Cyber Group Studios’ ‘The Tales of Tatonka’ premieres on CCTV in China

Cyber Group Studios and Pacific Media Group announce that the animated series The Tales of Tatonka by Cyber Group started airing on CCTV in mainland China from 29 March.

Pacific Media Group co-founder Grace Hung commented, “We are proud to partner with Cyber Group to broadcast this amazing and interesting series on CCTV followed by all major Chinese platforms. We know families will find Tatonka exciting, warm and educational.”

The Tales of Tatonka is a 52 x 13 CGI preschool series for five to seven year olds, telling the adventurous stories of four wolf-cubs who grow together as a family in the nature. Their friend Tatonka, the bison helps the young wolves explore their home in the wild along with friends Cinksi the lynx, Poum the bear, Wahi the squirrel and Wambli the eagle.

“It’s our pleasure to present Tatonka to the Chinese audience along with CCTV. We believe the educational theme and well-crafted storyline of this series will be welcomed by parents and kids alike,” said Mango TV director (international content) Rebecca Wang.

Written by Pierre Sissmann and directed by Olivier Lelardoux, The Tales of Tatonka has received multiple awards including Golden Panda nomination in China and Karusel TV’s best kids’ series in Russia. It has also been praised for its environmental themes to inspire children globally.

“It is a great honour for our company and myself as an original author to have The Tales of Tatonka air in China,” said Cyber Group Studios chairman and CEO Pierre Sissmann.

The series combines an animated adventure of eleven minutes and a live action segment entitled The World of Tatonka with real-life scenes depicting animal life in the wild.

The post Cyber Group Studios’ ‘The Tales of Tatonka’ premieres on CCTV in China appeared first on AnimationXpress.

Nickelodeon’s ‘Together for Good’ initiative to empower kids to ‘Say no to fear and yes to safety’

Nickelodeon’s global pro-socio initiative Together for Good, will address the burning issue of child safety this year with ‘say no to fear and yes to safety’ campaign.

Incidents in the realm of cyber safety, bullying and physical harassment amongst kids are increasing at an alarming rate at young age, and thus creating awareness around personal safety has become the need of the hour. With kids being at the centre of Nickelodeon universe, they have set out to curate behavioral change through an initiative that will inspire and empower them to say no to fear and yes to safetyThis initiative will encourage kids to identify potential risks and reach out to an adult without fear.

Leveraging the strength of the entire Nickelodeon franchise and the Nicktoons, this movement is brought to life with child-friendly yet impactful on-air video series, reaching out to over 40 million viewers with the message – say no to fear and yes to safety.

Addressing the three most rampant issues of physical abuse, cyber safety and bullying, Nicktoons will create awareness for kids to seek parental or adult intervention when faced with any threat by reaching out and sensitising parents and gatekeepers. This initiative will also be made active on social media through a high decibel digital plan which will include interactive posts, pledge posts, short videos by experts and child psychologists on safety tips.

Commenting on this initiative, Viacom18 Kids Entertainment Cluster business head Nina Elavia Jaipuria said, “We at Nickelodeon keep the children at the core of all that we do and take our responsibility as a kids’ broadcaster very seriously. We believe that children are the change agents of society and every child has the right to grow up in a safe environment. Through the ‘Together for Good’ movement Nickelodeon has set out to sensitise kids and parents on the rampant problem of child safety issues. We believe that this initiative will give the kids the confidence to speak out and say no to fear and yes to safety.”

Nickelodeon has also partnered with leading Non-Governmental Organisation Arpan, which specialises in empowering individuals and families with prevention and intervention skills required to respond to issues pertaining to child safety. The experts from Arpan will engage with kids in schools across the country through an interactive programme. The school outreach will also include sessions guiding teachers and adults on how to manage issues of child safety.

“We are delighted to partner with Nickelodeon India for their initiative Together for Good. Arpan has over 10 years experience of working on prevention of child sexual abuse and healing from its impact, observed that if children are empowered with age-appropriate knowledge and skills they can participate in their own safety. Parents and caregivers, when empowered with knowledge, contribute to making an environment which is vigilant and protective for children. An initiative like this has the potential to provide key messages of personal safety to millions of children and parents with the support of Nickelodeon,” said Arpan director of public engagement Sharalene Moonjely.

Besides ArpanNickelodeon has also partnered with the Municipal Corporation of greater Mumbai Education department to extend the school-outreach programme across various Mumbai schools.

The post Nickelodeon’s ‘Together for Good’ initiative to empower kids to ‘Say no to fear and yes to safety’ appeared first on AnimationXpress.

