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Studio Celebrates 10 Years in Entertainment Industry The Senate Visual Effects, a boutique London-based studio, has announced expansion plans coinciding with its tenth anniversary in the entertainment industry. The facility, which began as an independent group of artists working on the award-winning series Band of Brothers, has transformed into a well-established company best known for creating digital environments that enhance |
Chaos Group Booth 612
SIGGRAPH Exhibition floor 27th-29th of July, 9.30-6.00 pm
Live demonstrations by well known artists, real-world V-Ray production workflow discussions by experts in the Architectural, Automotive, Film and VFX industries, and a demo reel showcasing some of the best work in 3D are just some of the highlights at this year’s Chaos Group booth.
Chaos Group Public Event
SIGGRAPH, Room 518, 2nd floor: 29 July, 3:30pm to 6:30pm
Following the tradition of previous years, Chaos Group will host a SIGGRAPH Public Event again for all V-Ray fans, users, resellers and partners.
The Best of V-Ray: An Exclusive 8-hour Live Training
SIGGRAPH Room 518, 2nd floor: 28th July, 10:00am to 6:00pm
Chaos Group and the CGschool will be offering an 8-hour thorough training event called The Best of V-Ray that covers various issues including speed, detail, and noise in renders, animation techniques for static and non-static scenes, practical lighting of exterior and interior scenes, etc.
More at www.chaosgroup.com 😎
We have immediate requirement of compositors. Just forward your resumes to the below mail id.
This is K.Anil Kumar from Ticklebug Creative Studio Pvt Ltd its a VFX company in Hyderabad. We currently have exiting oppurtunities for experience and freshers .Compositors , Animators and Concept Artists as well as rigging and dynamic artists .You can send me the latest show reels with updated resume .
Requirements:
Strong problem solving skills and a good eye required.
Ability to work in a collaborative environment, taking direction from the Sequence lead(s), CG Supervisor and feedback from the Art Director and Director as necessary.
-Bachelor’s degree in Art, Fine Art, Illustration, Graphic Design, Computer Science or equivalent experience.
Thanks!
Contact:
K.Anil Kumar
+91 9849729252
anil.kumar@ticklebugstudio.com
info@ticklebugstudio.com
Ticklebug Creative Studios Pvt Ltd.
Here is my latest Demo Reel. Let me know what you think. I was trying something new with it. Its a little long but I like it. O and it takes a bit to buffer Ill need to encode it at a smaller size.
Jeremy
It is a digital painting of the performer Beyonce, produced using only one finger and the new Apple device, iPaddiv class=”feedflare”
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Gul, a young girl, is awakened by her mother\’s dying breath. She struggles to recall her past. A child\’s view illustrates confli…div class=”feedflare”
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Jellyfish Pictures and America: The Story of Us
America: The Story of Us is one of the History Channel’s most
popular series, telling the story of how the United States was
invented. To help showcase many years of history in only a 12 part
series, Jellyfish Pictures realised several sweeping ‘transition’ shots
to link stories together. Here’s my interview at fxguide with Jellyfish creative director Phil
Dobree and visual effects supervisor Hasraf Dulull.
I am wondering if someone could shed some light on the workflow of incorporating the Survey Data feature in PFTrack to facilitate the set fitting process later in 3D program.
I have an interior scene that is already calibrated in ImageModeler and with proxy geometries built and locators placed on specific positions in Maya.
I then 2d track user-features in the positions corresponding to the locators.
User-features are then added into Survey Data window. The SurveyX, SurveyY, SurveyZ are fed with corresponding locators 3d position read out from Maya.
I make sure in every single frame, there are 6 survey points presented according to the User Guide.
I then solved the scene with only these survey points. The scene is solved in about 1 sec but the solution is terrible with out of whack scene orientation. The camera path shown in the perspective view seems close to what it supposes to be, but upside down. (Use Z-up is disabled in the Preference)
Here are couple screen cap of the solved scene and Survey Data window setting.
Any tip or comment will be really appreciated as I have been spending a week or so trying to incorporate survey data into this matchmove…..
Thanks,
Jason H.
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