Amphan havoc: The plight and hope of Bengal through the eyes of animators, comic artists and illustrators

Bengal, Odisha and Bangladesh have been drastically affected by the cyclone Amphan (pronounced as ‘Um-Pun’). Kolkata has been devastated by this powerful cyclone which is said to be the deadliest after 1797 and has killed almost 84 people across India and Bangladesh.

Amphan made a landfall on Wednesday, 20 May around afternoon lashing coastal areas with ferocious wind and rain. The storm, at 155-160 kmph has killed more than 70 people in Bengal alone and countless animals and birds, rendering thousands homeless.

Thousands of trees were uprooted, houses damaged and broken,  electricity and telephone lines brought down with 14 million people without electricity and water till now. There were dead bodies floating in waterlogged areas who have been electrocuted to death.

Sundarbans, the world’s largest delta and mangrove forest, has been terribly affected which contributes largely to the ecosystem. South and North 24 Parganas and East Midnapore were the worst hit areas.

While there had been almost no coverage on National media except one or two channels, social media has been flooded with support, criticisms, posts of hope and faith and fundraising campaign for the “bigger disaster than COVID-19” as CM Mamata Banerjee said in a Press Conference even from the Animation, Comics community.

Here are the ones that depict solidarity, hope and never say die spirit :

Aniket Mitra – Independent Animator, illustrator and graphic designer

Shocked at the conditions, he told us, ”The images that I’ve drawn as of now are only to give hope and faith to people. We’ve to fight and stand up to this situation. We’ve to be fearless, on one side there’s the pandemic and then there’s this destruction caused by the cyclone. I want that when people look at these images they will not lose hope and tell themselves “Haal chero na bondhu! (Don’t give up friend).”

 

View this post on Instagram

 

If you kick me when I am down, you better pray I don’t get up! #bengalroars #strongerthanbefore

A post shared by Aniket Mitra (@mitraniket) on May 21, 2020 at 5:20am PDT

 

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Stand Up For What You Believe In. Even If It Means Standing Alone. #bengalroars #strongerthanbefore💪

A post shared by Aniket Mitra (@mitraniket) on May 21, 2020 at 8:43pm PDT

Upamanyu Bhattacharyya – Animator at Ghost Animation

Presently out of India, he has always voiced concerns about Climate change and its adverse effects. “Lives and livelihoods in the East of India have been ABSOLUTELY DEVASTATED last night. It wasn’t just a storm, it’s legitimately the worst the region even remembers seeing. PLEASE raise awareness about the plight of the people in the area, especially those who are now left without homes and shelter. Please make sure they get the help they so require. Please don’t let this become some vague news from the East which we don’t talk about much anyway,” captioned he on one of his artworks.

Krishnendu Mondal – Illustrator 

Deeply saddened, Mondal told us, “Being an artist, it is a very tough situation for us because of the lockdown and cyclone Amphan has put the last nail in the coffin. Not only this, I’ve seen the disastrous effect of it in different parts of my state. Everything is so messed up. It’s so painful to see my uncle’s situation, who is a farmer, and everything is destroyed for them in the fields. But we will fight back against these odds. Let’s think positive and spread positivity in these dire situations.”

Mahfuj Ali – Comic Artist and Graphic Artist

Broken at the destruction, noted Ali, “When I heard about this cyclone is going to hit, I thought about areas like Sundarban, Sagardwip, where a lot of people are fishermen and made an illustration with a hope that they are fine. I don’t know if they really have proper shelter from cyclonic storms but I just prayed that they should have. Then our state faced the wrath and destruction of that storm. My friends told me how scary it was, and then there’s COVID. I still wanted people to help each other and help small animals who also became shelter less after falling off of numerous trees. I wanted people from other places to notice how we are affected. So made an illustration showing the Map of Bengal with the bloodshed pattern created by the storm. This morning I saw pictures of thousands of books under water in college street, which saddened the mood. But wanted to give the message that, whatever happens. We will rise and shine again through the knowledge street.”

