Dec 10

Effects Artist

Posted in: The Job Lot
Starz Animation located in downtown Toronto is looking for an Effects Artist to work on a stereoscopic live action feature film.

Duties and Responsibilities:
· Create effects for assigned shots using Realflow and Maya, ensuring continuity and flow within and between shots and sequences
· Work with Lead Effects Artist to ensure that all individually assigned Effects deliverables are completed fully and in line with production schedule and Director’s overall vision
· Attend Effects reviews for assigned sequences
· Troubleshoot and debug shot problems and escalate technical issues as required
· Maintain a convention of file naming structures for all shots that is compatible within the Starz Animation production pipeline
· Remain current and up-to-date in effects techniques through industry research and training
· Perform additional duties as required

Skills and Experience:
· 3+ years CG visual effects experience in a Maya production environment
· Feature film experience an asset
· Completed post-secondary education classical or 3D animation, art fundamentals, or other relevant area of study
· Good working knowledge of Realflow, Maya FX tools and Houdini
· Experience with Maya particles/dynamics and particle expressions
· Background in traditional art an asset
· Basic understanding of animation styles and techniques and the animation production pipeline as a whole
· Good creative and technical problem solving skills
· Ability to learn quickly and comprehend custom in-house production tools
· Ability to prioritize tasks, meet tight deadlines, and perform to standard in a fast-paced environment
· Experience with Realflow and Maya Fluids as well as some knowledge of the development and design of FX water
· Compositing principles preferably using Fusion and/or Nuke
· Any scripting language

Qualified applicants can apply online to Starz Animation at www.starzanimation.com/careers Please ensure you attach a link to your demo reel including your reel breakdown and resume.

We would like to thank all applicants however only those considered for an interview will be contacted.

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Dec 10

Assistant Technical Director

Posted in: The Job Lot
Whiskytree, located in the Bay Area of northern California, offers visual effects, art department, retouching, and location capture services for film, games, and advertising.
We are currently looking for an Assistant Technical Director for a project position.

Responsibilities:

• Provide technical support for the studio’s artists and technicians
• Assist with tasks including lighting, rigging, simulation (fluid, smoke, cloth, dynamics), camera setup/tracking/animation, render optimization, and jack-of-all trades computer graphics work
• Build and maintain VFX toolsets including Softimage, Maya, Nuke, and a wide range of utility applications
• Participate in the success of the company on a daily basis

Requirements:

• A year or two of professional experience in visual effects
• Some knowledge of and experience in Softimage, Python, Mental Ray, Nuke, and Photoshop
• Bachelor’s degree in computer science, industrial design, architecture, or similar discipline
• Strong traditional art and photography skills
• Ability to work in a self-directed manner, and in a collaborative team environment
• Excellent written and verbal communication skills
• Capable of taking initiative to produce independent solutions to technical and artistic challenges
• Familiarity with shader writing, C++, MEL, objective C, and web development is a plus
• The aptitude to participate in all aspects of creating final shots
• Enthusiastic and highly motivated


To Apply:

Send email to ro@whiskytree.com that contains the following:
• Subject line “ATD submission – your name"
• A signed and scanned Content Submission Agreement –
www.whiskytree.com/static/files/WTCSA.pdf
• Your resume and cover letter
• A link to your website

Or

Send postal mail that contains the following:
• A printed and signed Content Submission Agreement –
www.whiskytree.com/static/files/WTCSA.pdf
• A good old-fashioned paper resume with cover letter
• Demo reel

Attention:
Recruitment Offices
Whiskytree Inc
914 Mission AVE, 3rd Floor
San Rafael, CA 94901

No phone calls please

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Dec 09

MPC Vancouver: Modelling TD

Posted in: The Job Lot
Position Summary:

Candidates should be willing to consider their task part of the creative process, not only a matter of duplicating scans or drawings. Often designs must change in the modelling/rigging phase. So a design and/or sculpting background would be ideal but not essential. Some technical proficiency with building models for deformations (like blendshapes, deformers and muscle/skin simulators) is a must. Solid production experience required.