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard

We test out the backlit Cinema 4D ASTRA keyboard from LogicKeyboard. Do you need one on your desk?

So why am I reviewing a keyboard when there are so many other juicy things to talk about in hardware? I guess because this particular item scratched an itch that’s been bothering me for two years.

When I first started learning Cinema 4D, I was coming from Maya and 3ds Max. To get a leg up on the learning curve, I decided to port most of my shortcuts over to C4D so I could get up and running as fast as possible. It was all going swimmingly until I started realizing that in most of my tutorials I would be hitting hotkeys that made complete sense to me in my Maya/Max mindset, but would be utterly confusing to the C4D artists following along.

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Hero

Image via LogicKeyboard.

I recently came across LogicKeyboard’s Cinema 4D ASTRA, a keyboard with specific hotkeys printed on each key. Was this keyboard finally my excuse to ditch my patchwork hotkeys and go legit? I reached out to LogicKeyboard, and they were kind enough to send me a unit to review.

Before we get into it, I think you should know that I’m not a mechanical keyboard enthusiast (though this was not for lack of trying). I purchased a Cherry MX3850 and gave mechanical keyboards a shot. After about a week of the clickety-clack lifestyle, I ended up back at my trusty Apple wired keyboard. Yes, I’m on a PC and I use an Apple keyboard. I’m a sucker for both the form factor and the feel of the Mac keys. I don’t like a lot of travel, and I love how quiet it is. With that in mind, here’s what I thought about this scissor-switch Cinema 4D keyboard.

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Layout

Image via LogicKeyboard.

ASTRA Cinema 4D Keyboard Specs:

  • Backlit keys
  • Dimmable light with five levels
  • Built-in dual USB-ports 2.0
  • Scissor-switch keys
  • Color-coded labelled shortcut keys with graphical commands
  • Compatible with PC and Mac
  • Dimensions – 17 5/8” x 6” x 11/4” (446mm x 150mm x 30mm)
  • Net weight – 2.1 lbs (950 grams)
  • Number of keys – 104 (ANSI version) 105 (ISO version)
  • Manufactured for 10.000.000 keystrokes per key
  • 1.8 meter cable with separate keyboard and hub connections (avoid interference with USB extenders)

First Impressions

I have to say, I was rather impressed by Logickeyboard’s packaging and overall presentation. A clean well-designed box is always a treat to open. Especially those with magnetic clasps that snap shut. Always satisfying. In addition to the keyboard, it shipped with a disposable cleaning wipe and a transparent silicone keyboard cover.

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Comparison

Image via Chad Ashley.

The keyboard itself was larger than I had expected. A few inches longer and deeper than my Apple keyboard. A bit taller as well. The ASTRA has a dual USB plug, one to plug directly into your machine’s keyboard port, and another USB 3 plug that will turn the keyboard into a USB 3.0 hub.

What immediately drew my attention was all of the useful standard Cinema 4D shortcuts printed on all of the keys. It was like looking into a shortcut menu sitting right under your fingers. The printing on the keys is of high quality and well designed overall. When backlit, the ASTRA has several levels of brightness, but no RGB support. I must note that keys do seem uneven in their translucency.

Once I plugged the ASTRA in, I fired up C4D and I was off and running. I simply had to delete my old shortcuts and switch to the C4D default layout.

The Good

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Good

Image via Chad Ashley.

Overall, typing on the ASTRA is a reasonably pleasant experience. Key travel and feel was on par with other scissor-switch keyboards I’ve owned. I must say though that the hardware is not what impresses with the ASTRA. The keyboard’s ability to teach me the proper shortcuts in C4D keeps me coming back. It turns out having hotkeys in front of my face and under my fingers is precisely the sort of motivation I needed to legitimize my shortcuts.

I began to transition to the new keys reasonably quickly, and whenever I got stuck a quick glance down would set me straight. I also enjoyed the multiple levels of backlighting. It was helpful to transition to a brighter back when needed. I found myself discovering shortcuts printed on the keys that I had never even known about.

The Not So Good

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Bad

Image via Chad Ashley.

The biggest problem I had with the ASTRA was the build quality. Several times my right index finger would catch the underside of the “h” key and nearly pop it off. A few other keys also randomly popped off with barely a press. Luckily they could snap right back into place but it was annoying nonetheless.

I personally was not a big fan of the key press feel, which was a bit mushy. My fingers would become fatigued when typing for long periods of time. Its size was not as big of an issue as I had anticipated, but I do wish it were a bit slimmer.

It’s worth mentioning that this keyboard is not easily affordable, with a retail price of $139. At that price, I would have liked to see some dedicated audio controls, or perhaps a slimmer build.

