Will the iconic Yoda make a comeback in ‘Star Wars: The Last Jedi’?

Just few days remain for the massive release of Star Wars: The Last Jedi in theaters and there is reportedly speculation about the possible return of the ultimate Jedi master- Yoda!

Though we saw his end in Star Wars: Return of the Jedi, Yoda’s return has been unpredictably teased by a company called Digital Sputnik- a lighting/production company who provided their services on The Last Jedi. In a now deleted Facebook post, the company has shared the trailer of their new movie on the production front and seemingly let out that they worked on Yoda for The Last Jedi as well.

The caption of the post read:  “Another production where our lights shone. Yes we illuminated Jesus” Edit: “We’ve just realised we have illuminated Jesus and Yoda.” The speculation behind these rumours had initially started after the movie Star Wars: The Force Awakens. The voices of both Obi-Wan Kenobi and Yoda call out to Rey during a vision she has after touching the lightsaber that belonged to Luke.

The copy in the post has sparked rumours that the Jedi master could make an appearance as a force ghost. This just gives a boost to the already existing excitement towards the movie!

Directed by Rian Johnson, Star Wars: The Last Jedi is scheduled to release on 15 December.

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ATF 2017 closed with deals locked worth US$289 million

The eighteenth edition of Asia TV Forum & Market (ATF) and seventh ScreenSingapore, Asia’s leading entertainment content market and conference, ended on a strong note on 1 December 2017, with an estimated US $289 million worth of deals sealed over four days.

ATF and ScreenSingapore senior project director Yeow Hui Leng said, “It was clear from the insights and exchanges during the four days that Asia remains one of the fastest growing regions within the global media industry, and is expected to continue on this trajectory over the next five years. The constant growth of ATF and ScreenSingapore reaffirms the continent’s potential, and on the back of this year’s success, we have received early interest for ATF and ScreenSingapore 2018. As the leading gateway to rising Asia, we remain committed to presenting an even stronger 2018 edition, where delegates can gain the freshest insights and seal lasting partnerships to navigate the dynamic entertainment content landscape.”

Record attendance with major studios and 24 country pavilions at ATF and ScreenSingapore market floor

From 29 November to 1 December 2017, 5,498 delegates from 54 countries networked at the market floor, as they sought opportunities to buy, sell, co-produce and distribute content.

A total of 760 exhibiting companies from around the world showcased their latest programming and content – including major studio such as CBS Studios International, Metro-Goldwyn-Mayer, NBC Universal, Paramount Pictures, Sony Pictures Television, The Walt Disney Company, Twentieth Century FOX Television Distribution and Warner Bros. International Television.

As a testament to ATF and ScreenSingapore’s global standing, this year’s market featured a record-breaking 24 official pavilions representing countries such as Australia, China, France, Indonesia, Japan, Malaysia, Norway, Russia, South Korea, Singapore, Taiwan, Turkey and United Kingdom.

Preliminary estimates from exhibitor feedback put the total value of deals brokered at $289 million. Amongst announcements made at ATF and ScreenSingapore 2017 were:

  • BBC’s Orphan Black being remade in Japan for free-to-air broadcaster Tokai TV
  • Mediacorp Audio Post and HK Television Entertainment Company to co-produce the Blue Tick original series, which is also the first Toggle Originals co-production
  • Nickelodeon and Telkomsel launched the Emmy award-winning Nickelodeon Play app in Indonesia
  • Nippon TV finalised a third deal with MF Yapim for the Turkish format of Japanese drama series My Son
  • One Life Studios licensed Porus to Thailand’s Workpoint Entertainment
  • Yue Cheng Technology enriched its cinema library with narrative VR film, Dirrogate by RealVision – the first VR film distribution deal signed at ATF 2017

Coinciding with the Singapore Media Festival’s Country of Focus, various entertainment content players also sealed partnerships with Indonesian counterparts:

  • BeachTV will collaborate with Indonesia’s Nation Pictures to produce a new action-packed MMA reality series, BEACH BRAWL
  • BPI and SAAVA formed a strategic alliance to create inter-regional creative producing and media investment network

With a vibrant market, attendees from the market floor comprising exhibitors, buyers and participants spoke strongly about the event:

Discovery Global Enterprises VP – international program sales EMEA & APAC Saevar Lemke: “Our business in Asia Pacific is growing. At the same time, ATF is growing year-on year so it’s a perfect location for us where we generate sales and get to know new clients. I encourage European broadcasters and buyers from other territories to come to ATF, as all the major players are here. ATF is a great market to be at.”

“ATF is an essential market for us because it brings together content creators, buyers and licensors in one of the fastest growing regions in the world for entertainment distribution,” said Paramount Worldwide Television Licensing and Distribution senior vice president (regional sales, Asia Pacific) Jonathan Greenberg. “The explosive growth of new platforms and opportunities throughout Asia makes this an exceptionally exciting time and ATF is an ideal venue for stakeholders on all sides to come together and help shape the future of entertainment in the region.”

Over 100 industry veterans delivered fresh insights at the four-day conference. Pitch competitions continue to open doors for up-and-coming Asian content creators.

In 2018, ATF and ScreenSingapore will launch the first-ever online movie pitch for the China market, in partnership with Perfect World Pictures (PWPIC).