Duties and Responsibilities:

  • To bring a creative spirit to the task
  • To build 3D models which artistically represent the designs while technically meeting the needs of other processes
  • To be flexible and team oriented
  • To communicate about their progress and ideas with their supervisor and producer daily

Requirements:

  • Proven 3 years of experience required
  • Ability to interpret models from both 3D scans or 2D artwork
  • Advanced UV skills a must
  • Experience building models for facial and body deformations
  • Thorough working knowledge of Maya’s modelling tools, and Zbrush/Mudbox
  • Knowledge of any supplemental modelling tools or additional packages a plus eg: Cyslice
  • Fine art skills and design background a plus (sculpture, drawing, Industrial Design)

Details:

  • Start Date: Immediate to early 2011
  • Duration: Project based
  • Location: Vancouver, Canada

If this role sounds of interest then please get in touch, sending a copy of your reel and resume to: vancouver-jobs@moving-picture.com

We look forward to hearing from you!

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Dec 09

I.E. Effects VFX Coordinator

Posted in: The Job Lot
I.E. Effects is a full-service Production and Post Production/Visual Effects house located in Culver City. We create S3Dand 2D content for feature films, commercials, theme park attractions, and corporate communications.
We are looking for a seasoned VFX Coordinator who can efficiently manage and organize current projects and artists’ time, while being able to communicate directly with clients in a highly professional manner. The VFX Coordinator is responsible for the management and distribution of information during projects, as well as maintaining a smooth workflow with our satellite office in Michigan when applicable.
Applying candidates must have at least 4 years of experience working as a VFX Coordinator in a fast-paced environment, as well as experience with a wide variety of projects. Please send resumes to johnh@ieeffects.com.
Duties & Responsibilities Include:
·Must have strong leadership skills and be able to act as an effective liaison between clients and artists, as well as with other departments in the company.
·Assist VFX Producers and VFX Supervisors in all management and coordinating responsibilities.
·Maintain all schedules, contact sheets, work orders and job actuals.
·Keep VFX Supervisors informed on all schedule changes and important information pertaining to each project.
·Accurately record notes during dailies & rounds pertaining to artistic, technical and logistical information for all shots; enter them into an internal database and make sure that information is dispersed appropriately amongst the artists.
·Coordinate the schedule for artists to address notes with VFX Supervisors.
·Track shot progress and interface with artists, VFX Supervisors & VFX Producers.
·Set up and maintain organized binders for each project including all pertinent client & vendor paperwork.
·Gather artists’ timesheets and keep track of hours spent on each project.
·Coordinate and track all deliveries, including FTP uploads and downloads, as well as all physical shipping and receiving.
·Help manage office duties by answering phones & maintaining opening/closing procedures when needed.
Qualifications
·Must be proactive, detail-oriented and highly organized.
·Must possess excellent oral and written communication skills.
·Must have good understanding of the post production process.
·Must be proficient in Microsoft Word, Excel, FileMaker Pro and NOW scheduling software.
·Basic knowledge of editing & visual effects software is preferred.
·Must have a clear understanding of all aspects of the visual effects process/pipeline.
·Must truly enjoy being a VFX Coordinator and not just using it as a temporary stepping-stone to producing.
·Must have a friendly, positive, professional attitude.
·Must be a team player and juggle multiple tasks when necessary.
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Dec 09

I.E. Effects: 3D Modeler

Posted in: The Job Lot
Emmy Award nominated visual effects company in Culver City, CA has immediate availability for a 3D modeler. This individual must be available to work on-site and must have a keen eye for design, product modeling and brand experience for broadcast, industrial and film work.
The following are expected from an ideal candidate:
Must have great texturing and shading skills
Must have experience with Hard Surface Modeling
Must be able to work positively in a team environment
Must be able to complete work in a timely manner and follow up on fixes as well as self manage

Application Requirements:

MODO / Lightwave modeling experience.

Lightwave Generalist

3+ years experience as a designer or equivalent position
&
rendering and compositing skills a plus.