Reesham Shahab Tirtho – Artist at Studio Terracotta, Dhaka

Equally affected in Bangladesh, Titho said, “Corona has hit us quite hard as we live in one of the most densely-populated countries in the world and also economically feeble. Physical distancing and staying at their homes are already quite difficult for the people living in the margins. It’s already hard enough to survive, now comes this natural disaster, Amphan which was like heaping sorrow upon sorrow. People suffering from corona, carrying the malice on their back now have to carry the devastating weight of amphan. Hence came the idea of the cartoon.”

Abhinandan Banerjee – Graphic artist

Devastated at the loss, he stated, “Here I sit miles apart from home…feeding my pulsating anxiety is the state of my land at this apocalyptic time which has left me devastated. I haven’t spoken to my parents since last afternoon. But that is not it. It is the sheer helplessness and the atrocity suffered by the people of an entire state which has haunted me and kept me awake as if the ultimate disaster hasn’t passed but yet to come. I feel heartbroken.”

Soutik Das – Professional System analyst and illustrator

Helpless away from home, Das shared, “I was supposed to be in Kolkata during this time. Had even booked my tickets 3 months back. But that was not to be, as we were reeling under Lockdown in the US) and ‘social distancing’, in came AMPHAN. The Bengali News channels were alternating between COVID, AMPHAN and Migrant Labourers. Could not imagine that once in a century a perfect storm was brewing on the horizon. I had seen lots of cyclones, the most recent being a couple of weeks back in Atlanta. But I was not ready to see the images that came after AMPHAN made landfall. My city looked war-ravaged. My school area of Southern Avenue which boasts of amazing boulevards and green shades, lay devastated. My locality around Behala, Tollygunje was submerged. All the phone lines were out and my frantic calls to my parents were not connected. My sister was able to get hold of them and shared the details with me which helped me calm my nerves. The whole day, I was not able to work properly even when I was working from home. Every regional channel I opened brought the pictures of total destruction. To make matters worse, none of the national media or the so called celebs from outside of Bengal were reacting to it or covering this mayhem in its entirety (Thoughts and Prayers started to pour in much later). As a Bengali it pained me to see the step-motherly attitude. But then again, the Bard of Bengal said “Jodi tor daak shune keu naa ashe tobe ekla cholo re” (If no one comes along you hearing your call, walk alone). I know Bengal would rise, because we have always been.”

Amphan has broken Bengal to shambles. But, I know it will rise again, be beautiful and strong again as it always have. And as Murakami said, “And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in”, we will make it through.

Stay strong Tilottama!

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Kelebek Media develops ‘Isadora Moon’ series based on the popular book 

Independent production house, Kelebek Media, founded by creative entrepreneur Deborah Thorpe, has acquired the rights to the globally successful book series Isadora Moon and its adorable characters, created by Harriet Muncaster and published by Oxford University Press.

Under this deal brokered by Jodie Hodges at United Agents, Kelebek has secured all rights (excluding classic publishing) to the Isadora Moon series and is developing them as a 52 x 11’ 2D animated series.

Speaking about this deal, Thorpe said, “I fell for Isadora Moon the minute I saw her. The books are beautifully and distinctively illustrated and the stories are full of charm, heart and humour. I am thrilled that Harriet has entrusted us with making these gorgeous books, so loved by their audience, into an animated series. Isadora’s unique and magical cultural heritage makes her universally relatable so anyone anywhere in the world can see themselves reflected in her. I think that’s part of her significant global appeal with our target audience.” 

With over 1.2 million copies of Isadora Moon books sold worldwide in 30 different languages, the character has a huge global following among children aged five to nine. This year in the UK alone, 300 bookshops and libraries took part in an “Isadora Moon Day” in February.  The 13th book in the series will be published in October 2020. 

 Based on the half vampire, half fairy, Isadora Moon is totally unique! Her mother is a fairy and her dad is a vampire and she is a bit of both. She is proud to be different. Isadora Moon is all about self-acceptance. She makes her young audience feel like it’s OK if they don’t get it right or fit in all the time. In Isadora, her global audience can see their own intrinsic value reflected. Fairies, vampires, witches and wizards make up Isadora’s diverse extended family with regular appearances from Isadora’s magical as well as her human friends.

Author and illustrator Harriet Muncaster added, “I’m so excited that Isadora Moon is being brought to life in animated form! I absolutely love everything that the wonderfully talented team at Kelebek have done so far and I know they will make Isadora sparkle on the screen.”

