The Onion Gets Visual Effects-y With Obama Motion Capture

You know that Visual Effects has truly come into it’s own as a cultural phenom when there’s a story about it in The Onion. It’s like being a musician and having your song cover by “Weird” Al Yancovic. I have to hand it to The Onion writing staff for doing there homework though. The article talks about Vicon, a real life mo-cap company. and it features this quote.

“Our 78-person team is committed to capturing each and every nuance of the Obama administration,” Vicon CEO Douglas Reinke said. “Years from now, historians will be able to access high-quality images of what the former president might have looked like while he was, say, meeting with the Joint Chiefs of Staff on April 3, 2009, or tying his shoelaces on the afternoon of June 3, 2011.”

Get this, Douglas Reinke really is the CEO of Vicon. You gotta love well researched fake news.

LINK to the full Onion article


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Guy Spends Two Years Making Movie About A Guy Who Lives Inside Google Sketch-Up

That “guy” is Bruce Branit, one of the creators of 405:The Movie and film he made is called World Builder. It was shot fully on greenscreen in 1 day and then spent about two years in post most of the work being done by Branit himself. The results are pretty impressive even if the ending is a bit maudlin. Sit back and relax with some popcorn the clip is a bit long.

(VIA Gizmodo)


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California To Film Industry – “Come back baby, I promise it’ll be different this time.”

Seems that the Golden State has finally wised up and started offering some of the same tax credits other states and countries have given up to movies and tv shows for years. The deal is that Cali will give back 20% of below the line costs capped at a $500 million dollar payout over the next five years. The tax credit also does not extend to films with a budget over $75 million (you heard me Stretch Armstrong:The Movie).

That sounds like a lot until you look at all the other tax credit schemes out there. According to the L.A. Times…

New Mexico offers a 25% rebate on production costs and does not have a cap. Neither does Michigan, where filmmakers get up to 42 cents back for each dollar they spend on filming.

So the question will be, which of the Hollywood glitterati is going to volunteer to spend 4 months of their lives eating Chile Con Carne in Albuquerque over the Pan-Roasted Organic Chicken With Oregon Morel Mushrooms at Spago to save the studios a measly 5%. I guess time will tell

LINK to the full article about the tax rebate in the L.A. Times


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Stu Maschwitz

By now, most of you have probably heard that The Orphanage has suspended operations. (Co-founder Stu Maschwitz explains further on his blog.)

This is as good time as any to appreciate Stu’s recently updated directorial reel, which shows off his finely developed acumen for storytelling and compelling visuals.

It should be noted that Orphanage Animation Studio, headed by Genndy Tartakovsky, is unaffected by The Orphanage’s closure and is still hard at work on The Power of the Dark Crystal.

NOTE: This post was amended to correct an attribution error. Thanks to JuanBreton for his helpful email.

Posted on Motionographer

Stu Maschwitz

Stop Bothering Me And Check Out HDRLabs

The most common question I’ve been getting around the VFX world lately is “How the hell do I shot and HDR?”. For those of you still doing visual effects on a Commodore 64, that stands for High Dynamic Range, the process of combining multiple camera exposures into a single image. Well, harass me no more VFX brethren! Professor Kirt Witte from SCAD (pictured above) has a great site called HDRI Tips and Tricks FAQ. Here’s a taste…

4 Rules of shooting HDRs

    • Lock f-stop (aperture – which controls your depth of field)
    • Lock focus
    • Lock white balance
    • Turn off any in camera “automatic” image enhancing (i.e.: auto-contrast or auto-saturation, including sharpening)

There all kinds meaty info here so enjoy, and stop bothering me.

LINK to the HDRLabs FAQ


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Wireframez Episode 2


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Michigan Gambles On Visual Effects Facility

Q: What’s better than slaving away on VFX jobs in downtown Detroit? A: Doing it all in an abandoned casino!

Seems like the tax breaks the great lakes state is offering have drawn some big VFX money. According to the Detroit Free Press, the facility called Wonderstruck…

would be the first of its kind in Michigan. Wonderstruck said it would deliver full-scale Hollywood productions from inception to state-of-the-art computer generated 3D software. Its content is mostly targeted toward families and young audiences.

They’ll be setting up shop inside an old MGM Grand casino so they better start trying to get the cigarette and spilled booze stench out of the carpets now. Oh, and there is the slight problem of not having anyone there to do the actual work.

Since Michigan currently lacks many workers with the skills Wonderstruck needs, Wonderstruck said it was developing an intense training program for potential new Michigan employees.

I wonder if they will keep the cocktail waitresses and nickel slots open for the new artists in training.

LINK to the full article


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On Set VFX Tips Answers The Age Old Question – “How Big Is That Thing?”

If your ever been on set and need to survey something really tall you basically have two options.

  1. Shimmy up said tall object with a tape measure clenched between your teeth or..
  2. Use a spiffy trick with an inclinometer to tell how tall the thing is from your foldable camping chair whilst you sip a frothy beverage

If you are like me and like the sound of #2, all you’ll need is a Suunto Tandem Inclinometer, a laser tape measure and the magic of “math”. Check it out it’s actually very handy

LINK to the full tutorial on On Set VFX Tips


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Psyop: Coke “Heist”

heist

For this weekend’s Super Bowl ad-o-rama, Psyop and Weiden+Kennedy Portland teamed up create another epic tale of longing for Coke.

Like the 2007 “Happiness Factory,” created for W+K Amsterdam, “Heist” stars inventive little critters, but this time they’re modeled after Mother Nature’s designs. Psyop did a brilliant job walking the fine line between realism and anthropomorphic cuteness.

A Q&A with Psyop’s Todd Mueller and Kylie Matulick will be here soon. Credits here.

Posted on Motionographer

Psyop: Coke “Heist”

VFX Nexus Bring Shot Tracking And Collaboration to the Masses

collage.png

The folks over at VFX Nexus have nice little piece of code up that seems like a great all-in-one solution for keeping your VFX House in order. Aimed squarely at the indi-film and small studio market, VFX Nexus offers a nice suite of well designed tools (some in-house VFX tracking systems look like the control panel of Soviet cargo plane) that’s hosted off-site lowering software maintenance needs and enhancing communication between far flung artists and vendors. It even includes a “Knowledge Base” section so you don’t have to set up a separate wiki. Nice.

LINK to the VFX Nexus main site (make sure you check out the demo)

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