YETI and Orvis Present: Andy


Renowned photographer Andy Anderson has lived a life of passion, traveling the world to shoot everything under the sun, including fly fishing and wingshooting. He shares some of his thoughts and philosophies about the art form to which he has dedicated his life. Presented by: YETI and Orvis Featuring: Andy Anderson Directed and filmed by: Cavin Brothers and David Mangum Edited by: Reid Ogden and Rita Baucom Music by: Ryan Baucom Production: Colorblind Media Special thanks: Dave Brown Outfitters, Zach Anderson, Michael Perez, Valer Austin, Kevin St. Clair, Owen St. Clair, and Warner Glenn

ISOLA "Behind The Scenes"


Watch ISOLA here ☞ https://vimeo.com/237583905 ••• Discover our work ☞ www.motionpalace.tv/ Contact ☞ hello@motionpalace.tv FB ☞ www.facebook.com/motionpalace/ ••• BTS directed by Thibaut Koralewski Music by Yann Rouquet

ISOLA


* For a better experience play this film in 4K and use headphones. ••• ‘ Every time I go back to Sardinia to visit my family, I see this abandoned building in front of the sea. I felt it was the perfect place for Léo Walk and his choreographic imagination to perform, surrounded by the ruins, the surreal light of the costa verde and the intense voice of Mercedes Sosa. It creates this subtle feeling between vitality and melancholy that I wanted to express in this film. Sit back and enjoy! ‘ ••• FR ☞ http://www.konbini.com/fr/inspiration-2/isola-quand-la-danse-mele-avec-brio-modernite-et-melancolie/ ENG ☞ http://www.c-heads.com/2017/11/03/isola-a-short-dance-film-between-vitality-and-melancholy/ ••• Behind The Scenes ☞ https://vimeo.com/238974509 Shot in Todd AO anamorphics + Red Helium 8K. Sardinia, September, 2017. ••• Dancer: Léo Walk Director: Neels Castillon Cinematographer: Eric Blanckaert 1st AC: Kevin Rosé 1st AD: Sébastien Rouquet BTS Video: Thibaut Koralewski Location Manager: Alessandro Usai Production Company: http://motionpalace.tv Executive Producer: Ariane Cornic Producer: Marie-Gabrielle Glock Production Coordinator: Sandrine Laveau Post-production: Mikros Image Colourist: Sébastien Mingam VFX: Anthony Lassus Operations manager: Nicolas Daniel Sound Production: Benzene Sound Design: Loic Cavenet Sound mix: Hugo Escuriol Camera & Lenses: RVZ ••• SPECIAL THANKS to Angèle Van Laeken, Lucie Delaye, Thomas Pallas, Samuel Renollet, Frédéric Lombardo, Cédric Dauch, J.M Weston, Franca Usai, B&B La Magnolia, Jean-Lin Roig, Adrien Kamir, Maja Unrug, Alberto Porcedda. ••• MUSIC “Alfonsina Y El Mar” Performed by Mercedes Sosa (P) 1988 PolyGram Discos S.A Courtesy of Universal Music Publishing Films & TV Lyrics & Music by Ariel Ramirez and Falucho Luna © Editorial Lagos Courtesy of Warner Chappell Music France

Joel Kim Booster Compares 2017 To A Horror Movie – CONAN on TBS


CONAN Highlight: Joel thinks “this entire period of history we’re living through is like the end of a horror movie when you think the killer is dead and then a hand reaches out of the grave and grabs you.”

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Cabrioni "Cookies, a good story"


Transported back in time to the Italian countryside of yesteryear, Yves Geleyn takes us on the simple journey of a man and his machine. Meet Mr Cabrioni, his trusty bird and the machine he brings back to life. This simple film symbolizes Cabrioni’s love of good ingredients and traditional recipes combined with modern tools. As this film centered on the relationship between these characters, Geleyn enlisted Peter de Sève (known for his emotive feature film work and New Yorker contributions) to design the inquisitive stars of the film. Yves Geleyn uses multiple technique and masterful storytelling to weave a film that brings the craft of Cabrioni into today. Director: Yves Geleyn Production Co: Hornet Executive Producer: Hana Shimizu Head of Production: Sang-Jin Bae Development Producer: Kristin Labriola Producer: Anna Lauren Tufekci Editor: Anita Chao Colorist: Shawn King Storyboard Artist: Kendelle Hoyer Character Designer: Peter De Seve Environment Designer: Marie Thorhauge Color Keys: Peter Nguyen CG CG Lighting / Rendering / Composite Lead: Dan Fine Compositor: Herculano Fernandes Look Dev: Richard G. Kim Character & Pipeline TD / Animator: Michael Altman Look Dev / Model / Texture / Shade: Michelle Ko Jr. Compositor: SeoHee Choi 2D Animation Lead: Tristan Balos Animators: Niv Sekar, Dupp Du, Mike Luzzi, Rizaldy Valencia Cleanup & Color: Angela DeVito, Mina So, Lauren Schmidt, Elena Manetta AUDIO Music Composer: Matteo Marson – Stabbiolo Music (Tuscany, Italy) Sound Design: Roberto Grassi – The Log (Milano, Italy) AGENCY Agency: Auge Headquarter Milan Executive Creative Directors: Federica Ariagno / Giorgio Natale Creative directors: Angelo Pannofino / Williams Tattoli Art Director: Veronica Ciceri Copywriter: Antonio Mitra Graphic designer: Gianluca Malimpensa Project Manager: Leonardo Zenoni Tv Producer: Cecilia Del Favero CLIENT Client: Cabrioni, Mr. Cabrioni

Introducing Twistor


https://k-devices.com/twistor
Twistor is a powerful modulator effect for Ableton Live.
Thanks to powerful sequence twisting features, Twistor creates modulations that are simply not possible to obtain with other modulators!

MOOR : presets and features


https://k-devices.com/moor
MOOR is an innovative mono step sequencer for Ableton Live.
Thanks to powerful editing tools and new sequence twisting features, MOOR creates riffs and lines that are simply not possible to obtain with other sequencers!

Circuit Exploration 2


A second video exploring the Novation Circuit. I have the Eigenharp synced to the Circuit. In the future this allows for looping on the Eigenharp in time with the Circuit and the addition of more sounds. The PreenFM is doubling Synth 1 as a Sine Sub Bass and the Meeblip is doubling Synth 2. I also have an Axoloti setup as a Reverb+Delay effect send. Single take mixed through a Tascam Porta Two.

Stranger Things 2 – 25 Creative Transitions


A video essay highlighting 25 creative transitions involving sound and match cuts from Stranger Things 2 (Netflix TV series). Edited by Zackery Ramos-Taylor Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Thor vs. Hulk

HulkvThor

During the filming of this cool scene in Thor: Ragnarok, vfx supe Jake Morrison mixed up the scales of the stunt doubles. And ILM did a stellar job helping to re-imagine CG Hulk. Find out more at SYFY WIRESYFY WIRE.