Loyalkaspar: Fuse Rebrand ~ Beat Expressions

Launched last summer, but worth a re-check if you’ve already seen it: The team at Loyalkaspar – led by Creative Director Daniel Dörnemann – partnered with Fuse’s Brad Schwartz, SVP Programming and Operations; and Marcelle Karp, VP Creative Services, to completely reimagine the Fuse brand.

One of the interesting components to the rebrand is Loyalkaspar’s use of what they call “Beat Expressions– super short bumpers, some only 1 or 2 seconds long, that pop on the screen at any moment during commercial breaks as a way of keeping viewers hooked in and the brand constantly present. The creation of Beat Expressions is a response to both Fuse as a brand, but also to it’s audience that is used to concise communication via texting and Twitter.

According to Dörnemann, the network had evolved over the past 4 years with new original shows, and they recognized that it was time for more than just a refresh. Fuse wanted to truly address the needs and expectations of the millennial generation, or ‘music omnivores,’ as they dubbed them.

“Fuse wanted a true rebrand built from the ground up that was current, expressive and recognizable in every element,” Dörnemann says. “Music fans today want to be informed. Information is social currency to them, and this rebrand is all about giving Fuse the tools to inform and communicate like a friend rather than an institution. They wanted it to feel authentic without layers of marketing speak, and they wanted to position themselves at the center of all things music.”

Structured, Simple Graphics
That attitude is present in the Loyalkaspar design – which includes an array of IDs, bumpers and a unified on-air look that can communicate trending news at any time during programming, incorporating Twitter quotes, Instagram images and other social network interaction.

Additionally, the company designed a comprehensive promo tool kit that is adaptable for broadcast, web and print, as well as a network branded show package so all of Fuse’s individual shows speak the same visual language as the network.

From a design perspective, the rebrand features a structured, simple graphic look incorporating straightforward and clear typography contained within black or white rectangles, which provides a stark, provocative effect that allows Fuse to convey their message graphically, rather than through voiceovers.

The on-screen type is juxtaposed with intimate original photography that stands out for its ‘captured moment’ quality – as if it was spontaneously shot with a cell phone camera. In truth, Loyalkaspar commissioned several professional photographers in different parts of the country to document slice-of-life-moments of youth culture in action. The photos and typography are locked rhythmically to a soundtrack that favors pulsating techno/dance grooves, hip-hop flavored beats and indie-rock distortion.

Unconventional Thinking
Of course when you work with an unconventional brand like Fuse, you have to expect some unconventional thinking. That is on full display in several interesting creative choices Loyalkaspar made, including the aforementioned lack of voiceover and placement of the Fuse logo bug in the center bottom of the screen, rather than in the traditional corners. The agency also created an array of short bumpers, some only 1 or 2 seconds long called “Beat Expressions,” that can pop on the screen at any moment during commercial breaks as a way of keeping viewers hooked in, and the brand constantly present.

“We wanted to give the network a flexible ID system that allows them to interact with their audience in the same way that the Fuse audience communicates with one another, through short bursts via texting or Twitter. This helps to create a sense of rhythm that makes the brand itself function almost like a song,” Dörnemann explains.

For Herbruck, Loyalkaspar’s Co-Founder/Partner, working with Fuse again was all about capturing the network’s commitment to music and authenticity.

“We wanted to convey Fuse’s passion for music through a dynamic, expandable brand reflective of the fast-paced, ADD lifestyle of today’s ‘millennials,’” Herbruck says. “We literally wrote the book on how Fuse speaks with its viewers by developing a distinctive brand voice as part of the overall brand philosophy guideline to assure that Fuse remains consistent and fresh as it continues to grow over the years.”

The Architect titles

I just launched this title sequence for an imaginary film with my favorite cast and crew working in film right now.
A story about a veteran Los Angeles architect going insane, slowly disconnecting from the world around him.
A love letter to architecture, Eames and 70′s era films.

Original score by Jesse Solomon Clark

Shave it

Shave It is an amazing fast paced and beautifully animated short film by Buenos Aires based 3dar Check out a quick behind the scenes movie here – vimeo.com/63561914

Cristian Acquaro: MTV France

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I Love Dust – Cast Software | Harmony

Cast Software – Harmony from ilovedust on Vimeo.

The team at I Love Dust do it again enjoy…

Psyop: TED Pre-Roll

New work from Psyop; evoking the effect of an idea rippling out into the world: TED Pre-Roll for TED Talks.

Psyop collaborated with TED on the new preroll for TED Talks — the highly celebrated videos that share ideas worth spreading — conceptualizing and bringing to life the animation of TED’s logo that appears before each presentation.

“TED and Psyop wanted to convey, ‘What happens when you free an idea from its silo and release it into the world?’” said TED’s Director of Film + Video, Michael Glass. “We wanted the video to share the experience of seeing an idea take on a life of its own as it is shared from one person to another to another to another.”

The project’s initial brief focused on using a “ripple” to convey the communicative nature of the TED Talks.

“We based our concept on the birth of a single light, separating and multiplying, and radiating new points of light that each represented a new idea,” commented Psyop Creative Director, Jon Saunders.

Psyop wanted to propose the existence of worlds within worlds, where one idea could contain an entire universe of other ideas.

“We wanted to bring the final moment of the opener into a enigmatic realm,” added Psyop Creative Director, Laurent Barthelemy. “Our approach explored how rich experiences and creative thoughts parent original ideas that grow and take other forms.”

The opening sequence, which now has over 3,500 likes on the TED Facebook page, was first released on March 22 and is currently live on TED Talks. To date, more than one billion TED Talks have been viewed around the world.

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Credits
Director: Psyop
Creative Directors: Laurent Barthelemy, Jonathan Saunders, Borja Pena
Executive Producer: Michael Neithardt
Producer: Ryan Mack
Design: Jonathan Saunders, Sam Ballardini
3D Lead: Christian Bach
3D Artists: Fabio Piparo, Todd Akita, Jonah Friedman, Jonathan Lee, Chris Wilson, Bradley Gabe
2D Composition: Tobey Lindback, Robert Henry

Jeremy Mansford: Reel 2013

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Polynoid: MTV IDOL

New work from Berlin based Polynoid, this time for MTV. “Excerpt from the original brief: The epic moment of transformations from something normal to an extraordinary creature, as well as super heroes or princesses in fairy tales do, music idols switched during their careers from being one of the crowd to be the one that everyone admires.”

Danny Yount: Semi-Permanent 2013 Titles

Let the Titles roll for 2013 eh? So much great work this year so far, not excluding these Opening Titles for the 2013 Semi-Permanent Festival, shot and designed by Danny Yount … “Shot on a 5D MKII and built in AE with no fancy plug-ins.”