Hasta La Motion!

We are currently crewing up for the Visual Effects department for our short film "Battle Lizard." It’s a 2 or 3 minute short about a Mad Max-styled warrior crossed with a Spaghetti Western-style bumbling underdog who is trying to lure his "pet" dinosaur out of a cave so that he can ride it off into battle. A battle with other dinosaurs and laser guns.

The meat of the project will be to create this CG Dinosaur. We’re looking for Modelers, Riggers, Animators, Textures and Lighting. It’s our goal to make the Dinosaur as realistic looking as possible, much closer to Jurassic Park than anything you would see on the SyFy Channel.

As this is a low budget short, the ideal candidates would have a crazy yearning to create a great looking CG Dinosaur. Though we do have some cash to make this happen, it’s not anywhere near what a union show would pay.

If you are interested please email battlelizardvfx@gmail.com and I’ll send you a copy of the script and the concept art.

Thank you very much,

Eric Edmonds
Producer – "Battle Lizard"

Luma DFX Supervisor

LUMA PICTURES, located in Venice Beach, CA, is on the hunt for an experienced supervisor who has a substantial track record of leading teams technically and artistically through complex visual effects for film. A great eye and stellar problem solving skills are a must. Luma attracts some of the best in the business and many of the talented artists who have worked with us on a project basis have made Luma their home. We pride ourselves on providing a challenging environment with plenty of room to spread your wings and be your best.

Extensive production experience in all the following areas:
layout, animation, modeling, texturing, rigging, fur/hair, cloth, effects, lighting, and compositing.
Must have an exceptional eye for taking shots from conception to final.

Evaluates the creative requirements of a project, determines their technical implications, and makes high-impact operational decisions.

Expected to be attentive to emerging industry technologies and production techniques, and determines practical applications for these advancements in order to improve production.

Strong aesthetic sense; demonstrates ability to make creative and aesthetic judgment calls quickly and under significant pressure..

Ability to manage time and balance priorities, often amidst the pressures of busy, deadline-driven production.

Ability to communicate effectively with a wide variety of personalities, both written and verbal.

– must understand anatomy and perspective
– proper modeling and texturing techniques
– knowledge of rigging
– an eye for timing and animation
– complex shader network design and setup
– lighting, rendering and optimization
– capable of executing complex multi-layered comps
– fluent in NUKE and advanced 3D compositing techniques

Ultimately, the successful candidate has extensive production experience, the ability to identify both current and potential technical challenges, and the ability to command high-level technical strategy across a potentially large (feature-film) production team.

SUBMISSIONS:
If you think you fit the bill and want a quick response, email your resume, a link to your online reel/portfolio and a shot breakdown to jobs11@luma-pictures.com. Please make the email subject "ATTN: Recruiting – Digital FX Sup". Do not attach images or movie files to your email because they will get filtered out. If you prefer to send hard copies, you can submit a resume, reel, shot breakdown and cover letter to:

Attention: Recruiting – Digital FX Sup
Luma Pictures
248 Westminster Ave
Venice, CA 90291

Submitted materials will not be returned and no phone calls please.
www.luma-pictures.com

Double Negative is a full-service VFX facility capable of handling projects from initial design through on-set supervision and production to post-production. All key post-production technologies are available in-house to allow for maximum flexibility. Our R&D Department is constantly developing groundbreaking software to ensure we remain at the cutting edge of global VFX.

We are currently in production on John Carter Of Mars, Harry Potter and the Deathly Hallows and Captain America: The First Avenger.

* Job Title: Modeler (Environment focused)
* Department: 3D
* Location: London
* Reports To: Head of 3D

Key Purpose of the Job

To create highly detailed models suitable for use in visual effects work for film, that cover a wide range of organic and non-organic objects.

Needs To Do

* The modeller will need to work very closely with the texture painters, shader writers, look development artists and the riggers to generate models that are suitable for feature film work. The models may be organic in nature, such as various creatures or characters, or they may be models of rigid objects such as cars, buildings, props or sets. They will need to make use of a wide range of reference materials. Models may need to be created from scratch or from scans, reference photography, maquettes, miniatures or other set models. They will also have to work closely with their leads to determine an appropriate level of detail for any given model. It will also be important to work closely with the riggers to produce models that meet their work flow requirements, and with texture painters to determine the optimal UV layout for a model.

