SAND IN THE SKY


Traveling with a baby is an interesting thing. They add all sorts of challenges to any trip you do. Long flights, strollers, nap schedules, and car seats all seem to pile up and complicate what is supposed to be a relaxing vacation. Sometimes, you may even find yourself wondering…is all this effort worth it for a baby who won’t even remember the trip? All these experiences and memories will eventually disappear, like a fading dream. So is it worth it? I hope so. I hope these experiences were somehow baked into Ollie’s tiny cells as his body was developing. So as the dream fades away, he is left with some form of inspiration that may re-surface later in life. Maybe it will help him appreciate nature…or make him want to explore beyond the horizon? I have no idea…but I hope so. This video is a result of me grappling with these questions, and trying to document this point in my son’s life. Ollie was 8 months old when we traveled to Hawaii. Exactly 1 year later, we sat him down and “interviewed” him about his trip. By this time, I assume his memories had already faded to a dream like state, so I wrote a script that reflected that. MUSIC. “Oliver’s Travels” Composed by: Jared Blizzard – Beautiful work man! Pumped to have you on the team. “Palemote” by: Slow Meadow (Hammock Music) // THANK YOU so much for giving us permission to use your beautiful song. We really appreciate it. For anyone interested in hearing more, please VISIT: http://bit.ly/slowmeadow EDIT. Jordan Ingram – THANK YOU so much for your unbelievable patience and understanding as I made a million changes and tweaked this edit over and over again. I really do appreciate it, and had an awesome time collaborating with you on this edit. Nina THANK YOU so much for all your patience and help with this project. You rule.

"Family" Tomas Barfod featuring Jonas Smith


Family Written & Directed by Duncan Winecoff Starring Paul Hamy Music by Tomas Barfod featuring Jonas Smith for “Family” Choreographed by Holly Blakey Photographed by Stuart Winecoff Production Design by Merlin Ortner Edited by Ben Suenaga Cast (in order of appearance): Mila Hannemann (Dora’s double), Marko Braic, Benjamin Werth, Franka Marlene Foth, Malik Adnan, Crisjan Zollner, Kelle Huntscha, Hasso Beckersjürgen, Sascha Tschorn, Lena Reinhold & Dora Zygouri. Production Company: CZAR Co-Produced by Anomalie Films In association with Epoch Films, Cinelab London & All:Expanded Executive Producers: Thorne Mutert, Jan Finke Leeor Brown, Megan Winecoff Jean Ozannat, Mindy Goldberg, Keenan Flynn Emi Stewart & Duncan Winecoff Produced by Michael Gugger Junior Producer: Anna Deckers Production Assistant: Selena Hamilton Presented by Apple Music First Assistant Director: Alex Schimpke Production Manager: Frank Pirsich Production Supervisor: Paul Dehn Driver / Set Medic: Gregor Nehring First Camera Assistant / Focus Puller: Nelson Smith Second Camera Assistant / Film Loader: Florian Bellack Steadicam Operator: Nestor Salazar Camera PA: Haroun Al-Shaater
 Video Assist Operator: Stefan Rücker
 Gaffer: Björn Susen Electrician: Axel Renner Electrician: Andre Schmidt Lighting Equipment Generously Provided by Electric Sun
 Sound Recordist: Christian Bornkessel
 Wardrobe Stylists: Laura Büchel & Katharina Heim
 Production Designer Assistant: Franziska Hoffmann Set Dresser: Mark Romaine 
Set Dresser: Jonathan Mármol Casting Associate: Stephanie Manrique
 Film Services: Cinelab London Head of Production: Aarti Mahtani Film Processing: Andy Hudson, Tony Puzas, John Gurney, Luke Slatter Film Scanning: Rob Wickings Special Thanks: Adrian Bull & John Mahtani 
 Post-Production Company: Friendshop Post-Producer: Adam Roe
 Colorist: Sophie Borup Color Producer: Alexandra Lubrano & Tom Gerhing Company 3
 Sound Designer & Mixer: Jeremy Siegel Sound Producer: Sasha Awn Heard City
 Location Scout: Tatijana Liebenow & Location Networx Catering: Gerwin Catering A very special thank you to Sheila Marquez, Lucius Winecoff, June Winecoff, Elizabeth Heffelfinger, Anthony Winecoff, Nina Toumanoff, Megan Winecoff, Michael Tyson , Stuart Winecoff, Leeor Brown, Aarti Mahtani at CineLab, Jakob Preischl & Philip Ramhofer, Anna Bauer, Franka Marlene Foth, Esteban, Lisa Densem & Wassili Zygouris, Jenny Krug, Ben Totty of Box Artist Management, Oriane David of Time Art, Theaterhaus Berlin, Kodak, Friendshop, Company 3, Heard City, Vantage, Electric Sun & All:Expanded.

