A Brief History of Video Game Controllers


58 years of video game controllers. Where will they go from here?

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Super Deluxe presents funny and smart videos from funny and smart weirdos who are probably a lot like you. Shorts, series, animations and a smattering of documentaries and music. Something new every day.

Verano de festivales con #pulserasPayPal


¡Así disfrutamos del Cruïlla y del Low Festival! Sin preocupaciones por llevar la cartera y dinero suelto, dos festivales #cashless gracias a las #pulserasPayPal.

Marvel's Cancelled Daredevil Game – Unseen64


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Unseen64 is an independent, non-profit online archive dedicated to the preservation of videogame history. Unseen64 contributors help document prototype and cancelled videogames by archiving information, images, and videos for future reference. The organization is led by a collective of gamers from all around the world. If you would like to contribute, please read more at: www.unseen64.net/help

Daredevil: The Man Without Fear was developed by 5000ft inc, and started out as a rather small third person action game for the PlayStation 2. After the team became aware that a Daredevil movie was in the works, the game became open-world. Knowing that the game would have more brand recognition at launch, the game’s publication was expanded to the Xbox and PC as well as the PS2. Liam Robertson is a video game researcher and archiver. In his spare time, Liam creates videos and articles for Unseen64, but will also be contributing to the DidYouKnowGaming channel from here on out.

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James Dyson présente le robot Dyson 360 Eye™


Le Dyson 360 Eye™ est un aspirateur robot intelligent, capable de nettoyer les sols parfaitement, avec plus de puissance d’aspiration que n’importe quel autre aspirateur sur le marché. Le Dyson 360 Eye™ a été pensé afin d’être utilisé au quotidien, comme pourrait l’être un aspirateur standard. Il est le fruit de 16 années de recherche. Le Dyson 360 Eye™ dispose d’une vision 360°. Ses capteurs infrarouges, conjugués à la lentille située sur le dessus de l’appareil, assurent une vision panoramique en un seul coup d’œil.
https://www.Dyson360eye.com
https://www.facebook.com/DysonFR

The New Dyson 360 Eye, Robot vacuum Cleaner


Find out more at https://www.dyson360eye.com

At last, an intelligent robot capable of cleaning properly first time around – the Dyson 360 Eye™ robot vacuum.

A unique 360˚ vision system lets it know where it is and where it is yet to clean; a Dyson digital motor gives it powerful suction; patented Dyson cyclones let it separate even the smallest particles of dust and dirt from the airflow; a full width brush bar gives it maximum cleaning coverage; and continuous tank tracks maintain its speed and direction across all floor types.

#DysonRobot


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*All performance claims are based on machines available in the Japanese market in July 2014. Claims are only applicable where the product is available to buy.

Bob Dylan at 20 on Freak Shows


“I‘m never going to become rich and famous” – Bob Dylan in 1962.

Dylan was just 20 years old when he appeared on the Folksingers Choice radio program on WBAI FM in New York City. He’d arrived in Manhattan just a few years earlier and was playing in the coffee houses of Greenwich Village, at one in particular he was paid “a dollar plus a cheeseburger.”

During this hour-long interview with Cynthia Gooding, Dylan played some of his own songs (“The Death of Emmett Till”, “Standing on the Highway”) and covers of classics by Howlin’ Wolf, Hank Williams, and Woody Guthrie. We scored this Blank on Blank with Dylan tuning up his guitar and playing his harmonica.

It’s a wonderful snapshot in time, with a young Dylan before he was famous and before he even released his debut album. He’s nervous and funny. He’s just a guy with a guitar with a little mischief underneath.

Listen to the full interview and hear some rarely heard songs on our website: http://blankonblank.org/bob-dylan/

This interview comes from http://pacificaradioarchives.org

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Recent Episodes

Patti Smith in 1976 on Getting Bleeped

Frank Zappa in 1971 on Fads

Tom Waits on Everything and Nothing

Martin Scorsese on Framing

Carl Sagan on Extraterrestrials

David Bowie on Stardust

Lou Reed on Guns & Ammo

Kurt Vonnegut on Man-Eating Lampreys

Credits

EXECUTIVE PRODUCER
David Gerlach

ANIMATOR
Patrick Smith

PRODUCER
Amy Drozdowska

COLORIST
Jennifer Yoo

SOUND DESIGN
Mixology Post / Doug Moss

PHOTOS
New York Public Library
National Archives
Unsplash
Bigstock
Wikimedia Commons

"Skyslide" opens atop Los Angeles skyscraper


The “Skyslide,” attached to the outside of the 70th floor of the tallest skyscraper in Los Angeles, opens this weekend. It is just one example of a high-rise construction boom in the West. Carter Evans reports from the top of the iconic U.S. Bank Tower.