Please send links, reel & resume to: Johnh@ieeffects.com

Thank you. :spiderman

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Dec 08

Photoshop Artist – Hollywood, California

Posted in: The Job Lot
Company: Technicolor
Job Title: Photoshop Artist
Location: Hollywood, California

Overall Purpose and Objective:

The Photoshop artist helps define stereo instructions, paint textures and backgrounds from existing artwork.

Job Responsibilities:

  • Setting up scripts within Photoshop as needed
  • Outline specific shot by shot visual instructions
  • Background extension and general design work based on existing artwork and style
  • Paint textures to match style and texture
  • Help in QC process

Job Requirements:

  • Minimum of 2 years work experience in related field
  • Strong organizational skills
  • Stereo experience a plus
  • Ability to communicate in manner that creates collaboration, coordination and teamwork to ensure the mutual sharing of ideas and information
  • Demonstrated ability to keep track of priorities
  • Fluent knowledge of Photoshop
  • Thorough understanding of the visual effects pipelines and workflows
  • Excellent understanding of photography and film, and the interactions of light, lenses and film emulsions make up the image.
  • Must be customer service oriented, and work well in a team environment
Local candidates only. Relocation assistance is not available for this opening.

The above are minimum requirements. Resumes from more experienced candidates are welcome. Compensation and responsibilities will depend on experience/qualifications.

EOE M/F/D/V

If you are interested in this opening please send your resume to TDP.Recruitment@technicolor.com

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Dec 08

Freelance Stereoscopic Nuke Compositor

Posted in: The Job Lot
Freelance Nuke Compositor needed for stereoscopic title sequence. Need to work in our Santa Monica studio, we provide workstation and software. Must have stereoscopic experience.

Start this Friday the 10th, work through Wednesday the 23rd, need to be available for possible weekend work, as well.

If available, please send contact info, rate, and link to your work. Thanks!

recruitinator@gmail.com

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Dec 08

Tracking Artist: Vancouver, Canada

Posted in: The Job Lot
Prime Focus: Tracking Artist

Our Vancouver studio has an immediate opening for intermediate level tracking artist for a feature film project.

Skills & Responsibilities:

•Converts background plates to various formats to use with specific software to create digital motion files that match the plate photography. This includes animating any live action character or relative object in the scene

•Generate 2D Compositing elements, while maintaining the accuracy of camera perspective.

•Models the set geometry used to create the matchmove and environment for Animators and Technical Directors.

•Does basic composites of the files with the background to judge the move.

•Team acts as a central hub for all shot preparation to ensure continuity and camera accuracy in CG Elements

•Under the direction of the project Supervisors, the Match mover will setup the technical and aesthetic approaches of the matchmove work for a shot, sequence, or even an entire aspect of a show.

Requirements:
•Minimum of three years experience working in a Feature film or commercial environment

•Ability to reproduce exact camera moves within a computer environment.

•Understanding of photography and the effects of different lenses on perspectives.

•Typically has experience as an artist, animator or camera operator.

•Proficient in Boujou, PF track, or Syntheyes

•Must have a willingness to learn new tools, proven ability to be detail-oriented and to work efficiently within a production environment.

•Excellent problem solving skills including the ability to work under tight deadlines.

•Good written and oral communication skills including strong interpersonal skills.

Proficiencies required:3D Studio Max

Qualified candidates, please email your CV and reel to roula.lainas@primefocusworld.com

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Dec 08

Senior FXTD Artist – MPC London

Posted in: The Job Lot
Description
Summary:
FX Technical Directors gather a variety of 3D assets produced by our Layout and Animation departments and use our cutting-edge proprietary toolset to create particle, rigid body, fluid, cloth, fur and hair simulations. Once approved, these are cached to disk. We then either apply lights and shaders using our in-house lighting toolkit to produce the final rendered image, or release the caches back into the pipeline to be lit and rendered by members of our Lighting department.

Primary responsibilities:
• Develops innovative, believable and beautiful solutions to challenging and complex problems.
• Uses an array of commercial and proprietary software tools to produce photorealistic simulations of real-world phenomena.
• Produces test and often final renders of FX elements for a shot.
• Creates working test composites for review by the supervision team.
• Works in partnership with lighters & compositors to ensure shots are delivered to the very highest standard.

