Path


Let’s follow the path of 7 characters/creatures in a riveting musical that happens to meet and transform in an explosive fashion in the street of Sao Paulo /Brazil .When ideas meet other ideas ,it than become greater ideas . Introducing the biggest festival of innovation and creativity in South America: Path Festival. A film by SEB CAUDRON with AISHA MBIKILA / FLÁVIO VERNE / JÉSSI MÜLLER / PEDRO REIS / RONALD SCHEICK Produced by BOSSANOVA FILMS Executive Producers: EDU TIBIRIÇA E SANDRA OTHON Music : ANTFOOD singer :AMANDA GRUS Art Director/Stylism: JUDITH STRIEGEL Character Design/Lead 3d: RUDI GUDE Dop: OLIVIER COCAUL Editing: SEB CAUDRON & MARCELO VOGELAAR Agency : ANA COUTO Vfx Supervisor: SEB CAUDRON Lead 3d /design ( faz todo) RUDI GUDI After FX BRUNO TSUDA 3d Track: LA MATTA TV Compositing : JORGE PERREIRA Ok ,CRISTIAN DE JESUS, ROGER, SEB Color Correct ; BINHO TASHIRO Finalizador(a) ROSA FELIX Coordenadora de Pós VALQUIRIA PACHECO Assistente da Coordenação de Pós BARBARA RUSSIANO E ANDREZA DE OLIVEIRA Diretor de Produção PAULO LEITE Coordenador PEDRO GOMES Atendimento NATALIA WANDEL Assistente de Atendimento PALOMA BARBOZA Controller PAULO MACHADO Assistente da Coordenação LUANA BINTA Produção ANA MARIA CARVALHERIA DE MENDONÇA / VITORIA CASADEMUNT VECCHI / BRUNO HIAGO / VINICIUS LEMOS 1º Assistente de Câmera CHICO BENTO 2º Assistente de Câmera/logger ADELPH MENEZES 3º Assistente de Câmera/logger HELIO TAKEMOTO SteadyCam SPIKE Ajudante de Produção VALDIR BATISTA SOUTO E EDNEI BATISTA SOUTO Secretária de Produção JAQUELINE BARBOSA Storyboard MARCELO ARANTES Produtor de Locação JEFF FLECK Manutenção de Alimentação FRANCISCA CELIANE DE MORAIS Equipe de Transporte REGIS, PINGUIM, SANDRO E VALDIR

THE AYES HAVE IT Motion Poems


For Emmett Till, Trayvon Martin and every family denied justice A FILM BY Savanah Leaf 
EXECUTIVE PRODUCERS
 Todd Boss, Egg Creative, Claire McGirr PRODUCER Edward Freeman DIRECTOR OF PHOTOGRAPHY Joel Honeywell EDITOR Pete Fullarton IN ASSOCIATION WITH Stink Films “The Ayes Have It,” a poem by Tiana Clark. ©2012 Tiana Clark. Used by permission. This poem first appeared in Raven Chronicles. STORY BY Savanah Leaf STARRING Ayesha McMahon Isiah Chambers Ajani Johnson–Goffe Olivia Bright Harry Tibble Connie Freeman Skyla Wilson Ayaana Aschkar-Stevens Mulan Itoje Pippa Christian Laurence Sessou Jason Ryall Victoria Blauss VOICEOVER ARTIST
 Malina Tirrell CASTING BY Savanah Leaf Tytiah Blake ASSISTANT DIRECTOR Sophia Dembitzer FIRST ASSISTANT CAMERA Andrew Bradley Ondrej Rybar SECOND CAMERA ASSISTANT Carmen Pellón Brussosa STEADICAM OPERATOR Jake Whitehouse CAMERA TRAINEE Kairo Jones Vivien Goddard-Stephens GAFFER Ben Miller ART DEPARTMENT Georgia Charter HAIR Susy Etionsa MAKE-UP Yvette Francesca STYLIST Sophia Dembitzer STINK FILMS ASSOCIATE PRODUCER Andrew Levene THE MILL COLOURIST Oisin O’Driscoll PRODUCER Dan Kreeger SOUND DESIGN Ben Chick FOLEY EDITOR Sophia Hardman RE-RECORDING MIXER Will Miller VOICEOVER RECORDED BY Warren Latimer VOICEOVER DIRECTED BY Alison Leaf MUSIC “_____45______” Bon Iver WRITTEN & PERFORMED BY Michael L Lewis Justin Deyarmond Edison Vernon COURTESY OF Jagjaguwar MUSICAL CONSULTANT We Are Theodore SPECIAL THANKS Stink Films The Mill Feral ProCam Panavision Ide Verde Stock Yard Connie at Merton Film Office Arnold Hattingh Bon Iver Stock Yard Clara and Michael Freeman Josh Posner Catering