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Sony is producing a secret female-centric Marvel movie

Sony Pictures is continuing to build up its slate of Marvel films. Veteran TV director S.J. Clarkson is on board for developing the first female-centric  movie from Sony’s catalog of Marvel characters. While it’s unconfirmed at the time who the character at the center will be, Variety cites insiders saying there is a strong possibility that the film will be based on the Madame Web comic-book character.

S.J. Clarkson

In the comics, Madame Web is depicted as an elderly woman with myasthenia gravis and thus was connected to a life support system that looked like a spider web. Due to her age and medical condition, Madame Web never actively fought any villains.

Currently, there is no writer on board to pen the screenplay, nor a star attached to lead the movie. Sources say there is a possibility that the studio is looking for an A-list actor to join and then hire a writer to develop the film around them. According to Variety, the studio has a list of possible stars, such as Charlize Theron and Amy Adams, but stress that nobody has committed or even met to for the part yet.

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New Pixar SparkShorts ‘Out’ streams from today on Disney+

Disney has released a new poster and trailer for its latest Pixar SparkShorts project, Out, which launches today, 22 May, on Disney+ and Disney+Hotstar in India.

The 10 minute animated short, Out, revolves around Greg and his dog, who is struggling to tell to come “out” to his parents about his sexuality – he is gay. This marks the first time Pixar will feature its first homosexual protagonist. The short will feature his anxiety and how he musters courage to express his love for his partner, Manuel.

The SparkShorts programme which is designed to discover new storytellers, explore new storytelling techniques, and experiment with new production workflows. These films are unlike anything Pixar has ever done and provides an opportunity to unlock the potential of individual artists and their inventive filmmaking approaches on a smaller scale than traditional movies.

Commenting on the programme, Pixar Animation Studios president Jim Morris said, “The SparkShorts programme is designed to discover new storytellers, explore new storytelling techniques, and experiment with new production workflows. These films are unlike anything we’ve ever done at Pixar, providing an opportunity to unlock the potential of individual artists and their inventive filmmaking approaches on a smaller scale than our normal fare.”

Out is the seventh film in the SparkShorts programme, the rest being Purl, Smash and Grab, Kitbull, Float, Wind and Loop.

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APC Kids inks deal with RTVE for preschool series ‘Kid-E-Cats in Spain

APC Kids has secured a deal with RTVE in Spain which will see seasons one and two of CTC Media’s preschool animation series Kid-E-Cats debut on its children’s TV Clan from 25 May.

APC Kids managing director Lionel Marty said, “We are excited Kid-E-Cats will soon be airing in Spain on RTVE’s Clan, one of the leading children’s channels in the region. The show is enjoying outstanding success globally and we’re looking forward to strengthening the presence of Kid-E-Cats in Spain, bringing the loveable and playful adventures of Cookie, Pudding and Candy to new audiences in the market.”

Kid-E-Cats, owned and managed by CTC Media and produced by Studio Metrafilms, is a popular pre-school series in Russia. The third season is completed and series one and two are currently available on Nick Jr internationally in over 170 territories following a deal signed between APC Kids and Nickelodeon International in 2017.

The series tells the story of three kittens: Cookie, Pudding and their kid sister Candy who are forever ready to jump into action with endless enthusiasm and energy. Their imagination also knows no bounds, and these kitties are capable of the most absurdly funny problem-solving suggestions. Through life’s little lessons, they learn to look before they leap – well sometimes!

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“We responded early to deal with COVID-19”: Splash Entertainment co-CEO Mike Young

Mike Young

By this time everybody is aware of how COVID-19 has affected various sectors and industries globally including entertainment. While outdoor entertainments, theatres, cinemas and live-action projects stand still, the animation sector, though affected, is still kicking.

Earlier we wrote about how the studios across the country like Green Gold Animation, Toonz Animation and Wackytoon Studio, have been coping with this pandemic while producing fresh episodes for kids content. Today, we speak to animation studio of international repute, Splash Entertainment co-CEO Mike Young about the effects of the Coronavirus and how they are sailing and managing through this situation.