Needs To Know

* Strong spatial awareness and a good sense of form, scale and proportion
* A very keen eye for detail
* A full working knowledge of modelling in any one or more of these packages: Maya, XSI and Cyslice
* Ability to work with packages such as Mudbox or Z-brush are an advantage
* Polygon and sub-division surface modelling. Knowledge of NURBS modelling is not generally required, but a plus
* How to deliver a "clean" model with tidy polygon/sub-d placement and good basic UV layout for texturing
* A good knowledge of Linux would be an advantage. Familiarity with Windows useful but not essential
* When to model detail or have the the detail added through the shading, by liasing with the shader writers and look development artists
* At least 1 years experience in feature films would be beneficial. Experience in other areas of visual effects (TV, Games) will also be taken into account

Needs To Be

* Meticulous
* Team oriented
* Able to learn in house work flows and methodologies
* Able to adapt to changing requirements or briefs
* Resourceful

Measures of Performance

* On time delivery
* Show continuous improvement
* Ability to deliver any required model at an appropriate level of detail and realism, which fits smoothly into the pipeline of a show

If you are interested please apply online at www.dneg.com/jobs
We look forward to hearing from you!

Location: Vancouver
Open Positions: 1

About Conversion Works:
Founded in 1997, Conversion Works is an industry leading developer of stereoscopic 3D solutions and technologies. We have developed advanced proprietary software and patented technologies, resulting in a stereoscopic process that is more economical and higher quality than other stereoscopic 3D solutions. With the endorsements of James Cameron and Lightstorm Entertainment, we believe that converting existing 2D films into 3D versions will give movie lovers an enhanced experience viewing their favourite films.

Overall Purpose and Objective
The Stereo Conform Editor provides editorial needs for Stereoscopic (3D) Conversion projects. Integral in breaking down and maintaining all edits from initial turnover through final delivery for feature length conversion projects.

General Duties & Responsibilities

• Ingest and Process Client plates and related assets into asset management system.
• Breakdown all shots in Scratch for full length feature to verify frame-for-frame accuracy.
• Rebuild the edit in Scratch, the primary editorial program used for stereo edits and reviews.
• Run daily shot review sessions / Client presentations.
• Responsible for driving client presentations, and keeping shots well organized and labeled to ensure a smooth review.
• Update all scene and reel edits in timely manner with latest shots.
• Create a stereo edit of each scene with direction from client and Stereographer regarding initial stereo parameters per shot
• Preps and organizes client deliveries per required specs.
• Preps and organizes asset deliveries to subcontractor vendors per required specs.
• Works closely with the Production, Stereographers and Supervisors, in tasks to ensure shots are scheduled and delivered on time.
• Perform basic IO / Data functions with computer based file management. Linux shell commands.
• File import / export from ftp, DVD’s, Firewire, LTO3 and SCSI raid drives.

Requirements

• Highly organized and detail oriented, with the ability to multi-task in a dynamic environment.
• Customer service oriented with the ability to motivate within a team environment.
• Ability to self-manage workload to meet deadlines.
• Must have excellent communication skills.
• Resourceful with a solid troubleshooting approach to technical difficulties.
• Proficient skills in Final Cut Pro and/or AVID.
• Strong understanding of standard Production pipelines is a must.
• Strong Mac and Linux knowledge.
• Must be disciplined, focused and action-oriented.
• Must be able to think and act strategically and execute flawlessly.
• Excellent written and verbal communication skills are essential.
• Signal level troubleshooting of video, audio and data throughout the facility.
• Support of the Video I/O department for file based media processes.
• Create and maintain operating procedures and documentation.
• New equipment installation including system design, equipment specification, wiring and documentation.
• Assist with setup and calibration of color critical displays.
• Prompt response to end users requests.

Submission Process:
If you are interested in this position, please submit your resume and cover letter to recruiting@conversionworks.com.

Zoic studios LA, an Emmy award winning Visual Effects studio in LA, now seeks Mid~Sr. Level Nuke Compositors for our busy pilot season work. This year we have several high profile pilots in the works.

the ideal candidate should have an extensive knowledge and experience in mid to large scale production pipeline. Fast work turn-around is essential to our episodic schedule. Must work well in a team environment and poses strong CG & matte painting integration skill.

please email 1. Resume 2. Demo Reel. 3 Breakdown (must)! to jobs@zoicstudios.com with subject title "Nuke Compositor".

no phone calls please, and the greater Los Angeles area only.