The Polaroid Job
Posted in: Animation
Frankenstein and the Easter Bunny kept my family afloat. By Mike Plante. Read the story here: http://nyti.ms/2h0ZaFH
Frankenstein and the Easter Bunny kept my family afloat. By Mike Plante. Read the story here: http://nyti.ms/2h0ZaFH
In November 2017 I flew over to Portugal from the UK with huge waves inbound for Nazaré. In the morning of the big swell, Andrew had a nasty wipeout and broke his back and was rushed to hospital after being rescued by the jet ski team and brought to the shore. I’m not sure who all the surfers are but please tag them and I will add them in the credits. If you are interested in how this was filmed, there will soon be a ‘Behind The Scenes’ video coming. Filmed using: Lumix GH5 Lumix 12mm f1,4 Leica DG Summilux Lumix 25mm f1.4 Leica DG Summilux Lumix 12-35 II 2.8 Lumix 35-100 2.8 Lumix 100-400 60p 4K + 120 fps 1080 (mixture of 8bit + 10bit) Atomos Ninja Inferno Vlog + Cine D Profile instagram.com/jamiehancock1 facebook.com/jamiehancock218 facebook.com/lumixuk Music License: Musicbed
The clothes we choose to wear constitute some of our most crucial and carefully chosen lines of autobiography. If you like our films, take a look at our shop (we ship worldwide): https://goo.gl/VVUMvO
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FURTHER READING
“Once, we were all dressed by someone else. Parents picked out a T-shirt; the school dictated what colour our trousers should be. But at some point, we were granted the opportunity to discover who we might be in the world of clothes. We had to decide for ourselves about collars and necklines, fit, colours, patterns, textures and what goes (or doesn’t) with what. We learnt to speak about ourselves in the language of garments. Despite the potential silliness and exaggeration of sections of the fashion industry, assembling a wardrobe is a serious and meaningful exercise.”
You can read more on this and other subjects on our blog, here: https://goo.gl/l4eHTH
MORE SCHOOL OF LIFE
Our website has classes, articles and products to help you think and grow: https://goo.gl/lqFJ16
Watch more films on SELF in our playlist:
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You can submit translations and transcripts on all of our videos here: https://goo.gl/JxUuod
SOCIAL MEDIA
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CREDITS
Produced in collaboration with:
Gemma Rose Green-Hope
http://www.gemmagreenhope.com/
Kirby Allison, founder of The Hanger Project, goes over the fundamentals of a black tie and the small, subtle details that make this look so special. A man looks at his best when a black tie is perfectly executed. Every rule that you follow makes you look better and every rule you break makes you look worse. Following these traditional guidelines will ensure that you show up to a black tie event appropriately dressed so you can rest in confidence that you look proper in any formal situation.
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Rules of Black Tie:
Dinner Jacket: No notched lapels
Trousers: Single, vertical stripe & No cuffs
Bow tie: Same material as tuxedo lapel
Fold Down Collar or Wing Collar
Covered waist: Cummerbund (pleats facing upwards)/Waistcoat
Black Dress Shoes: Cap Toe Oxfords, Wholecuts, Opera Pumps
Black Socks: Over the calf silk or non fuzzy black socks
White Shirts: Plain with a flat front
Buttons: Studs or Shirt with covered placket
Pocket Square: How to fold a pocket square video → https://youtu.be/b30oAGQ9ofY
Vest (optional): Accessorize with pocket watch or pocket watch chain
Watch (optional): Thin timepiece with leather strap
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Subscribe to our channel:
https://www.youtube.com/channel/UCygk…
Read our Blog:
https://www.hangerproject.com/blog/
Follow us on Social Media:
Facebook – https://www.facebook.com/KAhangerproject
Twitter – https://twitter.com/HangerProject
Instagram – https://www.instagram.com/hangerproject
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The story of The Hanger Project: https://www.hangerproject.com/about-u…
Abstract video art created in 1986 for Expo ’86 in Vancouver, BC. Video by John Sanborn and Dean Winkler. Music by Daniel Lentz. PLEASE CHECK OUT THE NEW HD VERSION OF ACT III ON THE DEAN358 CHANNEL.
