CG Supervisor @ Double Negative Singapore

Double Negative is Europe’s largest provider of visual effects for film and has offices in both London and Singapore. Recent projects include; The Dark Knight, Iron Man 2, Scott Pilgrim vs the World, Harry Potter and Inception.

Double Negative Singapore is on the lookout for a CG Supervisor to report to our newly appointed Singapore Creative Director, and be part of our expansion and growth.


A competitive salary is on offer and assistance will be provided with relocation and visa. Contract length is negotiable and we are open to discussion regarding an appropriate time frame for this post.

Key responsibilities

• Provide technical and artistic leadership for CG departments including modelling, texturing, look development, effects and lighting and rendering.
• Set objectives for artists and monitor their progress.
• Interpret the artistic brief from the director / vfx supervisor.
• When working on projects based in London ensure that work meets the brief provided by the show’s sequence leads / CG supervisor.
• Take responsibility for the allocation of resources across multiple shows in order to achieve production goals.
• Specify CG pipelines to ensure efficient shot production and supervise their implementation.
• Manage communication between departments.
• Ensure that all work is of a high standard both artistically and technically.
• Work with R&D to specify new tools as required and provide continuing feedback on their effeciveness.
• Manage staff effectively so that they work well in a team and continue to be as effective as possible.
• Participate in recruitment activities including interviewing and outreach with local universities and schools.
• Assist the Singapore operations manager in securing new business.

Needs to Know

• Should have a comprehensive understanding of all areas of CG production including rendering, lighting, scripting and creature setup.
• Must be very familiar with 3D software packages, particularly maya, houdini and prman.
• Knowledge relating to animation and compositing is an advantage.

Needs to be

• Pro-active and good at solving problems.
• A good communicator who can work well with artists of all types.
• Adaptable.

Measures of Performance

• Delivery of projects on time.
• Smooth running of projects.
• Achieving consistently high standards of work across the project.
• Continuous improvement.

If you are interested please apply online at

We look forward to hearing from you!

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