Animating alpha channel and tracking problem

Hi everyone!
I have 2 problems that I can’t seem to fix by myself. I must have forgot to do something…

First of all, I did some graphics in photoshop (some sort of flowers) and saved it as a PNG with alpha.
I need to put this on a wall and to reveal the flowers slowly from left to right.
I tried to do it with the paint node by animating a stroke (bigger than the flowers) that affects the alpha channel of the PNG but it doesn’t work since it affects the original alpha, revealing a black background behind the flowers because the stroke is bigger than the graphic itself.
Is there a way to do what I want? I’m sure there is, but I can’t seem to find it!

I also have a problem with the tracker node.
The footage is a side view of a women walking down the street and the camera is following her. I want to track some points on the wall behind her to put my graphics on. Everytime I start the tracking, the point gets lost after a couple frames.
I tried to track a point on the women and it works perfectly, but it doesn’t work on the wall.
I did put my tracking points on bricks corner and stuff like that, but they keep sliding.
I also tried to colorcorrect the footage a little to give it more contrast, thinking it would help tracking but it still doesn’t work.
The footage comes from a Sony HDR-XR550V camera and I desinterlaced the footage.

I hope I made it clear enough. Sorry if it’s not, my english isn’t perfect.

Thanks you so much for your help!

fire effect

hi,
i hav done after effect nd doing eyeon fusion,
i want to achieve real fire effect.
can any one suggest me some tutorial
nothing seems with trapcode particular:(:(:(

return a list to be referred in the session through python script?

Hi,

I couldn’t figure this out and am going to use the example below to better describe my question.
When I execute the code below in the script editor, I will get listA = [1, 2, 3] printed and the listA can be referred throughout the current session.

Code:

listA = [1,2,3]
print 'listA = ', listA


To integrate the code as a python script, I wrap the code as a function as below:

Code:

def testFunc():
    listA = [1,2,3]
    print 'listA = ', listA
    return listA


and modify the menu.py so I can execute the python script upon button-pushing.

As I execute the python script, I did get the listA = [1,2,3] printed in the script editor, but if I try to refer to the listA again by executing, say, print listA, I will get:

Code:

# Result: Traceback (most recent call last):  File "<string>", line 1, in <module>
 NameError: name 'listA' is not defined


What I want to achieve is generating a list storing wanted information through the python script so I can refer to over and over again in the same session. Any comment?

Thanks,
Jason

Using spline animation to manipulate other nodes translate data…

Ok so just a quick question everyone. I am trying to link an images translation to a rotopaints animated spline data. So the question is, is it possible Inside of nuke to link an obj’s translate values to a spline if there is no transform info on the rotopaint node? I am simply trying to have a ramp move with the spline without the headache of tracking or using elaborate expressions, although if it is only possible to do this within expressions then I will use the expression.

I know in fusion it is as simple as right clicking and attaching the data

VFX/CG Supervisor- V-Ray/MAX

Award winning SWAY Studio is actively recruiting a well-rounded CG Supervisor to participate in a variety of cutting edge commercial work.

Requirements
• Minimum 4 years of CG leadership experience using 3DS MAX and V-RAY renderer on live-action commercial and/or feature film productions
• A broad knowledge of 3D techniques, software packages and pipelines
• Basic Nuke compositing knowledge
• Creative and collaborative problem solver who is organized and critical of his or her own work.
• Strong artistic skills, with a good eye for form and motion
• Excellent communication, interpersonal, and organizational skills, and an interest and ability to mentor artists
• Knowledge of programming/scripting languages (such as python, C++, perl, etc.) is a plus

Responsibilities
• Proactive at determining, modifying and maintaining the most effective and efficient technical workflow
• Evaluate the layout, modeling, rigging, animation, texture, lighting and compositing needs of a project and develop and execute a strategy for incorporating these needs within the pipeline
• Manage a team of artists by providing clear direction and strong leadership, setting clear objectives, monitoring their process, progress and results
• Reporting concerns with deliverables, performance or the ability of any personnel to meet contracted requirements and deadlines
• Ability to evaluate pitches, proposals and ideas in order to identify methods and accurately evaluate the team and technical requirements of a project
• Expand artists’ creative and technical capabilities through continued experimentation, research and professional development

Qualified candidates are invited to send a link to their online reel and resume to jobs@swaystudio.com.

Please write “CG Supervisor” into the email subject heading when responding.