In this interview Cristina Álvarez López and Adrian Martin talk about their contribution to the rapidly growing genre of audio-video essay. In their conversation with Julia Vassilieva from Monash Film and Screen Studies they discuss the audio-visual essay’s past, present and future as a form of film criticism, a pedagogical approach and a poetic art practice. Cristina Álvarez López is a film critic and video maker based in Vilassar de Mar (Spain). Her work has appeared in MUBI Notebook, LOLA, and De Filmkrant, and in books on Chantal Akerman, Philippe Garrel, New Portuguese Cinema, Bong Joon-ho, and Paul Schrader. Her website is: https://cristinaalvarezlopez.wordpress.com/ Adrian Martin is an arts critic based in Vilassar de Mar (Spain) and Adjunct Associate Professor at Monash University. He is the author of eight books on cinema, including Mysteries of Cinema (Amsterdam University Press, 2018). His ongoing archive website of film reviews, covering 40 years of writing, is at http://www.filmcritic.com.au. The audio-visual essays that Cristina Álvarez López and Adrian Martin refer to in their interview can be seen at these links: Then He Kissed Me (on Twin Peaks: The Return): https://mubi.com/notebook/posts/video-essay-twin-peaks-the-return-then-he-kissed-me The Sea Speaks (on Jean Epstein’s Breton films): http://www.filmkrant.nl/video-essays/15726 A Dream of the Dream of Rainer Werner Fassbinder: Part 1 – Gestures: https://www.qagoma.qld.gov.au/whats-on/cinema/programs/rainer-werner-fassbinder (scroll down to the video on the bottom of the page)
I talked to FuseFX about their vfx for The Tick. This is a fun show, and that also meant: fun vfx. Read it at SYFY WIRE.
While Pogo is only starting to taste the success of Cosmos-Maya’s Tik Tak Tail that was launched this September, it is back with another silent slapstick comedy, Andy Priki, created by Mangaluru based AUM Animation Studio.
Comprising of 13 episodes in season one, Andy Pirki is a 3D animated show that revolves around a pink dinosaur (Andy) and a caveman (Pirki) who develop an inimitable bond because of their unique circumstances. The 3D animated show will launch on 3 December and will be telecast on weekends from 9:30 to 10 am. The half an hour slot on Pogo will see three seven minute stories from the series running back to back.
Kids in the age group of six to seven are the “bulls-eye” target audience. “A 70-year old iconic show Tom & Jerry has no age group. Since Andy Pirki is also a silent show, there is no age barrier as such,” says Turner India executive director and network head (kids, South Asia) Krishna Desai. So while they target kids with the show, they also hope that young, old, teenagers and adults will enjoy it.
A lot of shows have been created surrounding the relationship between humans and dinosaurs. What is so special about this one? “Almost everything!” exclaims Desai.
Desai and his team at Pogo were impressed with a few elements of the show. Its first area of uniqueness comes from two misfits banding together- Andy, an extinct pink dinosaur with its own quirks and Pirki, a caveman who has a child trapped in his short stature. “The setting of the show is in jungle and natural areas but you also have storytelling themes which are contemporary,” Desai explains. In one episode, viewers will see both friends devouring a pizza. “That is the second factor which attracts us to the show.” The third part is the execution of the show, in terms of timing. “Timing is extremely critical in animation. The way the gags are timed is the heart of Andy Pirki.” The fourth factor is the music. “The show being silent comedy, beautiful music is incorporated. Absence of dialogues gave us a chance to create a nice original score.”
How will Andy Pirki then compliment Pogo’s slate of shows? “For both our channels (Cartoon Network and Pogo), we stay away from education and edutainment. Andy Pirki does not really teach you anything. It is very colourful and has optimistic outlook,” he highlights.
AUM Animation has worked on the creative aspects of the show with inputs from Turner, while Turner has incurred the production cost. The IP however is owned by AUM.
“The initial idea to produce Andy Pirki came to us in the inception year of AUM Animation Studios in 2009,” exclaimed AUM Animation Studios MD Shreekaanth Dass. “Andy Pirki has already won multiple industry awards for best animation in India and international markets. We are excited to bring this fun-filled, action-packed entertainer series to the audience through Pogo. The characters have a lovable persona of their own that promises to take them on a fantasy quest.”