Mr John Ho, CEO, Perfect World Pictures (Singapore) said, “This new pitch presents a great opportunity for the Asian community to grab a piece of the large online streaming market in China. We believe that the audience in China would be keen on the content from the rest of Asia, to experience the many different cultures present outside of their country.”

The SAFF Project Market returned for a third run, and saw 15 finalists meet with international co-producing partners, festival programmers, distributors, commissioners and financiers.

After three days of intense live pitching, The Hunted by producers Delon Tio and Allen Jordan (Indonesia) won the S$20,000 Aurora Producing Award, RED Digital Camera Award and S$20,000 Yellow Box Soundscape Award, while Mina-Anud by producers Bianca Balbuena and Bradley Liew, and director Kerwin Go (Philippines) won the US$10,000 Basecamp Colour Prize.

Under the umbrella of Singapore Media Festival, the next edition of ATF and ScreenSingapore will return from 4 to 7 December 2018.

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A Day In The Life Of NYC

Toilet in a Gallery


A motion design piece celebrating Marcel Duchamp’s Fountain as a reaction to the horrors of World War One, with voice over from satirist Blindboy Boatclub of The Rubberbandits. Sound design by Owen Shirley. owenshirley.co.uk Original VO is taken from an episode of the Distraction Pieces podcast. www.acast.com/distractionpieces/blindboyofrubberbandits-distractionpiecespodcastwithscroobiuspip-89

Forms III


Forms is a collaborative film series devised by London based, creative sound studio Mount Audio. The ongoing project sees Mount team up with leading visual artists each month to create unique audiovisual works. Forms III explores the sci-fi motion work of LA based, designer and art director Kenneth Robin. Kenneth has reimagined the practice of a secret 19th Century art movement who collected and classified algae. The ‘Diatomists’ would arrange their findings in intricate patterns, viewable only through a microscope. Inspired by the visual’s dystopian aesthetic, Mount have combined cold, mechanical textures with heavy impacts in a deeply ethereal atmosphere. The soundtrack gently builds, slowly gathering momentum to the point of devastating climax at which point the viewer is pulled back into reality. You can find out more about the project below. https://formfiftyfive.com

Falcon Heavy Rocket

Générique Sabrina 2


Le 2ème générique VF de la série “Sabrina l’apprentie sorcière”.

OnePlus 5T Star Wars Limited Edition


Introducing the new OnePlus 5T Star Wars Limited Edition – Strong enough to rule the galaxy! Register for launch event & Win A OnePlus 5T Star Wars Limited Edition – https://oneplusstore.in/starwars
Catch Star Wars The Last Jedi in cinemas Dec 15.

Transient


“Transient” [tran-shuh nt, -zhuh nt, -zee-uh nt] Adjective. not lasting, enduring, or permanent; lasting only a short time; existing briefly. Philosophy. person or thing that is transient, especially a temporary guest, boarder, laborer, or the like. Electricity. a sudden pulse of voltage or current. All footage available to license at 4K resolution. Contact: dustin@dfvc.com “Transient” is a compilation of the best shots from my storm chasing adventures of summer 2017. Most of the lightning footage was captured in uncompressed raw at 1000 frames per second with our Phantom Flex4K. This summer I chased for over 30 days and traveled 20K miles. My respect and admiration for storm chasers became even stronger this year. This is one of the most difficult projects I have ever attempted in my career. On several occasions I found myself uncomfortable either mentally or physically. Chasing storms with a Phantom Flex4K is stressful even when things are going well. There were at least 10 days where I returned home with my tail between my legs and nothing to show after a ten hour chase and 500 miles. There were also a couple of days that I drove home with an ear to ear smile that lasted for hours. Most of the lightning was captured in my home state of Arizona. I also spent a week in the Great Plains chasing with Chad Cowan. It was during this time that I captured a time-lapse of the massive super-cell shown twice in Transient. For some reason that damn super-cell refused to spit out a proper bolt. Lightning is like a snowflake. Every bolt is different. I learned that lightning varies greatly in speed. There are some incredible looking bolts that I captured that didn’t make the cut because even at 1000fps they only lasted for one frame during playback. I also captured some lightning that appear computer generated it lasted so long on the screen. Technical info: The Phantom Flex4K is a camera that must be post triggered while shooting high speed. This works out well for capturing lightning because the camera is always recording and rewriting to internal ram. As soon as a bolt appears in my view finder I trigger the camera to save what has been stored in the ram. Shooting at high frame rates requires a lot of light. Therefore, I mostly used my Zeiss Otus 28, 55, and 85mm lenses wide open at f1.4. In all, I captured 10TB of data during this production. Special thanks to Chad Cowan for many of the time-lapse shots in the video and to Mike Olbinski for the storm chasing advice and guidance. Music licensed from Audiomachine

Insomnia


C’est la nuit et un garçon n’arrive pas à dormir. Rallye d’animation à l’EMCA. Cinq jours et deux minutes de court-métrage à faire. Pour attaque cette proposition j’ai improvise le jour précédant le rallye une chanson au piano que j’ai enregistre avec mon téléphone. Cette petite chanson m’est donne l’idée d’une histoire que j’ai improvise plan après plan pendant le rallye.