No phone calls, please
Local Los Angeles Applicants only

Addikt: Kyoorius DesignYatra 2010

Dutch studio Addikt recently produced this visual identity for DesignYatra 2010, a worldwide design festival being held this September 3rd and 4th. Some of the speakers include Crispin Porter + Bogusky, Mother New York, Turner Duckworth and Wieden & Kennedy.
Addikt developed the theme, designed the identity, produced animations for the opening titles and speaker announcements, […]

Which PC amongst these would be good for me ?

Hi all,
hope you guys are doing great …. at my last post i got some great replies and advices whether my old laptop wd be enough for my new vfx project. I had been giving it some thoughts now and tried to find some good desktops, some refrubished with the money I have.

I wan to run these programs, may 2-3 at the same time :

Adobe Photoshop
Adobe Illustrator
3d Max
Maya
After effects
Syflex
VRay
Houdini
Realflow
Renderman

Now I should ideally be looking at this beast :
SYX OVERCLOCKABLE I7 GAMING PC
http://www.circuitcity.com/applicati…4&Sku=SYX-1052

But unfortunately I do not have that kind of money. I do not know how much would it cost to custom make that kind of desktop and who can make it for me in cheap cost. Some imputs regarding that would be appreciated too.

I was looking into these desktops lately :

1) HP Factory Refurbished Pavilion Elite HPE-170T Desktop – 8GB DDR3, 750GB HDD, Core i7-860~3.46GHz Quad-Core WIFI

http://cgi.ebay.com/HP-Factory-Refur…pt=Desktop_PCs

2) HP – Factory-Refurbished Pavilion Desktop / Intel® Core™2 Quad Processor / 7GB Memory / 1TB Hard Drive

http://www.bestbuy.com/site/HP+-+Fac…&skuId=1014586

3) Gateway – Desktop / Intel® Core™ i7 Processor / 8GB Memory / 1TB Hard Drive
http://www.bestbuy.com/site/Gateway+…&skuId=9974337

4) Lenovo – Ideacentre Desktop / Intel® Core™ i7 Processor / 8GB Memory / 1TB Hard Drive
http://www.bestbuy.com/site/Lenovo+-…&skuId=9979887

These are all that I could find … i will add some if i find some later. Please advice me which one would be good within $900 range ( max). Also some advice on the approx. cost and assemblers regarding a specific configuration or for the above SYX OVERCLOCKABLE I7 GAMING PC would be really appreciated. I would be looking for some real helpful feedbacks. Thank you:o

Amlan

Kit showreel 2009-2010

guys this is my compiled reels during 2009-2010 with vfx breakdown

Attached Files
File Type: mp4 KITO_2009_Vfx artist_showreel.mp4 (18.50 MB)

Photo Tracking/Compositing Problem! Need some help!

Hey guys

I’m trying to track a shot where some guy holds a green piece of paper with some track marks on it. I’m trying to composite a photo on top of that lil mini-greenscreen (unfortunatly it wasnt possible to have the actor look at the real photo so thats why we had to go with this complicated mess). there’s a bit of movement and a bit of paper bending involved. we’ve been trying for ages to track it in mocha but all we get is a really really shaking track. plus I cant seem to find out how to adjust the photo to the bending that happens when the actor holds the green sheet in his hands.

anyone’s got any idea on how to approach that successfully? THANKS ALOT!

cheers!
decoy

LEGS Mother Take Over The Standard NYC


Last night, it seemed like everyone in NYC was talking (and tweeting) about one thing: The Standard Hotel. Funded by Target, Mother NY and LEGS took over the Standard as the stage for a Kaleidoscopic Fashion Spectacular — an LED light and fashion show with enormous ambition and success.

Hot off of VMA nominations for their Florence and the Machine video, LEGS continues to blur the line defining the modern director. This latest feat turned 155 rooms (with 66 dancers inside) into pixels, backed by a 30 piece orchestra, as they animated the hotel’s southern facade to bring a live experience to the streets. In attempt an artistic democracy, Target even distributed 1,500 binoculars and had the music available on a toll-free number for those not close enough to hear.

Aside from the exceptional creative and production merits of this work, it’s encouraging to see brands like Target stepping up and financing non-traditional curation (by Mother NY) and innovation much like Intel has entrusted VICE with it’s currently touring Creators Project. As old mediums retire, new ones are born and those who find ways to tell stories within new structures will continue to push our “blurring” industry forward whilst finding new ways to create.

Check out some photos as we await more video and extras about the night and feel free to share any content you may have captured in the comments.

Update: Check out some behind the scenes from lighting animator, Michael Figge, from the team at Eight VFX.

Posted on Motionographer