May
26
The Frank Miller’s Sin City-inspired title sequence for Florent Siri’s 2005 thriller Hostage places the viewer right in the center of a high profile crime scene taking place in one of L.A’s upscale suburbs. The action scene – rendered in stark black-and-off-white, with deep blood red as the only supporting color – is frozen is frozen in time. As the camera pans across the scene, alternating bet…
Post a Comment