Siggraph Asia 2017 through pictures

SIGGRAPH Asia saw a great start on the first day with keynote speeches, conferences and panel discussions. The second day added to the buzz and excitement with an amazing line up of sessions like the making of Coco, VR and AR for healthcare, demystifying characters in Moana, as well as the VR showcase and pavilions from Asian countries at the exhibition centre.

To have a dekko at some moments from the event, click here.

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ATF Animation Pitch winner announced; jury members share future expectations

After an exciting round of on-stage pitches where producers from all over Asia presented their ideas, winners of the inaugural ATF Animation Pitch were unveiled today. In total, 61 entries were received from all over Asia out of which five were shortlisted for finals.

“The finalists did a great job of presenting their idea to the judges, explained their concept clearly, prepared the pitch bible well, knew their target audience and also prepared an animation clip,” said Green Gold founder and CEO, and this year ATF Pitch sponsor Rajiv Chilaka.

After a tough competition between the five finalists, Reed Exhibitions and global partner Green Gold Animation announced studio2 Animation Lab (Taiwan) as the winner of the first-ever ATF Animation Pitch. The animation concept, titled The Western Journey of Pigsy, wowed the on-stage jury for its creativity and strong appeal to children.

From left: Grace Chuang and Chiu Li Wei from studio2 Animation Lab receiving cash prize from Rajiv Chilaka

“I am thrilled and excited to be named the winner of the inaugural ATF Animation Pitch.  We had a unique concept and we felt that it allows viewers to experience the Journey in the West story in a contemporary way. Moving forward, we will work towards developing the script for the concept,” said studio2 Animation Lab director Chiu Li Wei.

The line-up of judges, which comprised some of the biggest names in kids’ animation and entertainment, also saw strong potential for the concept to be exported and extended to a series.

Talking about the pitch of the finalists, The Walt Disney Company acquisitions, programming and media networks head Anand Roy, who was a panelist, said, “The animation standard was very encouraging. Some of the concepts were very fresh, and there was a little boldness to the way they were pitching the stories.”

“I think every single pitch had a very strong redeeming value about it that made it very hard for the judges to make a decision,” stated Auroro Media managing partner Justin Deimen, who was also on the jury panel.

Roy mentioned, “The winner was decided on the basis of vision and ambition of the idea in terms of scale to which the idea could be executed, and animation ability.” Chilaka added, “Some other parameters considered were: uniqueness, universal appeal and L&M possibilities.”

And what more were the jury members looking for? “What I would like to see moving forward is more attention to story arc, and how the characters are evolving and growing through the journey,” Roy replied.

“We were looking for something which had a strong foundation,” added Deimen. “I think for any good pitch, a producer should always talk about the lasting value that any project brings to the audience, not just how much money it will make or how nice it looks. I would love to see that coming out more in the next years.”

Chiu Li Wei and Grace Chuang from the studio received a US $19,000 prize from Green Gold Animation. This includes a US $2,500 cash award, and a consultancy package worth US $16,500 that is tailor-made for them to further develop the winning animation, making it ready to pitch to broadcasters.

“Industry supporting industry is the cornerstone of growing whole ecosystem. I’d would like to thank Green Gold for taking a lead on something like this. And people from finance and production like Aurora would love to support projects like this and producers as well who want to go out and pitch,” added Deimen.

With such a strong backing from the stalwarts of the industry, fresh animation content from Asia does not seem too far away. Just a little polishing, and we will be there!

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Indonesia’s ‘Ranking’ wins ATF Formats Pitch 2017

After a closely contested fight between five finalists, leading independent distributor all3media International and ATF announced that Gamaliel Paulus (Gammy) from Indonesia, came out on top, winning S$3,500 in cash and a S$16,500 consultancy package tailor-made to develop the format, making it pitch-ready for broadcasters.