Moodoïd – Miss Smith


Sometimes casting gets a little too personal. Unable to reconcile with an ex-girlfriend, musician Pablo Padovani holds a casting call to find the next best thing. Five actresses were invited to audition completely unaware of his intentions. What emerged was a satirical look at the baggage we try to work through in our art and how that can be an uncomfortable and often too personal experience for everyone else. Director: Nick Roney Producer: Andreas Attai Written by: Nick Roney, Ed Leer, Soto Flores and Alex Knell. 1st AD: Sam Shapson Executive Producer: Kimberly Stuckwisch for Going Rogue / Little Ugly Cinematographer: Logan Triplett assisted by Tevin Teixira & Darrell Nash Editor: Nick Roney Assistant Editor: Taylor Brusky 2nd Assistant Editor: Alan Michnoff Colorist: Nick Sanders @Ntropic Sound mixer: Gabe Linkiewicz Production designer: Britt Keller Art assistant: Laura Cha Make up: Tanya Brown Wardrobe: Maya Sommer VFX: Jeff Desom Sound: Jackie! Zhou Morality Consultant: Dan Carr Thank you to Juliet, Erin, Sandra, Miranda, Minolta, Alex, Joel, Jeremy and Greg. Nick Roney is the filmmaker in-residence at Chuckawalla Valley State Prison. He is set for release in late 2020. For directorial booking inquiries or awards please contact the warden, Dave Grant at 747-200-7127

Forgiving Pipeline


Amber Mozo is a 22-year-old photographer born and raised on the North Shore of Oahu. As the daughter of legendary surf photographer Jon Mozo, a former fixture in the lineups along the famed North Shore, Amber was raised with a love for both the ocean and photography. Jon Mozo passed away while shooting photos in the water at Pipeline — he was 33 years old. Amber was only 9. Soon after her father’s passing, Amber picked up a camera and her photographic journey began. While photography has taken Amber all around the world, shooting some of the most beautiful known surf breaks, until this winter, she hadn’t yet swam out into the lineup that stole her father’s life — Pipeline. This winter, however, under the tutelage of fellow North Shore surf photographer, Zak Noyle, Amber swam into the Pipeline lineup for the very first time during the 2018 Volcom Pipe Pro.

MAKING WELCOME HOME


The making of Spike Jonze’s HomePod commercial featuring FKA Twigs.

Winter Time – A Hyperlapse Film


My first serious time-lapse project. Shots were taken in a small Slovak village where I grow up. I like nature in all seasons, but especially in winter, when everything is under white blanket. And Winter in 2017 was extraordinary cold, therefore I decided to capture this beauty, when it was possible every day and night in January and February. Some shots were taken in -20 °C and my fingers and toes almost froze up, particularly in some long hyperlapse scenes, when was no time for break 3 or 4 hours. It was extremely hard work and exhausting for me. I didn’t have such experience before, but it was quite challenge and motivation. I wanted capture that magic moment with night sky hyperlapse in middle of the night when people sleep, which was my primarely goal to achieve. I know that movement of the stars and stabilization in some shots is far from perfect, but at least, I’ve tried it and I’m happy to share my frosty piece with you. Everything was done manually without motorized parts, sliders or heads. Music: Doug Maxwell – Space Chatter Stellardrone – The Edge of Forever https://stellardrone.bandcamp.com/ Equipment: Panasonic GH4 + Metabones Speedbooster XL Sigma Art 18-35 Canon 70-200 DJI Phantom 3 Pro Konova K3 and DIY Dolly

Loop | A performative presentation with Tennyson


From Loop 2017, Tennyson demonstrate how they use Ableton Live to reproduce their intricate arrangements live. They follow up this walkthrough with an intimate live performance.

Keep up with Tennyson on Soundcloud:

See more from Loop:
https://www.ableton.com/en/blog/loop/

Tennyson – Live at Pickathon, Galaxy Barn 8/6/2016


August 6, 2016 – Tennyson performs live at Pickathon 2016, Happy Valley, Oregon, Pendarvis Farm, in the Galaxy Barn.


https://www.facebook.com/tennysonmusic/
https://tennyson.bandcamp.com/

Members: Luke Tennyson Tess Pretty
Genre: Electronic
Hometown: Canada

Tennyson – Cry Bird (Official Music Video)


Director: Darío Peña
Executive Producer: Oscar Romagosa
Head of Production: Alba Barneda
Producer: Karen Saurí
Producer: Laura Lepre
1st AD: Rubén Bel

Lyrics:

When all is calm, a bird from afar
The bleeding song of all that we are
If you go I’m running after you

And it goes oh, oh
Can we go home?

On wagon rides, our tingling toes
Back alley skies, the wind in our clothes
Run it back, back to the start of our song
Cry bird

And all the calls of
Popsicle bells In blanket forts with oil pastels
Run it back, back to the start of our song

‘Cause it goes oh, oh
Can we go home, home?

x2

(Will it ever be the same again?)
(How much does it take?)
(Could it ever be the same again?)
(How much does it take?)

Can’t you live your life without it?
Put it all behind.
I’d like to Believe that in our life we’re guided
By the first few lines
So what’re you waiting for?

Sure you always talk about it
But your word’s never sure
Don’t you know?
Home is not what you call it
If you’re scared to go

Got yourself binoculars
Looking for a home, yeah

Can’t you see you’re looking for
The mountain that you’re on?
You’ll know it

Got no doubt about it
Don’t you know it’s fine?
This puzzle wasn’t always complicated
The journey is the home you’re looking for

Out Now on OWSLA

2 Minute Ableton Tip #28: The Chain Selector


Ableton Live’s Instrument Racks offer many unique possibilities. One of the great features is the chain selector. It allows you to have multiple layers of instruments and effects. This 2 Minute Tutorial will teach you how to use them.

Instruments used in video can be found: http://afrodjmac.com/2012/11/07/megabrute-ableton-live-pack/

my site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com

AfroDJMac
http://www.facebook.com/afrodjmac
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