Hasta La Motion!

You would be joining a production with an award-winning script, a top level DoP and professional crew. We are sponsored by Arri Media and are shooting on the new Alexa with dollies, tracks, jibs, and a huge set of lenses most features would be jealous of.

The story is a modern fairytale, so the vision is all about creating a world of heightened reality with magical possibilities, but in an urban setting (a warehouse office block). VFX is an interesting and crucial part of this, involving on the one hand compositing little people in and on the other adding magical flourishes, sparkles etc.

We are looking for a VFX Supervisor with experience delivering top quality work, who would manage a small team (2-3) of compositors/VFX artists who would do the main body of the work (we do have contacts able to do this, or you may want to work with your own people).

Fee is negotiable. We are shooting on location in London last two weekends in January with a day’s green screen (Sat Feb 19th).

Script, please get in touch with your CV and reel if you’re interested – frank.morris@gmail.com

We are currently in production on John Carter Of Mars, Harry Potter and the Deathly Hallows, Paul, Captain America: The First Avenger and Attack The Block.

* Job Title: Line Producer (Singapore)
* Department: Production
* Location: Singapore
* Reports To: Producer / Executive Producer

Key Purpose of the Job

To provide and frequently adapt a detailed plan for the delivery of a project to the visual effects producer, supervisors and individual artists and liaising with the London office central schedule to ensure efficient allocation of Singapore based artists

Needs To Do

Responsible for the company schedule in Singapore, working with central scheduling, producers and department heads in London and Singapore to allocate crew.
Forward planning and liaising with the central schedule in London to allocate crew in the future.
Setting up regular cinesync/telephone conferences with London.
Liaising with supervisors and leads to coordinate work going in and out of the building.
Working with HR, department heads and supervisors in London and Singapore to identify recruitment needs.
Ensure the visual effects team understand goals and deadlines running dailies and doing daily rounds.
Work with the coordinators to ensure the actuals of what has happened on shots and tasks are recorded.
Adapting the schedule to reflect the changing needs of the client and the company and to reflect the impact of how artists are actually doing based on info supplied by coordinators.
Communicating the schedule to the artists.
Sending deliverables to London.

Needs To Know

Project management experience with MS Project or similar essential.
Microsoft Office, particularly Excel.
Strong management skills.
Experience of working as a producer within a production driven environment.
Understanding of VFX processes.
Excellent communication, analytical and problem solving skills.

Needs To Be

Proven track record in project management.
Skilled at quick analysis, problem solving and decision making in order to meet daily/weekly challenges with solutions as well as the capacity to see longer term strategic goals in terms of resourcing and demands of upcoming projects.
Able to communicate effectively between offices internationally.
Capable of organising and coordinating people.
Capable of motivating and leading teams with enthusiasm.
Calm, organised and methodical in approach to work able to remain so under pressure and when working to tight deadlines.

If you are interested please apply online at http://www.dneg.com/jobs/line_produc…re%29_247.html

We look forward to hearing from you!

Please send demo reel and resume to: tom@scoundrelvfx.com

What we can offer is a highly innovative and artistic project, a transmedail social browser game which blends reality and fiction.

We are looking forward getting your job application. Please mail your cv
to

job@ludicphilosophy.com

Essential to have experience using SynthEyes, which is our primary tracker. Tracking Artist will be given live-action plates with tracking markers and any corresponding lens data; and will have to solve for the Lightwave CG staff. We are a team oriented group, and trackers must work collaboratively with comp and CG staff. Must be able to problem solve why a track is not working.

Helpful to have experience with Boujou, PFTrack, or other tracking software. Also helpful to have experience with Lightwave and/or 3dStudioMax and Maya.

Depending on experience, candidate may also be assigned comps using Combustion or After Effects. We may also consider those experienced in Fusion.

Must be Los Angeles local and be able to hit the ground running.

This is a temporary position and will run thru the late April thru mid-September.

We are an Emmy award winning visual effects team based at Universal Studios. All compositors must work from our PC workstations here at the studio.

NO REMOTE WORK. Please do not bother replying if you are outside the United States.

Please send resume and link to demo reel or web page to the address below. Include TRACKING ARTIST in subject line of email. Thanks!

davidtak@verizon.net