F5 SPEAKERS – ROUND 2

Part two of the three-part speaker trilogy!   This second group of artists speak directly to the larger design community in their breadth and approach. It can be narrative live action or cultural live mash-up. Robotics or digital flesh.  Danger Doom or Chiller. They all give exquisite life to an image. And provide us with a new set of specs to see through.

  • Radical Friend: acclaimed experimental//experiential directing duo
  • Onesize: creative studio powerhouse
  • Eclectic Method: audiovisual remix masters with culture on their minds
  • Heather Knight: innovator of robotic entertainment
  • Jacob Escobedo: celebrated network exec-cum-designer behind [adult swim], Cartoon Network, and a whole slew of musical projects
  • Tool of North America: leading the new wave of interactive storytelling
We couldn’t be any happier with the overall line-up so far. The imagination they share — the messages they speak — the moments they design — each speaker is a catalyst for us to create with fearless expression and dedication.

Now, with less than two months left and tickets already flying away, we ask you to come along for the ride. Head over to the site for more information!

 

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F5: First Set of Speakers!

We’re pleased to announce our first set of speakers for F5 2011! Here is the first savory piece of the cake—just enough to want a bigger bite. This group speaks to the careful consideration placed on finding the artists//heroes//colleagues who fit the overall theme of Happy F5 this year.

  • Kid Koala: DJ and turntablist extraordinaire
  • Scott Belsky: cutting-edge business leader of Behance
  • Wayne White: legendary art director of Pee Wee’s Playhouse and banjo star
  • Adam Sadowsky (Syyn Labs): president of the engineering whiz-kid collective behind the massive Rube Goldberg machine in OK Go’s “This Too Shall Pass” music video
  • Nathan Love: top-notch animation studio and masters of character animation
  • Buck: trailblazing creative shop with pop illustration powers

We’re also ecstatic that Buck will be creating the fest’s awe-inspiring opening titles. Our lips are sealed, but expect their special sauce of whimsy, humor and highly produced playtime. Buck will share their process and creative vision for the project during their special speaker session.

So far, F5 has drawn exclusively from a wealth of visual artists, designers, animators, technologists, engineers, musicians, writers, and puppeteers who point to a singular direction in creativity: one that builds an artistic fabric with the shared thread of imagination and optimism.

This is only the beginning. More happiness in store. And smiles guaranteed.

Check out our speakers page for bios and more info. And make sure to lock in your tickets

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F5: SOLD OUT (Kind Of)

Got ya and it’s not even April Fool’s yet. 🙂 The scale has been ‘tipped’ and we’ve sold out our early tickets.

What’s surprising is the response from other creative communities; not only have the motionographers come out in support, but there’s also been an unprecedented response from creatives in fashion, fine art, publishing… even pharmaceutical marketing. You all share the desire to break out of this harsh winter and start the spring anew. Happy.

Regular tickets are now available at the price of $480; student tickets at a reduced rate of $280. These prices will remain until the end of the festival.

Tune in next week for another announcement—this time about what’s surely on everyone’s minds…

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F5: New Date, Even Happier!

Since we first announced F5, a little roar has grown louder. Many of you want to attend, but just can’t because of timing. It’s happening again on a Thursday and Friday. And the boss is none too happy about giving you all that time off.

Well, your wishes have been answered. Happy F5 is being moved back a day to April 15-16, 2011—Friday and Saturday. And it’ll go down at the world famous Roseland Ballroom in the heart of NYC. We’re also extending the deadline of the current early bird ticket deal to January 17th for all you newcomers.

You embody the essence of F5. It’s important that you all have an opportunity to be a part of the festivities. Our sincere apologies if this is a major inconvenience to all who have already bought tickets. We will fully refund anyone who cannot attend the new dates.

There’s been chatter about who may speak… and we’re still firming up so so many details. But, in the spirit of the new year, we’ll give you highly-complex, over-engineered clues that too shall pass.

Ready? Set? Okay—Go!

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F5 Tickets on Sale!

It’s so on. Happy F5 tickets are now live!

We’re summoning the powers of collective incentive, a new approach to early bird purchasing. Here’s how it works: Buy your F5 ticket(s) right about here. If at least 200 of you purchase by New Year’s Eve (December 31st at 11:59pm EST), your ticket will only be $280. The deal will stay alive even after the 200 mark until the time is up. Smiles all around.

But if that scale isn’t “tipped” (200 sold), then the deal is off and your purchase will be refunded. Tickets will then be available at the original ticket price of $480 in January.

Two weeks ago, we opened up tickets to our 2009 attendees and they sold at a pace that far exceeded our expectations. So far, this response has been overwhelming. The creative community has been patiently waiting to take a gulp, blow out those candles and make a big wish.

The question now: How happy do you want to be?

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F5 RE:PLAY Films + Stash Short Films Vol. 1

F5 RE:PLAY Films on Stash 60

shilo-still-run
Since F5 last April, I’ve received a slew of emails asking how people can get their hands on a DVD of the F5 RE:PLAY films. Never fear: Stash has swooped in to save the day.

Stash 60 is a special two-disc set that includes 14 films created for the F5 RE:PLAY Film Festival.

As a reminder, the RE:PLAY festival invited filmmakers from around the world to create original short projects for the F5 festival last April in New York City. The result was an astounding array of innovative, memorable work that has helped keep the flame of F5 burning strong.

Pick up Stash 60 here.

