Frantic Films Software Announces Deadline 3.1

Render Queue Management Software Now with MetaRender Support from IRIDAS

Las Vegas, NV-NAB 2009, Booth #SL4430 -Frantic Films Software, the R&D division of award-winning visual effects company Frantic Films VFX and a division of Prime Focus Group, today announced the launch of Deadline 3.1, the company’s hassle-free administration and rendering toolkit for Windows, Linux and Mac OSX-based render farms. The latest version provides support for MetaRender, the render package from IRIDAS that automates complex transcoding tasks in production pipelines and post facilities. MetaRender works across platforms and greatly simplifies the task of managing file conversions, including burning-in grading or LUTs and adding file information for viewing with digital dailies.

"Deadline has a reputation and history for being an ultra-reliable render farm management system," said Patrick J. Palmer, COO, IRIDAS. "It’s great to have a front-end product like Deadline, which is so user-friendly, to act as the interface for MetaRender, and we are extremely pleased that Deadline 3.1 now provides integration with MetaRender’s automated transcoding capabilities."

Prior to its release, Deadline 3.1 underwent thorough beta testing by several longtime Deadline customers, including lead technical artist Mike Owen at the UK’s Burrows nVisage. Owen has been a Deadline customer since 2007.

"The design visualization and VFX industry moves at a breakneck speed, and it’s refreshing to find a software developer that’s always one step ahead," said Owen. "Deadline’s installation design makes it very easy to deploy silently. New versions only have to be updated on the server, which then automatically updates your entire farm! The system can then be configured through one common interface, allowing as much customization as you want."

"Deadline is highly stable, expandable, manageable, dependable, and every other -able you can think of," Owen continued. "For over two years now, Deadline has never failed, not even once. Now that’s a statistic I wish I could say about some of the other software we’ve used. Deadline was born from a production studio’s needs and as a result, caters to artists and studios like mine perfectly. Deadline brings our mixture of software and bespoke tools all together into one manageable pipeline."

Deadline 3.1‘s new features include:
* Mac OSX support: The Monitor, Job Monitor, Slave, Pulse, Launcher and command line applications have all been ported to Mac OSX.
* Improved Linux support: The Monitor and Job Monitor have been ported to Linux with improved functionality and performance.
* Statistics Gathering has been re-implemented.
* New render packages supported: fryrender, MetaRender, Vue 7 and REDAlert.

For a complete list of Deadline 3.1 features, visit:
http://www.franticfilms.com/software…e/feature_set/

Deadline 3.1 Pricing and Availability
Deadline 3.1
is available now directly through the Frantic Films Software Division. Please visit http://software.franticfilms.com or contact deadline-sales@franticfilms.com with sales inquiries. Deadline is available for a list price starting at US$140 per render node for the first 25 licenses; prices drop per unit with increased volume.

About IRIDAS
IRIDAS pioneered desktop film-resolution playback in 2001. Its FrameCycler products are the industry standard for frame-based image review. In 2003 IRIDAS introduced SpeedGrade, the first desktop grading application to provide full 2K performance on a regular PC workstation. In 2007, IRIDAS presented the first real time render quality RAW playback technology. Today SpeedGrade, FrameCycler and MetaRender, provide the critical links in an end-to-end pipeline for digital image content and color metadata. IRIDAS’ applications are used by filmmakers around the world and major animation and postproduction houses. IRIDAS is an independent, privately held company, headquartered in Munich, Germany. For more information, visit www.iridas.com.

About Frantic Films Software
Frantic Films Software, a division of Prime Focus Group, has developed a reputation for creating innovative custom-built R&D solutions and quality software products. From the Deadline(tm) Render Farm Management System, to the Awake stereoscopic plug-ins for eyeon Fusion, to the Krakatoa high volume particle renderer, Frantic Films Software is pushing the envelope of conventional thought and applying real science to create tools and technology that truly open a whole new world of possibilities for VFX professionals. For more information, visit Frantic Films Software at http://software.franticfilms.com.

