Watch How A Bugatti Veyron Is Made


Watch full episodes of the Science Channel Series “How It’s Made.”

This is how a Bugatti is made. Like other works of art, this supercar is a limited edition. Only 450 of them will ever be made. Bugatti calls its 1,000-square-meter production facility the Atelier. Instead of a typical assembly line found in most car factories, the Veyron is assembled at individual stations.

Here, a technician unites the transmission with the engine and carefully bolts them together with a handheld ratchet. The mechanical components of the car’s rear section have all been assembled.  Technicians push the back end along a track to meet the front. The track sits below the floor and is covered by metal plates that open and close around the trolly feet as they move. The workers join the two sections with just 14 titanium bolts. Once again, they use handheld ratchets rather than power tools. 

The powerful mechanics of the Veyron have been assembled, but a Bugatti is not a Bugatti without its sculpted exterior. To bring the Veyron to its artful conclusion, technicians wear white gloves so as not to mar the surface with fingerprints. They install each component with the same care and precision used throughout. But before reaching this stage, an expert tests the car’s systems at this rolling-test station. These components are part of the rear-wing assembly. At high speeds, the rear wing extends and provides massive downward force to keep the car firmly on the ground. And when the driver breaks, it immediately flips to a vertical position, adding the braking power of a hatchback to the car’s powerful ceramic disks.

Here, a specialist prepares the car for its final inspection. The car will spend two entire days at this station as he painstakingly buffs and polishes the car to shining perfection. He must ensure that every centimeter of the surface is absolutely flawless.

Bugatti’s Molsheim factory built the Veyron from 2005-2015. The factory now only builds the new Chiron. 

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King In The Wilderness Official Trailer (2018) | HBO


Coming in April, this documentary follows Dr. Martin Luther King Jr. during the last few years of his life, from the vital role he played in the Voting Rights Act of 1965 to his assassination in 1968.

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Prospect 2018 SXSW Teaser Trailer OFFICIAL


A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They’ve secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon’s toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Forced to contend not only with the forest’s other ruthless inhabitants, but with her own father’s greed-addled judgment, the girl finds she must carve her own path to escape.

Starring Sophie Thatcher, Pedro Pascal, Jay Duplass, Andre Royo, Sheila Vand, and Anwan Glover.

Written and Directed by Zeek Earl and Chris Caldwell.

http://www.prospectthefilm.com

Ad | L&C – Glide


L&C Glide Agency: FOLD 7 Agency Producer: Ben CATFORD Creative: John YORKE Director: FUTURE DELUXE Production Company: MPC CREATIVE Executive Producer: James NIKLASSON & Daffyd UPSDELL Post-producer: Magda KRIMITSOU VFX: Mikros MPC Advertising Head of production: Fabrice DAMOLINI VFX Executive Producer: Pascal GIROUX & Quentin MARTIN Head of Studio: Benoît HOLL VFX Supervisors: Alain BOUTILLER Previz artist: Augustin PAILARD DMP artist: Benjamin BARDOU Modeling: Thomas HAAS & Nicolas DU THAT CO Animator: Alexandre SAUTHIER FX artist: William UNTEREINER, Boris KAUFMANN & Marine SISNAKI Lighting Artist: André MONTEIRO Compositors: Sébastien PODSIALO, Guillaume DADAGLIO & Luc MARTIAS Coordinator: Antoine BORY Final Grading: MPC London Colourist: Richard FEARON

The School of Life app


promo for tsol featuring little blue guy

What is Beauty?


Today I ask what is beauty? Look how fast its definition evolves. Examine the never-ending yet ever changing pressures on women to conform. A CNN commission. HAPPY INTERNATIONAL WOMEN’S DAY 2018 PEOPLE #IWD2018 #IWD #whatisbeauty

Not To Be A Lady


We hope you try not to be a lady. Three athletes tread forward without dragging stigmas behind them. Featuring professional skateboarder Mariah Duran, professional ballerina Alison Stroming, and athlete and high-level personal trainer Elise Young. Made in an un-ladylike fashion in honor of International Women’s Day 2018. The perception of women is changing. Our perception of ourselves is changing. Production Company: Sanctuary (www.sanctuarycontent.com) Executive Producer: Preston Lee Directed by Elle Ginter @elleginter Cinematography by Allison Anderson @allisonandersondp Edited by Cabin + Lauren Brown @laurenhuibrown + @cabinedit Color by Company 3 + Kath Raisch Co3 Producer + Kate Aspell Sound Design and Mix by Human Original Score by Luke Atencio Featured Athletes: Elise Young + Athlete, Motivator Insta: @elitesbodyshop Alison Stroming + Professional Ballerina Insta: @alisonstroming Mariah Duran + Professional Skateboarder + MEOW Insta: @mariahduran_ Facebook: MariahDuranOfficial Special thanks to: YuLin Olliver Bennett Johnson Logan Triplett Meow Skateboards

New mocap video of Andy Serkis as Snoke

andysnoke

Most vfxblog readers have probably already seen ILM’s fantastic Snoke visual effects breakdown here, but Lucasfilm has also just released a clip from the upcoming Last Jedi Blu-ray/DVD that features an unaltered Andy Serkis performing Snoke in his motion capture suit.

