Hasta La Motion!

With the thin design, larger battery size, 6 GB RAM, 2K display and 4K video recording option, Honor 8 Pro is a full power pack for gamers, video makers and multi-taskers.

A gel-based audio speaker demonstrates the capabilities of ionic conductors, long thought limited in application. Learn more: http://hvrd.me/18YJYto (Footage courtesy of Science/AAAS.)

I am extremely thankful to Annette Wolfsberger, one of the Dark Ecology producers, to pick me up and drop me off at the Kola Super Deep before the start of the soundwalk by Justin Bennett, programmed for the third Dark Ecology Journey.
I was there before any of the participants (locals and Dark Ecology Researchers) arrived. It was an amazing – me and a hand full of the production team, all alone in this eerie, magical space.

I tried to make some documentation, but forgive me, this is the first time I make a first perspective video and I did not have all the background information about the space, nor about the soundwalk, so this is me basically doing a dry run without context, preparation or rehearsal. It was there to make photos but decided photos would not cover the feeling at all.

I am also sorry for my bouncy walk, I am a bouncy walker in general but the the snowmobile suit kind of amplified my steps.

www.darkecology.net/commissions/justin-bennett—vilgiskoddeoayvinyarvi-wolf-lake-on-the-mountains
Soundwalk:

Photos of the place: https://www.flickr.com/photos/r00s/albums/72157669855772525

DONATE HERE FOR EPISODE 2: http://bit.ly/1IAkm6K
Episode 2 Teaser Link: https://youtu.be/e19Dod3Us5I

— Dragon Ball Z: Light of Hope – Pilot Episode–
SUBSCRIBE! Hope is worth fighting for. In Dragon Ball Z: Light of Hope, Gohan and Trunks fight against the unstoppable Androids #17 and #18 and try to save as many human lives as possible. The young Trunks must grow up quickly and learn from his mentor, Gohan; but with battles to fight on both the outside and inside, how long can they endure, and where will they find a light of hope? Subscribe, support and share if you want to see more episodes!

This series is an adaptation of “The History of Trunks” TV Special. In this timeline, Goku & the other Z Warriors are dead. This is the story of Gohan & Trunks in their battle to survive against the Androids.

Dragon Ball Z: Light of Hope is a non-profit, live-action Dragon Ball Z web series. It’s made by fans, & is not affiliated with or endorsed by the official license holders.

Dragon Ball Z: Light of Hope
Created by Donnie McMillin & Rita McMillin

Robot Underdog
Website: https://www.robotunderdog.com
Facebook: https://www.facebook.com/RobotUnderDog
YouTube: http://www.youtube.com/RobotUnderdog2
Twitter: https://twitter.com/RobotUnderDog
Instagram: http://www.instagram.com/robotunderdog

Directed by Donnie McMillin
Produced by Rita McMillin
Written by Derek Padula: http://thedaoofdragonball.com/

Starring
Tyler Tackett as Android 17: http://on.fb.me/1Lyzend
Amy Johnston as Android 18: http://www.amy-johnston.com/
Anton Bex as Gohan: https://www.facebook.com/antonbex
Jack Wald as Trunks: http://imdb.to/1ab8P3q
Ruthann Thompson as Bulma: http://bit.ly/1zcdPJV

Principal Crew
CG Artist/Creative Producer Gregory Hall: http://iamgregoryhall.com
Original Music by Abraham Castaneda: http://bit.ly/1GnV4cg
Action Director: Leo Kei Angelos: http://bit.ly/17qRq56
Cinematographer: Karyn Gabrielsen: http://imdb.to/18g1XkM
Editors: Andres Lopez, Lohan Buson, Donnie McMillin
Action Design by Creative Action Development: http://bit.ly/18h4KKq
Stunt Coordinator: Tim Storms: http://imdb.to/17qRaTQ
Fight Choreography: Lohan Buson: http://www.zteamfilms.com/lohan.html
Wire Team: Chris Yung, Taylor Ingram-Wildman
Stunt Mats provided by Action Factory http://afstunts.com/

Visual Effects: Greg Hall, Lohan Buson, Donnie McMillin
Poster & Storyboards: Taylor Sterling: http://taylorsterling.com/

Producers
Executive Producer: Rita McMillin
Producers: Rita McMillin, Donnie McMillin, Lohan Buson
Creative Producers: Donnie McMillin, Gregory Hall, Rita McMillin, Lohan Buson
Co-Executive Producers: Stephen Bot, Anthony Stewart
Assoc. Producers: Shaun Hawksworth, Marshon Thomas

CC
Japanese: Melanie Arayama
Polish: Wojtek Mikoś: http://dbnao.net/
Portuguese: Bruno Vinicius: http://www.dragonball-project.com https://www.facebook.com/DB.Projectt
Spanish: Antonio Sánchez-Migallón Jiménez: http://tinyurl.com/mdeof6u
French: Gokuda003 & Gokuyo http://www.dragonball-ultimate.com
Italian: Vito Lanci http://on.fb.me/19t1Ulc
Voice Cast:
Tim Neff as the Voice of Future Trunks
Aviano Marconi as Narrator
John Mark Triplett as Intercom Voice

Associates
The Dao of Dragon Ball: http://thedaoofdragonball.com/
Dragon Ball Insider: http://dragonballinsider.com/
Affiliates
Casa Do Kame – http://on.fb.me/1BikebZ
Dragon Ball Dream – http://on.fb.me/1zplQfn
Dragon Ball Insider – Anthony Putignano & Chance McMurdy http://www.dragonballinsider.com/
Dragon Blog Z – http://www.dragonblogz.com
Geek Outpost – http://www.geekoutpost.com
SdotStormzHD – http://bit.ly/1KJD6GU
Rhymestyle – http://bit.ly/1fiedN4
Thundershot69 – http://bit.ly/1whct4f
Z Team Films – https://www.youtube.com/user/ZTeamFilms
Anime Games Online – http://bit.ly/1DFEvr5
SkizzleAxe – http://bit.ly/1HkWZyK

Crew
1st A.D.: Paris Lay
2nd A.D.: Ashley Rosenberg
Production Coordinator: Sam Cubias
1st Assistant Camera: Mike Lemnitzer
2nd Unit 1st Assistant Camera: Heather Fannan
2nd Assistant Camera: Tom Raimondo
Sound Designer: Pete Cruz
Audio Mixer: Patry Thach
Boom Operator: Sary Thach
Makeup Effects: Brian Barnett
Artist & Set Decorator: Percy Isidro
Set Decorator: Charlie Pieper
Grip: Ronny Chea
Grip: David Bornstein
PA: James Miller
PA: Adrea Graun
PA: Kristen Brancaccio
Capsule Corp Scientist: Wesley Marshall
Refugee Leader: Nick Koester
Refugee – Anthony Stewart
Refugee – Shawn Stewart
Refugee – Abraham Castaneda
Refugee – Jessica Para
Refugee – Allison Castaneda
Refugee – Everett Lopez
Refugee – Albert Justus
Refugee – Sam Cubias
Refugee – James Miller

Nothing really ever stays the same, but one of the fun things about visual effects is how much the technology, artistry and the business changes. There’s also often new ways of hearing or learning about VFX – over the years I’ve got my information from books, magazines, online articles, podcasts, DVD featurettes, tutorials, seminars and of course face to face.

Now I’m excited to be part of a new communication medium – the Visual Effects Society’s brand new print magazine VFX Voice. I wrote some pieces in there on Ghost in the Shell, Westworld, Kong: Skull Island, Cars 3 and a bunch more. Loved the process – and you can grab the magazine now, or read it online at http://vfxvoice.com.