Review: Stash Short Films Vol. 1

short-films-vol1
While we’re on the topic of Stash, we received a review copy of Short Films Vol. 1, and it’s definitely worth discussing.

Focusing on non-commercial, mostly narrative works, this DVD signals an extension of Stash’s influence to a wider, more general audience.

The 30 films (with a cumulative runtime of 2:32) include work from some Motionographer favorites, including Neill Blomkamp (of District 9 fame), Roman Coppola, Gaelle Denis, Johny Kelly, Shilo, Three Legged Legs and Run Wrake. There’s also a healthy smattering of student work—all of which rivals the quality of the professional work. The majority of the collection is based in animation, but there are enough live-action and hybrid works to keep you guessing.

My honest appraisal: Short Films Vol. 1 is probably the best collection of its kind. Where other collections harbor a few duds that force you to keep your DVD remote handy, this disc is an inspiring lineup of glittering gold.

Complaints? The accompanying booklet, while informative, is a little confusing. Its contents were basically copy-and-pasted from back issues of Stash, meaning that the chapter headings don’t correlate to the actual DVD.

And I’m not a big fan of the DVD navigation. If you want to play a single film, you’ll need to recognize it by the tiny thumbnail presented on a two-screen menu system void of any descriptive text. I would have preferred a textual index. Minor quibbles though, given the quality of the work.

I’m curious to see how this release will broaden Stash’s reach. Hard-core Stashers who own the entire catalog of monthly DVDs probably will pass over this offering. But for those outside “the biz,” Short Films Vol. 1 will be an eye-opening introduction to work beamed here from some hitherto unknown universe, one full of promise and excitement.

NOTE: Motionographer and its authors receive no compensation of any sort from Stash. Review copies of materials are donated to SCAD’s Motion Media Design department.

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F5 Talk 01: Simon Robson and Tim Rayner


For those of you who attended F5 last April, you know that our speakers were a diverse and inspiring mix of creative people from a wide spectrum of fields. As promised, we’re sharing those talks with the world, starting with Simon Robson and Tim Rayner’s presentation about their collaborative project, The Coalition of the Willing.

Although Simon and Tim weren’t the first speakers of our two-day event, we’re sharing their talk first for two reasons. 1) We believe in their cause, and 2) They need your support.

I asked Simon to tell us about his experience of F5:

Talking at F5 was a real pleasure. It gave Tim and I the chance to introduce the project we are currently developing, entitled ‘Coalition of The Willing’. It also gave us a deadline for which to prepare enough material to give the audience a good idea of what the project is all about. In short, F5 gave us a shot in the arm.

I won’t go too much into what ‘Coalition’ is about here, Tim does a fantastic job in the presentation of distilling the thinking and ideas behind the project. Suffice it to say that it’s a film that suggests a collaborative, technological way of combating climate change.

The film is also being made in a collaborative way. In the presentation, I talk about artists who became involved prior to F5. Since F5, Loyalkaspar, Parasol Island and World Leaders have all begun creating sections for the film. I’m thrilled and excited by the good will and the caliber of the artists who’ve thrown themselves into this project.

We plan to give the film a staggered online release, starting by publishing the written argument online and then fleshing this out with shots as and when they are completed. It’s an idea that Tim and I have been developing with Chris O’Reilly from Nexus Productions.


We hope that people will engage with the argument and then respond to the way ideas are visualised as the shots are published. It’s all about keeping the argument current and alive. To this end, we will be making the film the ‘core’ of a site that will evolve as people post comment and invited writers post articles on issues that branch off from topics introduced in the film.

We’ve been inspired by online data visualisation by artists like Manuel Lima, and we’re currently looking for an online partner to help us develop our online aspirations for this project.

So finally I’ll just echo the last thing I said at F5: If you’re a great moving-image maker or a creative interaction designer and you’d like to get involved with Coalition of The Willing, then please get in touch with me at simon@knife-party.net.

I hope you enjoy the talk.

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RE:PLAY Film Festival: Last Batch

Rounding out the F5 RE:PLAY FIlm Festival are three treats from Nanospore, La Flama and a co-directed short from Ryan Rothermel and Sean Pecknold. Diverse, mysterious and quirky, these films offer a fitting end to a fantastic run of work from an incredibly talented pool of filmmakers. Each of them embodied the spirit of F5, striving for creativity and community in their purest forms.

The entire F5 team sends a deep, hearty thank you to everyone involved in the RE:PLAY Film Festival, including the festival’s producer, Connor Swegle. To review all the RE:PLAY films, check them out on the RE:PLAY Vimeo channel.

Nanospore

La Flama “The Hollow”

Ryan Rothermel and Sean Pecknold “Sans Gallagher the Younger”

Related posts:

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RE:PLAY Film Festival: Batch Four

It’s with great pleasure that I share another batch of films created for the F5 RE:PLAY Film Festival. This time around, we’re proud to present work from Sehsucht, Crush and Bearfight. Enjoy!

Sehsucht: Idea

Crush: Art of Thought

Bearfight: Contraction

Related posts:

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F5 RE:PLAY Film Festival: Batch Three

A little behind schedule on this one, as I’ve spent the last week packing and moving. This is the third batch of films created for the F5 RE:PLAY film festival. Our deepest gratitude goes to Ubik, Digital Kitchen, and Imaginary Forces for their participation.

Ubik “Voxel”

Digital Kitchen “Brass”

Imaginary Forces “The First Time”

Related posts:

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