AUM had approached Turner a year and a half ago with only sketches. But Turner saw in them the potential to grow . “We saw the potential of a show and gave it a green light. We saw something really nice about the concept and passion of creators, e-learning….” After various discussions and creative session, the property was brought to its current stage.
For now, AUM and Turner want to see how the show performs in India but since it is a silent comedy with characters that are universal, they do not seem to hesitate for launching it outside of India.
The post Turner to launch AUM Animation’s slapstick comedy ‘Andy Pirki’ appeared first on AnimationXpress.
After an exciting round of on-stage pitches where producers from all over Asia presented their ideas, winners of the inaugural Asia TV Forum & Market (ATF) Animation Pitch and second ATF Formats Pitch were unveiled today.
studio2 Animation Lab from Taiwan wins the inaugural ATF Animation Pitch
Reed Exhibitions and global partner Green Gold Animation announced studio2 Animation Lab as the winner of the first-ever ATF Animation Pitch. The animation concept, titled “The Western Journey of Pigsy”, wowed the on-stage jury for its creativity and strong appeal to children. The line-up of judges, which comprised of some of the biggest names in kids’ animation and entertainment, also saw strong potential for the concept to be exported and extended to a series.
Targeted at creators and producers of innovative concepts for new and original kids’ animation, ATF Animation Pitch was aimed at facilitating the exchange of ideas and talent between leading international television, distribution and Asia-based producers. In total, 61 entries were received from all over Asia.
“I am thrilled and excited to be named the winner of the inaugural ATF Animation Pitch. We had a unique concept and we felt that it allows viewers to experience the Journey in the West story in a contemporary way. Moving forward, we will work towards developing the script for the concept,” said studio2 Animation Lab director Chiu Li Wei.
Chiu Li Wei and Grace Chuang from studio2 Animation Lab received a US$19,000 prize from Green Gold Animation Pvt Ltd. This includes a US$2,500 cash award, and a consultancy package worth US$16,500 that is tailor-made for them to further develop the winning animation, making it ready to pitch to broadcasters.
ATF Formats Pitch revealed its second winner – Gamaliel Paulus (Gammy) from Indonesia
After a closely contested fight between five finalists, leading independent distributor all3media International and ATF announced that Gamaliel Paulus (Gammy) from Indonesia, came out on top, winning S$3,500 in cash and a S$16,500 consultancy package tailor-made to develop the format, making it pitch-ready for broadcasters.
ATF Formats Pitch is the premier Asian pitching competition designed to discover innovative concepts for new and original non-scripted entertainment formats from the pan-Asian region. This platform showcases the best of Asia, and exposes ideas for export and development within and even outside of the region.
In its second year, the competition received more than 50 entries from 13 countries and only five finalists were selected to pitch their concept during the live on-stage judging session which concluded earlier today. Formats were evaluated based on creativity, originality and capacity to return for multiple series. The winning concept must also have the capability to resonate with audiences globally.
Portraying all these qualities was the winning format, Ranking. It is a game show where participants have to guess the correct order of a ranking in return for prizes. Besides the excitement value that comes with game shows, it also serves to dish fun facts and information to viewers. The judges loved the simplicity of the idea and felt that it had great potential for further development.
“As many people are familiar with rankings, I believe my format will appeal to any country. Also, I have not seen it in the form of a game show concept. As a producer myself, I understood that for a format to do well, it has to be simple. I am very thankful for the win, I didn’t expect it at all,” said Gamaliel Paulus (Gammy).
To further develop the format and make it ready for pitching to broadcasters, Gamaliel Paulus (Gammy) will work closely with all3media International. This follows the success of “Hit It” from XTREME Media, which won at the inaugural ATF Formats Pitch last year, and has received its first local commission for a debut in February 2018.
Aside from the ATF Animation Pitch and ATF Formats Pitch, ATF and ScreenSingapore is also home to another pitching competition, the Southeast Asian Film Financing (SAFF) Project Market.
ATF and ScreenSingapore is part of the Singapore Media Festival (SMF).
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