Back in January, I wrote a piece for Cartoon Brew on how ILM transformed the actor’s mocap into Snoke. What was interesting – among many other things – about the studio’s work here was that the character went through a bit of a re-design and re-think during production, that even involved untwisting Serkis’ original mocap performance a little to make the character feel more powerful. It evolved into the final CG Snoke we see on screen.

Check out the new clip below:

Barbie’s birthday has a return gift for women around the globe

Honouring some inspiring women of the present and the past, Barbie’s maker Mattel is all set to make International Women’s Day remarkable.  Mattel is happy to introduce two different series of Barbies; Inspiring Women which features historical female figures and a few additions to the Shero line which is named after the inspirational contemporary women.

The new series Inspiring Women from Mattel is honouring the pioneering aviator Amelia Earhart, Mexican artist Frida Kahlo and NASA mathematician Katherine Johnson. “The series pays tribute to incredible heroines of their time; courageous women who took risks, changed rules, and paved the way for generations of girls to dream bigger than ever before,” Mattel spokeswoman Marissa Beck told a news channel.

Mattel conducted a survey of around eight thousand mothers around the globe to find that 86 per cent of them were worried about the kind of role models the daughters are exposed to.“Girls have always been able to play out different roles and careers with Barbie and we are thrilled to shine a light on real life role models to remind them that they can be anything,” said Barbie’s senior vice president and general manager Lisa McKnight.

The Sheroes line started in 2015 and is proud to add 14 new Barbies to their series. The role models include Wonder Woman director Patty Jenkins, A Wrinkle In Time director Ava DuVernay,  Team USA gold medalist snowboarder Chloe Kim and Team USA bronze medalist fencing champion Ibtihaj Muhammad, body positivity activist Ashley Graham, prima ballerinas Misty Copeland and Yuan Yuan Tan and 2 Michelin star chef Helene Darroze. Other Shero dolls honour fashion designers, journalists, actresses and entrepreneurs with prominent personalities like the Australian conservationist  Bindi Irwin, British boxing champion Nicola Adams, Turkish windsurfing champion Cagla Kubat, Chinese volleyball champion Hui Ruoqi, German fashion designer Leyla Piedayesh, Mexican golfer Lorena Ochoa, Polish author and journalist Martyna Wojciechowska, Italian soccer player Sara Gama, Chinese actress and philanthropist Xiaotong Guan and Spanish designer and entrepreneur Vicky Martin Berrocal.

The dolls come with information about their contributions to the society. As there is no specific release day for these dolls, we can just wait in anticipation for these dolls.

 

The post Barbie’s birthday has a return gift for women around the globe appeared first on AnimationXpress.

enTTech Day 2: Asian content at the crossroads – Highlight of the day

With Asian content breaking new grounds in the recent times, the Indian offerings find itself at the heart of the things. However, there remain certain barriers to surmount; some crumbs to brush aside, before having a global reach. Introspecting on the same, was a panel discussion that featured the likes of minister of commerce joint secretary Sudhanshu Pandey, Anibrain Digital Solutions vice-president Shambhoo Phalke, DQ Entertainment COO Manoj Mishra, Whistling Woods International vice-president of business development Chaitanya Chinchlikar and Quebec Singapore’s Benjamin Toh on the dais, while moderated by SEPC vice chairman Maneck Davar.

The session began with a short introductory note from each of the panellists, who briefed about the organisation they represented, the latest developments in the same, whilst also enunciating their thoughts on the industry as a whole.

On discussing the ways to do content better and also addressing the additional requirements, Manoj Mishra commented, “Quality is an important aspect of any deliverable. In fact, that’s the main thing one looks for in content. So our content needs to have more quality to appeal to a greater mass.” To add to the same, “One must understand the requirements of the clients to serve them better,” asserts Shambhoo Phalke.

With Indian entertainment content getting increasingly popular abroad, that’s however limited to only certain regions per se. A universal acceptance of the content is yet to be achieved. Chaitanya Chinchlikar explained a possible solution to erase this anomaly when he said, “The primary goal must be to evoke a range of emotions in a viewer. A deeper understanding of a specific market, culture, goes a long way in succeeding in other markets. We have to figure out a way to take this to the rest of the world. It’s the transition of taking out the story and being able to tell it in a comprehensible manner to the world which is a challenge and we need to overcome that.”

The discussion also touched upon the positives from the Indian M&E sector towards its end, whilst also envisioning what the future holds. “I feel we need to build a market that’s one to look up to; a market where the world can conveniently come in and invest. And the current status of our market suggests we are well on our way to do the same. The future is really bright,” Mishra prognosticated.

Concluding the engaging session, Davar suggested, “We must also focus on ethics, develop a sense of trust while dealing with international clients and send a message to the world in doing the same.”

The post enTTech Day 2: Asian content at the crossroads – Highlight of the day appeared first on AnimationXpress.