ATF Formats Pitch is the premier Asian pitching competition designed to discover innovative concepts for new and original non-scripted entertainment formats from the pan-Asian region. This platform showcases the best of Asia, and exposes ideas for export and development within and even outside of the region.

In its second year, the competition received more than 50 entries from 13 countries and only five finalists were selected to pitch their concept during the live on-stage judging session which concluded earlier today. Formats were evaluated based on creativity, originality and capacity to return for multiple series. The winning concept must also have the capability to resonate with audiences globally.

From left: Spruce Leong, Amreet Chahal, Janine Stein, Stephen Lambert, Gamaliel Paulus, Rachel Glaister, Alan Hodges

Portraying all these qualities was the winning format, Ranking. It is a game show where participants have to guess the correct order of a ranking in return for prizes. Besides the excitement value that comes with game shows, it also serves to dish fun facts and information to viewers. The judges loved the simplicity of the idea and felt that it had great potential for further development.

“As many people are familiar with rankings, I believe my format will appeal to any country. Also, I have not seen it in the form of a game show concept. As a producer myself, I understood that for a format to do well, it has to be simple. I am very thankful for the win, I didn’t expect it at all,” said Gammy.

To further develop the format and make it ready for pitching to broadcasters, Gammy will work closely with all3media International. This follows the success of Hit It from XTREME Media, which won at the inaugural ATF Formats Pitch last year, and has received its first local commission for a debut in February 2018.

Aside from the ATF Animation Pitch and ATF Formats Pitch, ATF and ScreenSingapore is also home to another pitching competition, the Southeast Asian Film Financing (SAFF) Project Market.

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One Life Studio’s ‘Porus’ battles its way to Thailand

One Life Studio’s Indian historical drama Porus, that is the talk of the town in India, has been recently licensed to Workpoint Entertainment, a division of Thai Broadcasting Company.

As per the deal that took place in ATF 2017, the action-adventure Indian series has been licensed to Workpoint Entertainment for exclusive TV rights in Thailand and non-exclusive digital rights for their TV channels, app, YouTube, and Facebook pages. Workpoint also has the rights to create original music for the Thai broadcast.

“We are very pleased to partner with Workpoint Entertainment for the Thai broadcast of our biggest drama series to-date,” said One Life Studios founder and creative director Siddharth Kumar Tewary. “With some key scenes shot in Thailand and the added element of original Thai music that Workpoint will create, Porus will be a truly unique project to share with Thai audiences.”

In Porus, One Life Studios brings one of the most iconic rulers of ancient India to the screen. Emperor Porus faces off against the invader Alexander the Great, the mightiest power of the West, as both leaders fight to fulfill their ultimate destinies culminating in one of the greatest battles in world history.

“Thai audiences have a long history of enjoying Indian historical dramas,” mentioned Workpoint Entertainment chief business development officer Dhanasak Hoonarak. “And we’re confident that the epic production that is Porus, from the stellar One Life Studios, will really resonate with Thai viewers.”

Porus premiered on Sony Entertainment Television in India on 27 November.

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IIFL Special Opportunities Fund acquires stake in Nazara Technologies for approximately Rs. 330 crore

WestBridge Capital-backed Nazara Technologies today announced, that IIFL Special Opportunities Fund has acquired a minority stake in Nazara for approximately Rs. 330 crore.

Commenting on the recent investment made by IIFL Special Opportunities Fund (including series thereunder), Nazara Technologies MD and founder Nitish Mittersain says, “We at Nazara, welcome IIFL AMC to join us on the exciting journey of tapping into the potential offered by gaming across the emerging markets in the Indian subcontinent, South East Asia, Middle East, Africa and Latin America.”

Nazara Technologies CEO Nitish Mittersain

Earlier this year it was reported that the company has already initiated the IPO process and has brought in ICICI Securities and Edelweiss Financial Services for the same. This makes Nazara the first public listed gaming company in the country. The IPO should also be pleasant news for WestBridge Capital, the firm which invested Rs. 19 crore into Nazara Technologies between 2005 and 2007 and holds a 55 per cent stake in the company. With the IPO in place, WestBridge is projected to get around 75 to 80 times the return on their investment.