Founded in 1990, Splash Entertainment is a multi-award winning studio that specialises in children’s entertainment content. They have been an innovator, developer, producer and distributor of animated television series and movies with brands that are implemented across all media formats. With its main studios based in Los Angeles and subsidiaries in Canada and Ireland, they are ones behind Norm of the North, Rock Dog and other franchises. 

Here are excerpts from the conversation :

How’s Splash Entertainment coping with the pandemic as a studio?

We were early responders. We had moved our entire studio set ups to our staff at their homes over nine weeks ago, possibly a full week before the U.S. Government had made any proper acknowledgment of the seriousness of the COVID-19 pandemic. Animation is possibly the only form of film production which has proceeded throughout this situation.

How is it affecting the projects like upcoming Norm of the North film and others slated soon?

We had already completed three Norm of the North movies with Assemblage and Mad Max, with whom we were the very first Western studio to produce a full CGI series out of India in 2000-2004. The series Jakers: The Adventures of Piggley Winks won eight Emmy’s and a British Academy Award. The work is still on for the ones in production with employees working from home.

We are in full production on the Woody Woodpecker series right now for Universal Studios; also working with Cartoon Conrad in Nova Scotia who are doing a great job, also two Rock Dog movies for Lionsgate working with ReDefine in Mumbai and a not-yet-announced movie for Netflix working with the wonderful high end studio L’Atelier in Montreal. We are also now working with a very famous British/U.S. producer and major Thai Company on a series of high-end animated music video shorts.

How are employees who don’t have opportunities to work from home managing? How’s the Splash studio helping them?

Productivity from home has actually been greater for us than when we were in the studio and that has been a life lesson. It requires real coordination, but all of our employees have been able to make the transition to working from home and we’ve been helping to ensure they have all they need to move full speed ahead, from  secure systems for all productions, our administration, accounting and legal departments to run from home to the hardware and software needed for production.

Have there been any monetary challenges during this lockdown? If you could through some light on salary reductions and furloughs or layoffs in this situation, if any? 

I’m glad to say we have not laid off a single person. And we have not reduced any salaries or furloughed anyone. We have lost some income especially on AD revenue and YouTube, plus the jury is out on the next wave of commissions at the time of writing.

How’s Splash Entertainment extending a helping hand to the families of its employees if needed?

We closely support our direct employees and their families whenever required. I also serve as a Trustee for Caring Hand For Children, a charity that for the past decade has sponsored street children in India, giving them education and other support. The organisation recently expanded its mission to feeding children in the U.S. too. Thus far, we’ve helped the group serve 20,000 meals and counting.

 How are you managing if there are some technical issues during work hours? 

 Our IT Head Patrick Coy has helped us to have everyone setup very quickly. He is available to troubleshoot on technical issues and walk people through solutions. Editing has been the most challenging aspect, but all is working well for now. 

Are you getting necessary hardware and software delivered during this lockdown period?

Yes, from 2D systems such as Toon Boom Harmony, through the various 3D Maya (and spin-offs) software, Avid and Evercast. Suppliers have been very supportive.

How do you think COVID-19 will affect the global animation industry and what would be the solutions to overcome it?

We in the animation industry have to count ourselves lucky in that, especially in the U.S., Canada, UK, and France, we had the bandwidth generally, especially at our private homes to allow the transmission of all digital aspects of our productions. In India, it has been more challenging for the transition to home working, though even there ReDefine has made great progress and we are catching up and the workflow is increasing successfully. Two of our current projects have production (one 2D, the other CGI) in Canada and both have proceeded without a hitch.

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Netflix to cancel inactive subscriptions

Netflix recently shared that they have started asking customers who haven’t watched anything on the platform in over a year. The streaming platform has started asking these customers if they want to cancel their subscriptions.

According to the company, the re-activation of the account is simple. If an account is reactivated within 10 months, the content preferences, bookmarks, and other relevant information of the user will be kept intact. Netflix said inactive accounts make up for less than 0.5% of its members.

“You know that sinking feeling when you realize you signed up for something but haven’t used it in ages? At Netflix, the last thing we want is people paying for something they’re not using,” said Netflix.

It seems Netflix doesn’t want their ex customers to waste their money on something they haven’t been using. “In the meantime, we hope this new approach saves people some hard earned cash,” Eddy Wu, director of Product Innovation.

 

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