Eran Hilleli: “Between Bears”

Between Bears, created by Eran Hilleli at Bezalel Academy of Art and Design in Tel Aviv, Jerusalem, is a film beyond its years as a student piece and occupies a distinctive place in the spectrum of contemporary, short subject animation.

Unto itself, nearly every frame is a moving illustration. The style of the piece reduces forms to a graphical simplicity, making the visual language of the film both graceful and crude. As your eyes waft over a succession of thoughtfully composed landscapes, negative space helps to establish a vivid sense of solitary amongst the characters—sequestered, but coming to terms with a world in surrounding desolation.

Together, through a muted palette of analogous colors, the graphical beauty of the film—for some—may pull ahead of the equally abstract, yet solemn narrative, but comparatively, while the literal message of the piece may be open for interpretation, the bleak transgression of visuals paint a stark reality.

Posted on Motionographer

Andy Kennedy “Accumulonimbus”


Natural and man-made objects on a spin cycle accumulate, disintegrate, and multiply in Andy Kennedy‘s short film, Accumulonimbus. The material is clay, but its movement is lively and effortless. Fun soundtrack by Andy as well!

Also check out the rubber molds, flash guides, and diy ceiling camera rig in the behind the scenes material.

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MIGZ: We are looking for talents

Motionographer’s Moscow branch is looking for a Russia-based motion graphics designers, processing/vvvv artists and interactive audio-visual installation projects.

Feel free to send us examples of your best works to be shown at MIGZ festival.

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DANIELS Create An Explosive Drunken Video for The Hundred in the Hands


Directing Duo : Daniel Scheinert and Daniel Kwan aka DANIELS Create An Explosive Drunken Video for The Hundred in the Hands

I posted a video that the two Daniels directed a while back. They just completed this new video, the simple story of a girl who vomits fireworks after a party bender. I really enjoy the match cuts and in-camera work that actually makes you feel as if you are just as wasted as she is.

We are really excited to see where Daniels goes from here!


Directed by DANIELS
Producer: Gaetano Crupi
Director of Photography: Jackson Hunt

In association with
Machina Pictures
Pretty Bird
Warp Films
Copyright of Warp Records Limited all rights reserved 2010

For more from DANIELS: vimeo.com/channels/daniels

Posted on Motionographer

Wade Studios


I’m pleased to announce a couple of things; first that we have re-launched Wade Studios website. Go take a look at some of the works we’ve completed recently. Secondly, if you like the look of the website it’s available as a WordPress Theme with Templates to purchase.

Motion Theory: Target “A Better Bullseye”


Target has good taste. By enlisting Motion Theory, the studio has left its mark on the rich history of Target advertising and embarked on a project that sets itself apart from the usual Motion Theory repertoire—creating a different approach for the themselves and a fresh perspective for the client.

In A Better Bullseye, the studio has delivered a piece that fits easily into the Target aesthetic, but remains unique. Gone are the typical Warholian graphics and pop-art visuals of previous Target campaigns; in are the good, old fashioned methods of character based advertising.

By setting the location of the spot in a factory, the piece hopes to convey the spirit of teamwork and efficiency that keep the Target brand strong and healthy. Beginning with an establishing shot of the famous bullseye, factory employees work together to fully stock the towering icon like a refrigerator. The attention to detail, as explained by director Chris Riehl, was not to be ignored:

“The team and I explored every possible detail you see from the memorable cast of characters to the host of strangely specific heavy machinery and vehicles which we hope comes through when watching the spot.”

The character design of the piece—like the Target aesthetic—is distinctively retro and in many ways, resembles the 60′s style design of Pixar’s, The Incredibles. In a production schedule described as “condensed,” the team of artists—similar to the factory workers in the spot—worked feverishly to create something high-end for a mega-mart that has a commitment to good design.

Posted on Motionographer

Facet Illustrations


I’ve been working on some illustrations which seem to have grown to a series I’m calling Facet. Check them out on my folio page.

Punga – Gluko Lennon


You *need* to check out this 11 min pilot of awesomeness from Buenos Aires based Punga, and production company L’Orange Gutan!
So full of great ideas and hilarity it’ll make you weep / give up (whichever comes first)!

Posted on Motionographer

Keller Maurer Design


Keller Maurer Design is a graphic design consultancy based in Munich and run by Martina Keller and Marcus Maurer.

Nathan Love: “NBC Peacock”


Nathan Love is up to its old tricks, yet again, in NBC Peacock. In collaboration with NBC Artworks, the studio has created an animated station ID that playfully adheres to the NBC brand while showcasing their mastery of character driven animation.

In exploring the origins of the famous NBC logo, Nathan pays homage to the famous peacock logo that has driven the stations branding for over 50 years. Heavily inspired by the 1993  NBC station ID’s created by John Kricfalusi of now defunct animation production studio, Spumco, Joe Burrascano, Nathan Love’s owner and creative director, elaborates:

“The brief was to create a stand-alone logo animation for NBC. The only guidelines were to make it our own, and of course, for it to be ‘the best logo ever.’”

Originally designed to promote NBC programming that was broadcast in color, Nathan has revisited the original mark and retrofitted it for today—bringing slapstick humor and personality to an iconic logo—while at the same time, making it their own.

For exclusive behind-the-scenes artwork on Nathan Love’s, NBC Peacock, see here.

For a multi-page, illustrated article on the history of the NBC peacock, see here.

Posted on Motionographer