September


Caught in an in-between world of flyovers, grass verges and dead-ends, where the motorway hum serves as a constant reminder of the speed of other lives, Marvin is not going anywhere. Into this forgotten corner of English countryside and motorway services arrives an extraordinary adolescent, changing his world forever. SEPTEMBER directed by Esther May Campbell won the BAFTA for Short Film in 2009. “Support great British film. Bring LIGHT YEARS to a cinema near you.” Light Years is Esther’s first feature film and Third Films are currently running a crowdfunding campaign to aid the distribution and get the film in as many cinemas as possible in the UK, in the autumn. The plan is to release the film on DVD and VOD at a later date. Check out the crowdfunder page below to view the trailer and see the rewards that are on offer! crowdfunder.co.uk/lightyears lightyearsfilm.co.uk facebook.com/lightyearsthefilm

The Function of Music with Jad Abumrad


I sat down with Jad Abumrad and talked about sound, music and the function of music. Then I turned that conversation into a film.

Steven Wilson – Routine (Hand. Cannot. Erase.)


The new album from Steven Wilson “4 ½” is OUT NOW, so titled because it forms an interim release between Steven’s recently released fourth album Hand. Cannot. Erase. and the next studio album. CD: http://smarturl.it/4_AND_A_HALF_CD Vinyl: http://smarturl.it/4_AND_A_HALF_Vinyl Blu-Ray: http://smarturl.it/4_AND_A_HALF_BluRay Digital: http://smarturl.it/4_AND_A_HALF_DIGITAL Steven Wilson has launched the stunning animated video for ‘Routine’. The hugely emotive track featuring a beautiful guest vocal performance by Ninet Tayeb is taken from his latest album Hand. Cannot. Erase. Steven Wilson “Amongst the hundreds of songs I have written over the years Routine has a very special place. It’s a deeply sad story of loss and denial, but at its conclusion the clouds lift and there is acceptance at least. Having worked with her on 3 previous videos, I knew as soon as I wrote it that it was perfect for Jess to do something amazing with. Even then nothing prepared me for the organic beauty and power of the film she made, a painstaking labour of love that took her months to produce. When we play the song live I look out into the audience and see people swept away with emotion at the combination of music and animation. To find poetry and beauty in sadness is a wonderful thing I think.” Director Jess Cope of Owlhouse Studios (www.OwlHouseStudios.com) talks about working with Steven Wilson and the creation of the ‘Routine’ video “Routine is the forth film that Owl House Studio has made in collaboration with Steven Wilson and the biggest one yet. The story centres on a woman dealing with the tragic loss of her family and the routine she creates for herself to try and cope. The themes in Steven’s music are often quite morbid and macabre and when we heard Routine for the first time, Tom Kaye (Writer/Producer) and I knew the story had to be really strong, to do justice to the music. Working with Steven is always a fantastic experience for us creatively. In the early stages, Steven often has a strong concept in mind for a song or album, but allows us the creative freedom to add our own style and ideas to it. Our use of traditional animation and the painstaking efforts of the whole Owl House Studios team, have resulted in a film with a level of beauty and detail not previously achieved by the studio – at the same time it is simple enough that the music always drives the story. We’re so pleased with the look of the puppet and sets, and especially the level of detail Alison Cross (Art Director/Prop Maker) managed to get into the props. This project also saw us working with Adam Oehlers (Concept Artist) for the first time and he was able to capture the tone from our script so perfectly. Working with such a diverse team and amazingly talented animators, we were able to bring this woman’s world to life. I’m proud of all the films we’ve made with Steven Wilson, but I’m especially fond of ‘Routine’. The response we’ve received has been phenomenal. It’s incredibly humbling to see that something we’ve helped create has touched so many people and reduced a good number of them to tears… It’s an extraordinary and ironic satisfaction! Hand. Cannot. Erase. the fourth solo album from the four-time Grammy nominee, multi-instrumentalist and producer has received universal praise from the media and fans alike rewarding Steven Wilson his highest chart positions worldwide including UK #13 ,Germany # 3, Netherlands #2, USA – #39 Billboard Top 200, Canada #24 & Finland #4 national album charts. Steven Wilson was, recently, awarded an unprecedented 3 PROG Magazine Awards for Hand. Cannot. Erase. including Best Album, Commercial Breakthrough, and Boxset Design alongside a nomination for Classic Rock Magazine’s Album Of The Year. With sold out shows around the world including his 2 recent performances at London’s prestigious Royal Albert Hall Steven Wilson will be continuing to tour Hand. Cannot. Erase. starting in Germany on January 12th, the 2016 European tour takes Steven to Belgium, Holland, UK, France, Denmark, Sweden, Finland, Russia, Hungary, Italy and Greece. Check http://www.stevenwilsonhq.com for dates