Summary

Hands-on Review: Cinema 4D Backlit ASTRA Keyboard - Summary

Image via Chad Ashley.

I’m rather split overall. I would highly recommend the LogicKeyboard ASTRA for anyone wanting to double down on learning the C4D shortcuts. This is a fantastic learning tool, much more useful than a laminated shortcut cheat sheet (which I’ve had my fair share of over the years).

Though it has a well designed look and appeal, the keyboard itself doesn’t really stand out from other traditional keyboards. If you are a big fan of mechanical or scissor-switch keyboards, you likely won’t be stunned by this device.

So if you are ready to commit to being a hotkey master, this might be worth the price tag. The real question is whether or not it stays on your desk when you’re ready to take the training wheels off. I guess I’ll find out soon enough.

You can check out or order the LogicKeyboard Cinema 4D ASTRA keyboard here.

The post Hands-on Review: Cinema 4D Backlit ASTRA Keyboard appeared first on Greyscalegorilla.

Asana – Timeline

DELAURENTIS – A big part of a big sun


Written&Directed by AB/CD/CD Produced by LAPAC With Camille Gadda & Michel Beaupère Producer : Laurent Perreau Executive Producer : Jerome Denis 1st AD : Mélanie Le Portier Director of Photography : Elodie Tathane Special effects, makup artist : Jean Christophe Spadaccini Art Director : Samantha Lanteri Editor : Gopal Puntos Colourist : Sylvain Canaux Post production company : Editos Sound Design : Kouz

Club Palace – Behind the scenes


A journey to surreal spaces where light, sound and gravity play tricks with our senses. Moving from small confined spaces to an imaginary open world, Club Palace is all about exploration, curiosity and embracing the unknown. A film by Caravane, Camille Boyer, Nik Mirus Production L’Éloi (Éloi Beauchamp, Sébastien Hotte) Directors Caravane (L’Éloi) Art director Camille Boyer (l’Éloi) Director of photography Nik Mirus (l’Éloi) Music Composer Loïc Ouaret Key grip Pierre-Luc Bouchard Electro Amélie Douville, Jean-Martin Landry, Cédric Dupuis Camera assistant Gérardo Alcaine Swing Alexis Belhumeur Assistant art director Bastien Collard Texture artist Marc O’brien Stop motion animation Caravane, Rodrigo Sergio Eguren Raez, Bastien Collard, Camille Boyer Post-production Caravane Film title design Olivier Charland Special thanks to art department  Rodrigo Sergio Eguren Raez, Ashley Olivieri, Marie Ebiner, Camille Bégin, Florine Pellachin, Guillaume Riopel, Vincent Malo, Marianne Stratis, Catherine Lévesque

Shrinking Slovenia


Slovenia is one of Europe’s best kept traveller secrets. It is a small country that boasts wonderfully diverse geography: high Alpine peaks, idyllic countryside, vibrant city life, tranquil villages and a stretch of coastline. Tourism has been picking up over the last years, but it is still an amazing place to vistit. Travel trough amazing nature sites like Lake Bled, Vintgar Gorge and Bohinj lake. Vist the amazing Škocjan Cave and the Predjama Castle. Enjoy the adriatic coast at Prian and take a trip to the picturesque capital of Ljubljana. A tilt-shift time-lapse aerial film by Joerg Daiber. Facebook: https://www.facebook.com/MiniatureFilms Twitter: http://www.twitter.com/spoonfilm YouTube: http://www.youtube.com/littlebigworld Web: http://www.spoonfilm.com You can license raw footage clips from the Little Big World series here: http://www.gettyimages.com/videos/spoonfilm?phrase=spoonfilm&sort=best&excludenudity=true#license WATCH FULL SCREEN! Shot with Lumix GH4 and GH2, Gorillapod, 14-140mm and 7-14mm Lumix Lenses. Postproduction with Adobe Creative Production Suite. Music: Four Seasons – Spring (1st Movement) Antonio Vivaldi perfomed by Apollo Symphony Orchestra.

||Where Are The African Gods|| Film by: Rodney Passé


NOWNESS: Poetic License: Where are the African Gods? Lyricist Abbey Lincoln’s words are brought to life in this meditative portrait of black masculinity A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Kahlil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons. “The film movingly captures moments from the perspective of African American men and their sons” “Abbey Lincoln’s poem is a chilling reminder of black society’s struggle with self-image,” explains Passé. Speaking of the film’s experiment with spoken-word and music, the filmmaker continues: “The arrangement is heart-felt, capturing moments from the perspective of African American men and their sons, while celebrating the essence of black culture and honouring its significance in today’s society.”

West Studios

West Studios