breakthrough 2006 piece “WOFL2106”. Getting a cult following for his animated work, David OReilly now returns with his latest offering “The External World”.
After being premiered at the 67th Venice Film Festival, it’s such a joy to see this online. Bursting to the brim with ideas, it’s a tour-de-force of comedy script writing, timing, and well placed technical ability.
Having been lucky enough to catch OReilly’s Talkshow with Fons Schiedon at Holland’s fantastic Playgrounds Festival, I can see OReilly’s quick-fire comedy influences clearly at play here (Adult Swim’s Xavier: Renegade Angel springs to mind). But, like any well used influence, OReilly has spring-boarded off these shows to create his very own dark, twisted world.
What I was left with after watching this piece was the renewed sense of why I fell in love with animation in the first place… the sense that anything is possible, given time, energy and talent. You can create a world where you’re able to let you imagination come alive, without boundary.
It’s the pure dedication to applying this principle that makes OReilly such a unique and truly inspirational animator and film maker, and, for me, “The External World” cements OReilly’s place as one of the most exciting talents in animation in the world at the moment.
This has been amended since original posting -ML
For example if I want to create a matte from the copy node, Nuke shows me ALL the channels of my work.
NB : The nomenclature for my different channels is very correct.
Thanks
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