Hasta La Motion!

The Ether is a Graphics Design firm based in Hollywood.

We are looking for a 3D Animator/generalist to freelance in-house on an upcoming project. Artist needs to be seasoned and experienced in Cinema 4D as well as capable of doing your own comping in After Effects.
Must be very familiar and capable of working with photo real product animation.

Please provide a link to your reel and resume to contact@theetherdesign.com

QUALIFICATIONS:
5+ years of professional experience
3D in Cinema 4D
AE

* Department: Studio
* Location: London
* Closing Date: N/A
* Reports To: Studio Manager
* Direct Reports: N/A

Key Purpose of the Job

To carry out all Studio duties to support smooth running of the facility. Working closely with artists and Producers to ensure the accurate and timely delivery of data into the facility, and at the end of the job to the clients in whatever format they desire.

Needs To Do
Input of digital image data. Responsible for the accurate renaming andreading of supplied data onto the facility servers, from any media suchas tape, firewire and disk.
* Output of digital image data. Responsible for the accurate dispatch ofdata to outside facilities as required.
* To handle camera original film negative and accurately log the keycodedata, then scan and upload the resultant files to thefacility’s servers.
* Administration of Studio Resources. To ensure that all studio records anddatabases are accurate and up to date.

Needs To Know

* Essential working knowledge of computer systems, preferably Linux
* Desirable to have experience of basic film and negative handlingprocedures, including the loading and unloading of 35mm motionpicture cameras

Needs To Be

* Natural problem solver
* Pro-active
* Committed to achieving targets
* Team oriented
* Adaptable
* Accept change

Measures of Performance

* On time delivery
* Accuracy
* Continuous improvement

Please send a cover letter and your CV to jobs@dneg.com

TITLE: Digital Supervisor, IMAX Corporation – Toronto (Contract)

REPORTS TO: COO/CTO

LOCATION: Toronto, Ontario

Key Accountabilities:
The Digital Supervisor manages the technical production staff from an operational point of view. The segmentation supervisor, contouring supervisor and occlusion segmentation supervisor all report operationally to the Digital Supervisor. The Digital Supervisor works closely with the Stereoscopic CG Supervisor, Producer and PM’s. This position reports directly to the COO/CTO.

This role requires excellent management skills as well as superior technical and troubleshooting abilities. An intimate knowledge of both practical and theoretical stereoscopy is a must. The main responsibility of the Digital Supervisor is to manage and mentor the production supervisors, to participate in establishing standards and practices, to insure compliance with established best practices and work with the Producer and Production Managers to achieve production goals.

Requirements/Qualifications:
· At least 10 years industry experience as a Lead TD or CG Supervisor
· In depth knowledge of stereoscopy
· Must have experience working on 3D stereoscopic productions
· Good understanding of Maya, Houdini, and Renderman compliant renderers
· Good technical grasp of rendering theory, image processing theory and color management theory
· Expert knowledge of node-based compositing, especially Shake and Nuke
· Proficiency with Mel, Hscript and Python
· Experience delivering complex productions on schedule.
· Strong leadership and management skills
· Critical eye for detail
· Able to work in a fast paced & demanding environment
· Desire to work in a team environment that requires multi-tasking, prioritizing
· Ability to work flexible hours, which includes evenings, weekends and possibly overtime

Desired but not required:
· Experience with 3D tracking systems like Boujou and PFtrack
· Familiarity with image based rendering
· A good understanding of oriented shading, including vex and sl.

HOW TO APPLY
Interested candidates should submit the following information to work@imax.com quoting “Digital Supervisor” in the subject line.
1) Cover letter (body of email or attached as .pdf or .doc format) confirming the following information:
• Your availability
• Your ability to work evenings, weekends and overtime
• Pay expectations
• Confirm work authorization for Canada – Local residents preferred.
2) Current resume (attached as .pdf or .doc format)

We thank all applicants for their interest in IMAX but only those selected for interview will be contacted.

IMAX is an Equal Opportunity Employer.

www.IMAX.com | www.facebook.com/IMAX | www.twitter.com/IMAX | www.youtube.com/IMAXMOVIES

LEAD NUKE COMPOSITOR
2G Digital Post is looking for an experienced LEAD NUKE COMPOSITOR to join our team for a feature film. Position is from late November/early December until February.

IDEAL CANDIDATE SHOULD:

• have 5-7 years experience working in features with at least 3 years experience in NUKE
• have a firm understanding of workflow pipelines including, but not limited to, file directory structures, file formats, naming conventions, automation tools, and scripting
• be able to collaborate with Producer to establish looks and ensure the project’s timely completion
• be able to work, thrive, and collaborate within a team atmosphere
• be able to take shots to completion without support staff
• employ creative and effective problem solving techniques

Please email vfxjobs@2gdigital.com with a link to your reel and resume.
LA based ONLY need apply.

Roto Animation Artist
A Roto Animation Artist is responsible for delivering high quality character and object roto-animation for feature films. They would be working closely alongside Matchmove Artists and Animators to create animation that matches the movement of the selected character / object on the film backplates and that also moves realistically in 3D space. Successful applicants should have the ability to work well as part of a team and be capable of delivering work to meet deadlines.

Primary Responsibilities

• To roto-animate a variety of characters and / or objects that match the film backplates for various film projects and maintain consistent shot quality
• To work closely with Roto Animation Supervisors / Leads to create convincing performances and motion of characters and objects in both screen and 3D space within the animation package for the addition of CG effects.
• To be able to follow direction and take ownership of your tasks.
• To be able to confidently flag when there are issues and lack of clarity of your tasks informing relevant supervisors and production managers.
• Do their best to stay positive and accept direction changes in an intense production environment.
• To be conscious of continuity between scenes when working with other Roto Animation Artists on the same character / rig.
• To organize their time, collaborate, and effectively communicate with their supervisors and team mates.

Experience and Skills required

• Relevant experience in a similar role, preferably within feature films.
• The candidate must thrive in a team environment and enjoy working with other artists.
• Candidates should demonstrate a good eye for detail and precision with strong problem-solving skills
• Able to deliver results to a high standard with the aid and direction of the Roto Animation Leads / Supervisors.
• Ability to be adaptable and accepting of changes in a production schedule.
• An understanding of the computer graphics production process and other departments/disciplines needs and requirements.
• Aware of project schedules and capable of delivering work to deadlines.
• Knowledge of 3D animation toolsets (preferably Maya).
• An understanding of animation principles and work methods.
• Good communication skills both technically and creatively.
• Animation/drawing/sculpting skills a plus.

To apply please send your CV to millie-c@moving-picture.com