Netflix releases official trailer of ‘Luke Cage season 2’

The “hero of Harlem” is all set to return for his second standalone story, almost two years after debuting, and the official trailer released gives a chilling glimpse into what’s lurking in the shadows, this time around.

A popular figure in his neighbourhood, Luke Cage is once again seen battering the pulp out of burglars and criminals, while the ladies can’t stop marveling at him. Until one night, Cage finally meets his match. He’s beaten down with astonishing ease and the status quo is immediately thrown into a tizzy.

The antagonist we’re talking about here is the Bushmaster, who possesses similarly physical might and can also repel bullets. Just like in the comics, he appears to be an underworld crime boss and vows to go hell for leather in his quest to take down Cage. The city of Harlem is soon thrown into a tailspin as it has never come across someone as menacing as this.

The Power Man’s life has never been in more danger, and all his close allies have joined him to stop the new do-badder. But just what would it take to do so? The new trailer begs the question as Cage and Bushmaster gear up for an ultimate, nerve-wracking face-off!

Based on Marvel Comics, Luke Cage season 2 will premier new episodes on Netflix on 22 June 2018.

The post Netflix releases official trailer of ‘Luke Cage season 2’ appeared first on AnimationXpress.

The story of Indian animation: not just a blend of stories, but an unsung history

Animation is defined as the art of making inanimate objects move. Yes, literally move! Well, don’t you find it amusing? Maybe, not now, but a few decades back, this sounded like some sort of magic.

Animation was and is more than a Mickey Mouse or Donald Duck. It is a way to get to the niche of any story and bring it out with things that one can dare to imagine.

The first Indian animation film was brought to life towards the end of the nineteenth century. But the idea has been cherished over a thousand years. Story telling has been a central part of Indian culture. With puppetry narrating various stories of magic, fantasy, animals and other traditions, India has been animating for a while now, just unaware of the animation technology!

With creativity flowing already through the blood of Indian story tellers, the generation which raised the animation bar in India were doing this with all their heart. And, with the mighty will of creating something worthy, the animators’ brigade in India began their journey!

IDC professor Phani Tetali along with D’source PI and IDC professor Ravi Poovaiah and research associate Swati Agarwal came up with a project under D’source (an initiative by IDC, IIT Bombay, DoD, IIT Guwahati and NID Bengaluru) and brought together the veterans of the industry to tell their story. How they evolved and how animation became their heart and soul? What made them the masters they are today? What kind of zeal these magicians possessed to give life to creations oh so elevated?

The team was eager to bring the stories of these veterans to the common man or the imminent artists to make a pathway to create their desired dream in animation.

“This resource is an attempt to look at the evolution of Indian animation since its inception in the pre-independence era till the present age of smart phones and tablets. It explores the development of the industry and its potential given the rich cultural history of India,” says Tetali and Agarwal.

With legendary names like Ram Mohan, Shaila Paralkar, Nina Sabnani, Dhimant Vyas, Vaibhav Kumaresh, Gitanjali Rao, Manisha Mohan, RL Mistry, Sumant Rao, Suddhasattwa Basu, Shilpa Ranade, Sekhar Mukherjee, E. Suresh, Bhimsain Khurana, Ajit Rao, Chetan Sharma, Binita Desai, Arnab Chaudhari, Phani Tetali, Prosenjit Ganguly, Prakash Moorthy and Chetan Sashital in the league, how can these be just normal videos talking about animation? It’s not a series of videos but the history of those miraculous hands that work on it!

IDC professor Rao in one of the videos quotes, “Animation as an industry will only exist if animation as a profession does well. Have faith, have patience and you will become good at animation.”

Animators are a special breed creating purposeful content. The enduring magic of animation has caught the imagination of all age groups and made life a fantasy world. When an animation show plays on TV or anywhere on web, not only a child but even an 80 year old won’t budge. That’s the charisma of animation!

The veterans from the industry are all set to take all on a tour and show the journey of animation!

The post The story of Indian animation: not just a blend of stories, but an unsung history appeared first on AnimationXpress.

How We Fight Back

Rescuing Rhinos | Racing Extinction (360 Video)


Orphaned at 2 weeks old on November 2014, Matimba was found next to her mother who had been killed by her poachers for her horn. Weighing only 35 pounds at the time, she has been protected and nursed back to health in South Africa.

Join a conservation biologist on an interactive mission to learn how animals critical to the world’s ecosystem thrive and survive in the wild.

