Prepare for the match up you didn’t know you were waiting for – it’s Face/Off
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Voiceover Narration by Jon Bailey: http://youtube.com/jon3pnt0
Title design by Robert Holtby
Series Created by Andy Signore – http://twitter.com/andysignore & Brett Weiner
Executive Producer – Andy Signore
Producers – Dan Murrell, Spencer Gilbert, Joe Starr, Max Dionne
Written by Spencer Gilbert, Joe Starr, Dan Murrell & Andy Signore
Edited by Kevin Williamsen and TJ Nordaker
Also while we have you, why not check out our Emmy-Nominated HONEST TRAILERS!
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FIND ME ON:
Instagram | http://instagram.com/anwar
Snapchat | http://snapchat.com/add/anwar
Twitter | http://twitter.com/anwar
CAST:
Anwar Jibawi | http://youtube.com/c/anwar
Giovanni W | https://instagram.com/giovanniw
Pancho | https://instagram.com/pan_cho_loco
Joelle Better | https://instagram.com/officialjoellebetter
Isabelle Van Vleet | https://instagram.com/isabellevofficial
MUSIC:
Mike Darole – Hello | https://youtu.be/_y8k_zjKAIs
Jon asked me to make photo’s for his new book It’s Great To Create (Link: http://a.co/g8CzDnv). A few cool pic’s didn’t make it to the final print. So I thought I’d make a film with the leftovers. Great thanks to Jon’s mom for sending old photos and video’s, all the way from Birmingham to Brooklyn. Hope you enjoy. – Bas More video’s -> basberkhout.nl & likeknowslike.com
Three characters in an oceanic reverie, each lost in a different way. A music video I directed and animated for London-based musician, Oli Rockberger. This is the first track to be released from Oli’s upcoming album, “Sovereign”, available for pre order here: https://itunes.apple.com/us/album/sovereign/id1270821036 olirockberger.com
The Atacama desert is home to the darkest and cleanest skies in the world. A view to the nightsky rewards with uncountable numbers of stars and fantastic nebulas in one of the most quiet a empty places on earth. Not a single noise distracts from the grand show the nightsky has to offer. The environment is harsh though. Filmed in freezing temperatures, altitudes up to 5000m/16000ft, salt lakes and icy slopes, the Atacama is not friendly to life and equipment. Though it provides without doubt for epic and vast vistas of one of the greatest landscapes on earth. WEBSITE: www.timestormfilms.com FACEBOOK: https://www.facebook.com/TimestormFilms INSTAGRAM: https://www.instagram.com/martin_heck/ MUSIC: “ You’ll Believe A Man Can Fly” – Mattia Cupelli: http://mattiacupelli.weebly.com/ EQUIPMENT: Cameras: 2x Sony A7RII, Sony A7s, Canon 6D Lenses: Zeiss Otus 28mm f1.4, Canon 11-24mm f4, Tamron 15-30mm f2.8, Sigma 50mm f1.4, Zeiss Milvus 35mm f2, Canon 70-200mm f4 Motion-Control: eMotimo Spectrum ST4, Dynamic Perception Stage Zero, iOptron Star Tracker
Harry Bryant on the colonial shred in Tasmania Filmed – Ryan Mattick Cut – James Kates Music Johnny Thunders – Sad Vacation Twerps – Back to You Suicide – Surrender www.zionwetsuits.com
A wife. A mother. A head case. “Hydrangea” is the second short film from a triptych by Jim Cummings titled “Still Life” that premiered on Topic.com. Each of the films in the series was shot in one dramatic take. www.twitter.com/jimmycthatsme http://www.topic.com
In this video, Grammy Award Winner Cory Henry visits the Moog Factory to put the new Subsequent 37 through its paces, and Moog Music’s Chief Engineer compares the audio output from the Sub 37 Tribute Edition and the new Subsequent 37 using an audio precision analyzer and oscilloscope.
In the spirit of continuous improvement, the award-winning Sub 37 Tribute Edition has been discontinued from production to make way for a new standard: The Subsequent 37. Implementing upgraded sonic modifications and functional enhancements, the Subsequent 37 features increased headroom in the mixer, a modified filter section, re-tuned MultiDrive circuit, high-powered headphone amplifier and an upgraded keybed. The new Subsequent 37 will be the standard production model moving forward
The Subsequent 37 is already shipping from the Moog Factory and is currently available through Moog Dealers worldwide.
Subsequent 37 sound samples featuring Cory Henry here: https://soundcloud.com/moogmusicinc/sets/subsequent-37
Episode 4 (‘The Spoils of War’) of season 7 of Game of Thrones features one of the most exciting battles of the entire series so far. Known as the ‘Loot Train Attack’, the battle sees Jaime Lannister’s ground forces receiving the brunt of a fiery attack from Daenerys Targaryen, who is riding her dragon Drogon.
The sequence includes an impressive array of practical fire stunts, digital armies and set extensions, and of course a CG dragon. But it was one small touch added by the visual effects team that caught the attention of many viewers. This is the brief moment that Drogon’s wing, as the dragon makes a run above a stream towards the battle, neatly clips a tree on the river bank.
It’s a small thing, but a hallmark of the attention to detail that is part of the visual effects in Game of Thrones, led by visual effects supervisor Joe Bauer and visual effects producer Steve Kullback. Here, Bauer explains to vfxblog how fellow visual effects supervisor Eric Carney, along with Iloura and Image Engine, made that very cool shot possible.
Joe Bauer: Well, Eric Carney was our supervisor on the ground in Spain where that was shot, because we were prepping all the big sequences to come and future episodes. He was our man executing all of our planning on the set.
Shooting with a camera drone.
That coverage was done with a drone, and I know they had some technical issues when they got out there. We had quite a few tries to get the nice steady plates, and ultimately we did. And then really it was a matter of putting the dragon model into the scene. First of all, it involved 3D tracking the footage, and then putting the dragon model in and realising that the wings would bisect a tree. So the shot was really just out of necessity.
We had a LIDAR scan of the area, which is a digital model of the whole environment in the planning stage, but then the blocking sort of evolved in the shooting when they got there. The dragon ended up further up the stream that was feeding the little lake. Ultimately, we just had to deal with that tree.
The continued approach as Daenerys nears the battle.
Iloura made a digital branch and Image Engine was responsible for the dragon. It goes by in very few frames, but it’s interesting that people noticed that. We thought we were being quite clever disturbing the water underneath the dragon. I guess either people accepted it, but that was a complete contrivance, too, because you’d have to break the sound barrier, I think, before the water would behave that way.
Anyway, we’re a bunch of geeks and fans too, and anything cool that we can imagine or think of cramming into any sequence, we tend to go for it.
Below, watch the featurette released by HBO that focuses on the Loot Train Attack.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