Experience and skills:
• Proven experience in feature, commercials or broadcast visual effects production (or plenty of raw talent if you’re a recent graduate), with a showreel to back this up. Experience in live action FX work preferred.
• Thorough understanding of techniques and technologies relating to physical simulation in computer graphics.
• Good understanding of the entire visual effects process: shooting, layout, matchmoving, modelling, texturing, rigging, animation, FX, lighting and compositing.
• A basic understanding of physics: newtonian mechanics is the bread and butter of FX work.
• An eye for visual effects work: the ability to analyse an image and determine what needs to be done to improve it, in terms of both aesthetics and believability. The ability to blend art and science in the pursuit of superlative visual effects.
• The ability to think clearly and creatively under pressure.
• Good proficiency with Autodesk Maya, our primary 3D package.
• Strong scripting skills, in MEL, Python or preferably both. C/C++ programming and shell scripting abilities are also valuable.
• Working knowledge of Pixar’s PRMan renderer preferred, although experience with other renderers may be considered.
• Familiarity with at least one film compositing application (Shake and/or Nuke preferred), and a solid understanding of the compositing process.
• Good computer skills, particularly with the UNIX/Linux command line.

Salary: Competitive remuneration package
Location: London
Application Closing Date: Ongoing recruitment

This is an exciting opportunity to work in the dynamic world of visual effects. If you are interested please apply online.
http://www.moving-picture.com/index….jobslondonfilm

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Dec 08

Compositing Supervisor

Posted in: The Job Lot
Starz Animation located in downtown Toronto is looking for a Compositing Supervisor to work on a stereoscopic live action feature film. This role collaborates with the Art Director and the VFX Supervisor to influence the aesthetic and technical “look” of the composited shots and promotes the success of team members and general morale within the studio. This is a 5-6 month contract position.

Duties and Responsibilities:
· Work with the Compositing APM to help create schedules
· Work with the Department Head to create staffing models
· Work with the VFX Supervisor and Pipeline Supervisor to design efficient workflows and build upon and enhance existing Compositing tools and pipeline when required
· Assist Compositing Leads in the resolution of technical issues
· Troubleshoot and debug shot problems
· Escalate technical issues as required
· Monitor overall progress within Compositing department
· Collaborate with members of other departments as necessary to ensure proper completion of shots and to ensure a smooth production
· Remain current and up-to-date in lighting techniques through industry research and training
· Perform additional duties as required

Skills and Experience:
· 8+ years of CG compositing experience, with proven knowledge of and skills (prior Lead or Supervisory experience an asset)
· Feature film experience required
· Stereoscopic experience is preferred
· Strong understanding of Lighting is an asset
· Completed post-secondary education in classical or 3D animation, art fundamentals, or other relevant related area of study
· Advanced working knowledge of Maya and a thorough knowledge of Mental Ray
· Advance knowledge of Fusion, Nuke or similar node-based compositing package
· Python and UNIX knowledge an asset
· Strong leadership skills with the ability to recognize strengths and weaknesses of artists to establish Compositing teams
· General understanding of animation styles and techniques as well as an excellent comprehension of animation production for film and/or television
· Great understanding of the animation production pipeline as a whole with an understanding of adjacent department workflows as well as how the Lighting and Compositing Department interacts with the overall production process
· Superior creative and technical problem solving skills with the ability to check own work
· Ability to learn quickly and comprehend custom in-house production tools
· Strong communication skills with the ability to interact effectively with key stakeholders
· Ability to prioritize tasks, meet tight deadlines, and perform to standard in a fast-paced environment while motivating others to do the same
· Ability to balance multiple priorities while retaining and encouraging a high level of enthusiasm and excellence within the team

Qualified applicants can apply online to Starz Animation at www.starzanimation.com/careers Please ensure you attach a link to your demo reel including your reel breakdown and resume.

We would like to thank all applicants however only those considered for an interview will be contacted.

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