For a more immersive experience download and watch on the Discovery VR app – now available on Google Daydream!
Visit http://www.discoveryvr.com/ to get started

Subscribe to Discovery VR:
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Stretched Out – Simon's Cat | SHORTS


Simon’s Cat likes to take his time – even when he is hungry!
Like, Comment and Share! Want to see more? SUBSCRIBE and ‘hit the bell’ for new release notifications! – http://bit.ly/scytsubs

‘Stretched Out’ Credits:
Directed by: Simon Tofield
Animation: Harry Slinger-Thompson and Plamen Ananiev
Animation Supervisor: Rachel Thorn
Design/Rig: Trevor Phillips
Art Director: Liza Nechaeva
Music: Shrooty
Foley: Chris Swaine @ Fonic
Associate Producer: Edwin Eckford
Production Coordinator: Cathryn Gamble
Producer: Emma Burch

Love Simon’s Cat? Watch our 12 minute colour film ‘Off to the Vet’ – https://youtu.be/GTUruS-lnEo

Want Purr-sonalized Simon’s Cat merchandise? Click here – https://shop.simonscat.com/

Have you visited the official Simon’s Cat website? http://www.simonscat.com

Stay connected with Simon’s Cat on:
Facebook: http://facebook.com/simonscat
Google+: http://plus.google.com/+SimonsCat
Twitter: http://twitter.com/SimonsCat
Instagram: https://www.instagram.com/simonscatof…
Tumblr: http://simonscat.tumblr.com/
Pinterest: http://pinterest.com/simonscat

Want to see more of our Black & White films?
Check out our play list here: http://www.goo.gl/FkqgHw

Want to know more about the history of Simon’s Cat?
Watch the Simon’s Cat Story here – http://goo.gl/Vfx2JS

FAQs:

Q. What software do you use?
A. Simon’s Cat is made using Adobe Flash / TV Paint / CelAction animation software.

Q. Why does it take so long to make each Simon’s Cat film?
A. Animation is a slow process and Simon’s Cat films pay particular attention to observed, real life cat behaviour. Historically the films were traditionally animated frame by frame. More recently we use Celaction which has sped up the process but still requires a lot of care and attention. Each film takes approximately 6-9 weeks to make, depending on complexity, number of characters and special effects.

Q. Where can I buy Simon’s Cat merchandise?
A. You can purchase Simon’s Cat products from our online shop! – https://shop.simonscat.com/

Starbucks Cup Magic for Valentine's Day


It’s a new version of our Starbucks Cup Magic app that allows you to send and receive virtual Valentine messages. Scan one of our limited edition Valentine’s Day themed cups and watch your cup come to life. You can also use it to send a Starbucks Card eGift!

Available for your iPhone or Android devices:
http://www.starbucks.com/coffeehouse/mobile-apps/starbucks-cup-magic

Hope For Tomorrow


Written and Directed by Mantas Gr Illustration and Animation: Mantas Gr Music and Sound Design: Zing Audio Audio Mastering: Dan Solovitz Script Editor: James Nixon

GALLERY


Featuring Brandon Semenuk and friends. Cinematography/Editing: Rupert Walker Athlete/Producer: Brandon Semenuk VFX: Dan Gaud AKA ‘Digital Dan’ Sound Design: Keith White Photography by: Ian Collins, Berkley Vopnfjord, Rupert Walker, Brandon Semenuk, Mad Productions Music: Suuns – 2020

Orson Welles: The 7 Secrets of Cinematic Composition


Support wolfcrow on Patreon: http://patreon.com/wolfcrow Seven of the most powerful compositional techniques Orson Welles used in his films. Enjoy! Footage is taken from Youtube, so is of poor quality. It’s impossible for me to rip high quality content (it’s illegal) of every movie for this. This video uses low resolution clips from movies only for informational and educational purposes under fair-use. Instagram: https://www.instagram.com/wolfcrowsocial/ Don’t forget to subscribe to this channel! Links can be to our affiliates and we might get paid a commission for purchases you make. Please support wolfcrow and purchase using these links. It won’t cost you extra.

Remembering this killer ILM shot from Deep Impact, now 20 years old

DeepImpact

20 years ago, the first of 1998’s asteroid films, Deep Impact, was released. In some ways it used visual effects rather sparingly to showcase the result of a partial meteor hit on the Earth. Massive waves hitting New York were a feature of the film, and these were realised as CG water sims by ILM. One shot in particular stayed in my memory – an overhead view of the waves crashing between buildings. Christopher Horvath was behind the sims for that shot, and he spoke to vfxblog about how it was made two decades ago. Read the interview here: http://vfxblog.com/deepimpact/