Colourmovie created this opening sequence for the Slamdance Film Festival’s 15th Anniversary. Slamdance has established a unique reputation for premiering new films by first-time writers and directors working within the creative confines of limited budgets.
Tronic was recently commissioned by Diesel to produce this short film to open their fashion show in Italy and flagship store exhibition, taking a glimpse into a future where “Your skin is woven in mine”.
(Edit : Credit correction )Via W+K, Psyop directed the thrid installment of Coke’s Happiness Factory. (full credits here, thnx for the heads-up Shannon and Jon!)
The Onitsuka Tiger is back to celebrate it’s 60th anniversary, a milestone of major significance to Japanese culture that is laden with symbolism around the “Cycle of Life”. As a result, Amsterdam Worldwide has created a campaign to celebrate the Zodiac Legend of the race of the sacred animals to secure spots on the Zodiac calendar.
Tapped for the Zodiac Race was New York studio, PandaPanther, who once again prove that they are the class of the character design/animation studios. Setting their animation around the hand built Zodiac Race sneaker diorama (that will be on tour in Europe, Asia, Australasia and the USA in selected trade and fashion shows), PP seamlessly mix their trademark cg characters with the environment and polish it off with touches of cel animation. Not to be forgotten is the audio mix that successfully brings all these characters to life and gives just the right touch of odd to make it all work.
Make sure to watch this making of video to see how the shoe was planned, built and worked from for this animation.
Directors cut: here
Client:
Onitsuka Tiger
Creative Agency:
Amsterdam Worldwide
Executive Creative Director:
Richard Gorodecky
Creative Director:
Andrew Watson
Copy Writer:
Gillian Glendinning
Art Director:
Jasper Mittelmeijer
Planner (creative agency):
Simon Neate-Stidson
Senior producer (creative agency):
Samantha Koch
Production Company:
Panda Panther
Directors:
Jonathan Garin & Naomi Nishimura
Executive Producer:
Senju Hudson
Producers:
Sarah Obermeier
Lydia Holness
Coordinator:
Natsu Takahashi
Storyboard Artist:
David Zung
Designers:
Naomi Nishimura
Jonathan Garin
Ari Hwang
Elisa Riera Ruiz
3D Animators:
Han Hu
Miles Southan
Michael Galbraith
Jeff Kim
Jonathan Garin
3D Artists:
Stanley Llin
Ari Hwang
Compositing:
Naomi Nishimura
Matt St. Leger
Jonathan Garin
2d Animation & Fx:
Matt St. Leger
Jonathan Garin
Ari Hwang
Cell Animation:
Studio: Xebec, Tokyo
Nobuyoshi Habara
Meiju Maeda
Junki Honma
Props and art department:
Junko Shimizu
Naomi Nishimura
Production Intern:
Arwita Adinegoro
Sound Design:
Norman Bambi
DP:
Carolyn Taylor
Lighting Assistant:
Juliana Vail
Technical Shoot Supervisor/Rig Operator
Richard Coppola
Making of Video Editing:
Robert Lopuski
In-store Display Fabrication
Studio: Brooklyn Model Works
John Kuntzsch- principal
Jonathan Bozak- project manager
Grant Guilliams
Chris Baker
Adam Baily
Jen Poueymirou
Mike Sukys
Daniel Harper
Marty Chafkin and the crew at Perfection Electricks
Posted on Motionographer
the given below details is the information about this camera..
I want to know that, this camera is perfect for keying?
Can we able to do all kind of visual effect in this camera footage?
i am asking not for professional its only to make my show reel..
anybody help me please….
High Picture Quality
The GS330 features O.I.S. and the 3CCD camera system. O.I.S. minimizes hand-shake, and because it’s an optical system, there is no quality loss. The 3CCD camera system is used in most professional broadcasting equipment because it draws out the full potential of the camera’s high image quality.
Shooting Functions
A joystick control makes the camera much easier to use, letting you control all basic operations with one hand. And Quick Start mode helps shoot videos on the spur of the moment.