Teaching robots through trial and error


UC Berkeley professor Pieter Abbeel discusses BRETT, a robot designed to learn from its own mistakes.

Read more: https://techcrunch.com/video/teaching-robots-through-trial-and-error/

TechCrunch is a leading technology media property, dedicated to obsessively profiling startups, reviewing new Internet products, and breaking tech news.

Subscribe to TechCrunch today: http://bit.ly/18J0X2e

SuitX makes low-cost exoskeletons for rehab and work


SuitX co-founder Wayne Tung describes the UC Berkeley spinoff’s mission to make exoskeleton technology more accessible.

Read more: http://techcrunch.com/

TechCrunch is a leading technology media property, dedicated to obsessively profiling startups, reviewing new Internet products, and breaking tech news.

Subscribe to TechCrunch today: http://bit.ly/18J0X2e

A look inside self-flying drone startup Skydio


TechCrunch visits the offices of Skydio, a drone company backed by some of Silicon Valley’s top investors that’s aiming to help drones fly themselves. We take an exclusive tour through the startup’s offices and chat with CEO Adam Bry while checking out the prototypes that led to the R1.

Teaching robots to learn how to learn


UC Berkley Assistant Professor Sergey Levine discusses the Robotic Artificial Intelligence and Learning Lab’s efforts to teach robots how to learn.

Introducing Visual Studio Live Share


Come see it in action and download now: http://aka.ms/vsls

Use Visual Studio Live Share to collaborate with other developers in real-time, with co-editing, debugging, shared terminals and more – even on different operating systems and using different development environments. Come see it in action!

Resources:

– Learn more: https://aka.ms/vsls
– Detailed blog post: https://aka.ms/vslsblog

Why MIDI Polyphonic Expression (MPE)?


A short video to explain why MIDI Polyphonic Expression (MPE) is so focused and limited, but why it’s so important that the standard exists and is widely available.

You can find the MPE spec here, by scrolling down to “Supplemental Specifications [Post 1996]”:
https://www.midi.org/specifications-old/item/the-midi-1-0-specification

Video Essay: The Colors of GRAVE OF THE FIREFLIES


GRAVE OF THE FIREFLIES (HOTARU NO HAKA, 1988) by Takahata Isao is a prime example of how naturalistic colors are organized into restricted concepts that help “make the film more easily understood” (to quote character color stylist Yasuda Michiyo). This color analysis is based on the official Blu ray transfer, i.e. a stellar digital restoration which – for several reasons – may or may not replicate the exact colors of an original 35mm print from 1988. For studying and educational purposes only. No copyright infringement intended. If you have any concerns about this video essay, please contact me directly through the comments or private message. Thank you!

These Dead Souls: Douglas Sirk's "The Tarnished Angels"


A video essay by Cristina Álvarez López and Adrian Martin explores how individual parts of Douglas Sirk’s “The Tarnished Angels” mirrors the whole. For the accompanying text, visit the Notebook https://mubi.io/2vFq3Wg For Study Purposes Only.