WestBridge Capital MD and co-founder Sandeep Singhal asserts, “WestBridge has been an investor in Nazara since 2005 and it is a matter of great pride to see the young company grow up into an adult the way it has. We believe that IIFL AMC’s addition as an investor will add value to the company’s future plans in meaningful ways.”

According to IIFL Asset Management CEO Prashasta Seth, “The gaming industry is expected to see growth in India & emerging markets. With its strong leadership and highly motivated team, Nazara is in a position to capture this growth and has the potential to emerge as a leading player in mobile gaming industry across emerging markets. We are happy to partner with the company in this journey and be a part of their growth story.”

IIFL Special Opportunities Fund (including series thereunder), has raised around US $1 bn and has invested in a number of companies in the last few months including ICICI Lombard, NSE, Capacite, IEX and Reliance Nippon AMC.

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NZ Police Recruitment on the run

The New Zealand Police has launched a fast paced recruitment video as part of the New Cops campaign to attract hundreds of new recruits. They’re looking for a diverse range who can form a team that represents and understands all communities of New Zealand. The NZ Police recruitment film features over 70 actual cops. The Police band, Police dogs & cats, Eagle helicopter, the Armed Offenders Squad, William Waiirua, Black Ferns and the Police Commissioner Mike Bush, all put their hands (or paws) up to be involved in the video to encourage New Zealanders to join NZ Police. The three minute video was released on the New Zealand Police Facebook page, YouTube site and Recruitment site, newcops.co.nz, with different durations rolling out in coming weeks over other media.

NZ Police Recruitment

“New Zealand Police are striving to increase our overall staff numbers over next three years to meet our objective of being the safest country, and to deliver on the Government’s signalled staffing increase,” Police Commissioner, Mike Bush says.

Deputy Chief Executive Public Affairs, Karen Jones backs up Bush’s statement, saying, “We want to attract people who bring their own skill set, like problem solving and working in a team, and who are fit, or prepared to get fit. Most importantly we want people who care about making our communities safe. There are more than 30 different career paths within New Zealand Police and we will invest time in training these people to ensure they have the skills to handle any situation”.

Ogilvy’s Group Creative Director, Lisa Fedyszyn says, “It was an extremely fun, yet at the same time, challenging project to bring to life. There were many important puzzle pieces we kept moving around to guarantee we delivered the right message with the right tone.”

Ogilvy’s Executive Creative Director, Regan Grafton continues, “We believe this video celebrates the kind of recruits New Zealand Police want on their team – ones who bring their own unique and diverse qualities, skills and quirks to the job.”

NZ Police Recruitment Credits

The NZ Police Recruitment campaign was developed at Ogilvy & Mather New Zealand by executive creative director Regan Grafton, group creative directors Lisa Fedyszyn and Jonathan McMahon, art director Sam Henderson and copywriter Kent Briggs, designer director Danny Carlsen, design producer Dave Preece, head of operations Siobhan Burke, agency producer Steen Beech, executive director Wendy Schrijvers, digital media manager Nick Pickering, planning director Ben Fielding, group media director Denelle Joyce, media manager Stephen May, account director Christina Opferkuch, working with NZ Police deputy chief executive Karen Jones, strategic communications manager Jane Archibald, senior marketing advisor Helen Flannery, media support Garry Boles

Filming was shot by director Damien Shatford via The Sweet Shop with executive producer Ben Dailey, managing director Fiona King, director of photography Andrew Stroud, director’s assistant Alistair MacDonald, senior editor Ben Marshall, head of post production Martin Spencer and colourist Dave Gibson.

Sound and music were produced at Liquid Studios by executive producer Tamara O’Neill, head composer Peter van der Fluit and senior sound engineer Craig Matuschka.