Editing / Networking
USB 2.0 compatibility lets you upload DV data to a PC at high speed over a single USB cable. And with DV editing software, you can make home movies with quality so high, you’ll enjoy watching them again and again
|
GENERAL PAL
| |
|---|---|
| Power Supply | DC7.2 V / 7.9 V |
| Power Consumption | 5.2 W |
| Weight (w/o Battery) | 450g |
| Dimensions (W x H x D) | 83.6 x 76.5 x 145.1 mm |
| Media | miniDV / SD / SDHC Memory Card |
|
LENS SECTION
| |
| Image Sensor | 1/6″ CCD x 3 (800 k x 3 pixels, Total / 630 k x 3 [4:3], 540 k x 3 [16:9] (Motion Picture) / 710 k x 3 [4:3], 540 k x 3 [16:9] (Still Picture) Effective) |
| F Value | F1.8 (WIDE) / F2.8 (TELE) |
| Optical Zoom | 10x Variable Speed Zoom |
| Focal Length | 3.0mm – 30.0mm |
| Filter Diameter | 37 mm |
| 35mm Film Camera Equivalent | 46.1 – 461 mm [4:3] / 47.1 – 471mm [16:9] (Motion Picture) 43.4 – 434 mm [4:3] / 47.0 – 470 mm [16:9] (Still Picture) |
| Lens Brand | Leica Dicomar |
|
CAMERA SECTION
| |
| Minimum Illumination | 1Lux (Colour Night View) |
| Focus | AF / Manual |
| White Balance | Auto / Indoor / Outdoor / White Set (with IR Sensor) |
| High-Speed Shutter | Tape Mode: 1/50-1/8000sec. Card Mode: 1/25 -1/2000 sec. |
| Iris | Auto / Manual |
| Scene Mode | Sports / Portrait / Low Light / Spot Light / Surf & Snow |
| Backlight Compensation | Yes |
| EVF | 0.33″ Colour (113.578 dots) |
| Monitor | 2.7″ Wide LCD (123.200 dots) |
| Microphone | Stereo Zoom Mic, Wind Noise Reduction |
| Date recording | Auto Date (in Data Code) |
| Fade In/Out | Yes |
| Rec. Review | Yes |
| Image Stabilizer | O.I.S. |
| Digital Zoom | 10x – 700x |
| WEB Camera Function | Motion JPEG 320 x 240 approx. 6 fps |
|
CARD SECTION
| |
| Card Slot | SD / SDHC |
| Still Pictures | JPEG picture size : 2048 x 1512 3.1MEGA / 2048 x 1152 [16:9] 2.4MEGA / 1600 x 1200 2.0MEGA / 1280 x 960 1.0MEGA / 640 x 480 0.3MEGA / 640 x 360 [16:9] 0.2MEGA |
| DPOF | Max 999 stills |
| PictBridge | Yes |
|
RECORDING SECTION
| |
| Format | DVC – SD |
| Recording Mode | SP / LP |
| Playback Mode | SP / LP |
| Variable Speed Search | Max. 20x Speed |
| Audio Recording System | PCM 12bit 4ch / 16bit 2ch |
| Audio Dubbing | Yes (only inner mic) |
| Counter | Time Code |
| Media Remaining Indication | Yes |
|
INTERFACES
| |
| S-Video | Out (AV Multi) |
| AV | Out |
| USB | 2.0 Hi-Speed (miniB) |
| DV Input / Output (IEEE1394) | In / Out (Europe area, Out ) |
| Accessory Shoe | Cold |
|
STANDARD ACCESSORIES
| |
| AC Adaptor | Yes |
| AC Cable | Yes |
| DC Cable | Yes |
| Battery Pack | Lithium – Ion |
| AV Cable | Yes |
| IR Remote | Yes |
| Lens Cap | Yes |
| USB Cable | Yes |
| CD-ROM | SweetMovieLife 1.1E / MotionDV STUDIO 6.0E LE for DV |
Official site
Apple’s site with 1080p
Transformers 2 Will Be Shot in IMAX, Get Ready for Five-Story Transformers
Can’t wait 😀
> Quicktime H.264
(12.2mb)
> iPod Compatible
(9.2mb)
> Watch in Flash
(6.7mb progressive)
Tony Robinson, Kevin McCloud, David Starkey and Jon Snow take part in a pub quiz, terrifying their fellow patrons in the process, and backing up More4’s claim of being ‘really quite clever’.
“A collection of work from 2008. Compositing, Matchmoving, and Motion Graphics.“
I’m satisfied with all of the work, however I’ve since been picked up by an instructor of mine, and I am working on independent films comping elements, doing blemish removals, tracking object, etc. Its great experience and I’m having a blast with it. I’m not particularly looking for a critique for any of this work because its all “school work” and nothing professional, however I don’t discourage it. I’m now on track working with professional projects and will start a new portfolio without the school stuff once I’ve worked on enough projects for sufficient portfolio footage.
Enjoy!
However, my main workflow consists of getting several thousand frame image sequences from the Avid editors and then I deal with the whole timeline. Once I get it, I usually split it up by scenes (within the composite’s timeline), then do what vfx/grfx are needed scene by scene. Render the whole thing back to a Quicktime and hand it back to the editors.
Toxik can only handle one scene at a time, and as extremely appealing as it is, being able to only deal with one scene at a time will probably be a deal-breaker for me.
Is this also true for Fusion?
-Matthew
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