About Frantic Films VFX
Located in the three different locations across North America with offices in Winnipeg, Canada, Vancouver, and Los Angeles, Calif., Frantic Films VFX has been operating divisions that provide visual effects for film and television, and VFX software development since 1997. Frantic Films’ VFX award-winning visual effects teams have worked on films including Watchmen, Dragonball Evolution, Red Cliff, W., Journey to the Center of the Earth 3D, Fantastic Four: The Rise of the Silver Surfer, Grindhouse, Superman Returns, X-Men 3, Poseidon and many others. The company’s software tools were developed to solve complex production challenges on in-house feature effects projects, and are also in use at many leading 3D animation and effects facilities worldwide. In November of 2007 Frantic Films VFX became a division of international post and VFX leader Prime Focus Group. For more information, visit http://www.franticfilms.com.

onedotzero : Adventures In Motion

onedotzero_adventures in motion festival is now open to receive visually progressive moving image work for their 2009/2010 global touring festival.

who need the free Keylight tinder and Furnace for shake4?

i have everything, if u work in motreal and interesting the shake4 .
add me in msn:dannifirst@hotmail.com
everything is free. i just want to share my library with my friends.

Funny Short Film

Here is a video that I made with my Youth Group.
I did all of the filming, visual effects, video editing, etc…

*This is important to the video: “Dave-The fat guy” is our (totally awesome) Youth Pastor.

Please leave a comment about this video: Pros, Cons, Whatever you like, but please let me know what you think of the video.
Make sure you watch it the whole way through.
Enjoy….

I am not quite sure how to embed videos from vimeo here, so just click on the following link: http://www.vimeo.com/4134832

P.S. If you know how to embed vimeo videos here, could you please let me know?

who need the free Keylight tinder and Furnace for nuke?

i have everything, if u work in motreal and interesting the nuke .
add me in msn:dannifirst@hotmail.com
everything is free. i just want to share my library with my friends.

Sony : Mechanical Heart

A Mechanical heart made from pieces of Sony products.
Watch part 1 | part 2

Mark Beardall : New Reel

Amazing reel from VFX artist Mark Beardall, working in Flame for 10 years for commercials, music videos, broadcast, corporate, film VFX and title sequences. He recently worked on the Chris Cunningham spot for Gucci.

Today Is Tomorrow : Reel

Timothy Palmer updated with a new reel and site for 09

Pet Punk

I’ve always loved the bizarre stylings of Pet Punk. Check out their new reel – seems like an appropriate post for 4/20.

LEGS: Bravery

bravery
LEGS are back with another off-the-wall web-film for Diesel. You may remember them from last fall when they launched with a web campaign that included ‘Pete the Meat Puppet’. This one, for Diesel/L’Oreal’s new fragrance Only the Brave, is three films that play at once to create a fourth.

The three films in this triptych deal with themes of heart, mind and nerve. The centerpiece of mind narrates the other more abstract, non-linear pieces. Legs managed to mash-up a wide range of film vernacular in the process. The obvious quotations of Lynch and expanded-cinema pioneer, Brakhage are backed up by an array of other references including Jurgen Leth, Jarmusch, Sam Raimi, Dario Argento and the graveyard scene in Easy Rider.

Though this didn’t have the budget of the piece featured in my last post, it is still another great example of the freedom directors are being given within the realm of online-content creation. Legs was given a great opportunity to flex their writing and directing chops with an assumed creative freedom that would likely be unmatched in an on-air environment.

Client: L’Oreal/ Diesel
Agency: Sub Rosa
Creative Director: Michael Ventura
Art Director: Bryan Hodge
Copywriter: Legs
Agency Producer: Brent Cheatham

Production Company: Legs
Director: Legs
Director of Photography: Scott Beardslee
Executive Producer: Adam Joseph
Line Producer: Emily Wiedemann
Editor & company: Paul Snyder at Lost Planet
Visual Effects: Paul Snyder
Sound Design: Ryan Price at Sound Lounge
Music: Geremy Jasper, Jason Binnick

Posted on Motionographer