Poetic Pilgrimage Do Your Own Thing

iD, the challenger mobile network, has released the second instalment in its new brand campaign ‘Do Your Own Thing’. Following the success of its ‘Urban Riders’ series in May, the new instalment features female Muslim hip-hop duo Poetic Pilgrimage, as they guide viewers through their music, identity and religion. Four spots celebrate how Munera Rashida and Sukina Abdul have defied convention, forging their own path with their music and identity. Despite facing resistance from both the religious and musical community, Poetic Pilgrimage have refused to let opinion determine who they are and the music they make. They are deeply religious and yet indisputedly hip-hop, resulting in something truly unique. All four films, Launch Trailer, Identity, Influence, Resistance, are available to watch on idmobile.co.uk/doyourownthing

iD Poetic Pilgrimage

Mark Bowles, Head of Marketing for iD, comments: “The iD brand was borne out of listening to consumers and understanding their frustrations and needs, thus creating a network that is as individual as the person. This sense of uniqueness is what we are looking to celebrate through our new platform of “#DOYOUROWNTHING”. Through working with Poetic Pilgrimage in our new campaign we are looking to champion people who define themselves through different ways.“

Dan Watts, Creative Director at CHI&Partners, says, “Do Your Own Thing aims to capture the spirit of individuality and self-expression. Just like iD Mobile, we want the work to resonate with young, independent thinkers, helping set iD apart as a brave challenger brand.”

iD Poetic Pilgrimage
iD Poetic Pilgrimage
iD Poetic Pilgrimage

Poetic Pilgrimage Credits

The Poetic Pilgrimage Do Your Own Thing campaign was developed at CHI&Partners by executive creative director Jonathan Burley, creative director Dan Watts, creatives Rob Webster and Alexei Berwitz, planner Matt Nixon, executive producer Zoe Barlow, producer Adam Henderson, business director Sam Lewis and account director Eliza Sloss.

Filming was shot by Ben Hanson and Simon Frost (Ben & Simon) via Carbon with producer Nazneen Hosenie, costume designer/stylist Taff Williamson, colourist Simon Pearson. Additional photography was by Ben Hanson.

Sound and music were produced at Wave Studios by Jack Sedgwick.

Media was handled at Blue 449 by planner Charlotte Clayton. Social content was managed at AllTogetherNow by planner James Chanter.

Rick Famuyiwa roped in to direct ‘The Flash’ movie

We all know him and he has raced through our our hearts not just in his comic series but also in live action and animated series. The  ‘Scarlet Speedster’ who was recently seen in the season finale episode of The Flash, is set to (as we all know) charm the audience with his solo movie. In October 2014, Warner Bros. had made the announcement about the movie The Flash.

Rick FamuyiwaAs opposed to what we saw in The CW’s TV series where Grant Gustin is seen as ‘the fastest man alive’, Ezra Miller (Trainwreck) will be seen taking over that role in the movie universe. And now news has come that Warner Bros. has chosen Rick Famuyiwa to direct The Flash movie.

“Warner Bros is looking for the right chemical mix on its superhero picture line based on the DC Comics heroes, and the feeling internally was that Famuyiwa provided a vision that would resonate with young viewers and that vision was very compatible with the script that the studio is moving toward the start gate with,” reports Deadline. “That vision was executed to strong reviews in Dope, the 2015 film about a young geek trying to survive in a tough Los Angeles neighborhood.”

A story treatment for the film was written by Phil Lord and Chris Miller and on those basis, Seth Grahame-Smith (The Lego Movie) was roped in to write and direct the script. However, in April it was learnt that he dropped out due to creative differences with the studio, and it’s believed that the script by Smith will be used by Famuyiwa.

As far as Famuyiwa is concerned, his earlier works like Talk To Me, The Wood, Brown Sugar have been well received by the audience and the critics equally. Though it will be the first time he will be directing a comic based film, his past records are quite satisfactory. We will find it out on 16 March, 2018.

The post Rick Famuyiwa roped in to direct ‘The Flash’ movie appeared first on AnimationXpress.

After Studio leaps a step ahead by freezing time using VFX in Suriya starrer ‘24’

‘Time is immeasurable, indestructible and inevitable. If you don’t control it, one day it will control you’. Playing with time can work against you for when you can freeze time, you can change the events and create a different result. Director Vikram Kumar has played with this similar feature of time in his recent film 24 starring the Tamilian veteran actor Suriya Sivakumar.

It’s a science fiction film and science has its own complications with complex formulas and intricate elements. In fact, the film features three different avatars of Suriya and his outrageous invention which later becomes the main cause of the chaos. Creating these elements in a realistic way to convince the viewers was done by the Mumbai based VFX studio – After.  

Along with other major VFX studios like Prime Focus and Riva Animation & VFX working on this film, After studio itself delivered around 1100 VFX shots in just two months.

After, VFX supervisor, Vishwas Savanur says, “In the pre- production stage of VFX, we had about 70 artists working on the film for 15 days, and by the end of the project, the number grew up to 200.”

output_yQooOV

Being involved in the film from mid way, the team of After delivered all kinds of work like CGI , dynamics, green screen composition, cleanups and beautification. “Even though it is a science fiction film, this kind of work was never attempted before and thus referencing was not really helpful. Every sequence was storyboarded and concept drawings were created. Every shot was designed according to the concept drawing,” adds Vishwas.

The plot of the film follows back and forth in time with the three avatars of Suriya racing against time due to the creation of a watch that controls time. All the scenes had CGI added into live shoot, which was difficult as the team had to create visuals which were against nature’s law, still had to look convincingly real.

Vishwas and CG head Priyaal Mhardolkar explain the major VFX sequences, “In the film the protagonist has a watch which has power to freeze time, go forward in time or go back in time. Some of the major sequences were:

The Rain sequence where the protagonist freezes rain. It was conceptualised and executed using CGI. We created multiple layers of frozen rain drops as Suriya freezes rain and interacts with the rain drops.

One of the shot where the camera pulls back from a room to reveal Chennai city was recreated using complex CGI.

The stadium sequence where Suriya goes back in time to freeze time and help India win the match has elements like popcorn, water, drinks, smoke, flags which have been rotoscoped and frozen. Even crowd multiplication and creation of various background elements is a major portion of the film.”

Apart from this, there are various sequences like the axe sequence where the villain cuts Suriya’s hand, feather floating in the air and acid fumes on the wooden floor that are created using CGI, along with other cleanup and removal of the chroma screen shots.

The film featured major freeze sequences along with face replacements that were achieved using prosthetics to portray the different avatars of Suriya distinctly.

Softwares like Maya, 3D Max, Realflow, Nuke, Silhouette, Photoshop and After Effects were used to create the CG elements and visual effects for the film.

The film has gained decent reviews because of its art of storytelling and visual appearance that has quite realistically portrayed the tentacles of science fiction. Moreover, the music of A. R. Rahman has added an extensive factor which builds up the thrill for the mystery.

As far as the work of VFX is considered, After has leaped miles ahead in its quality and quantity of work as compared to its previous works in Jai GangaaJal and Ghayal Once Again. In this film, After has tried its hands on time freeze and CG creation of varied elements thus displaying a hypothetical situation but in a realistic manner.

The post After Studio leaps a step ahead by freezing time using VFX in Suriya starrer ‘24’ appeared first on AnimationXpress.

Reliance Games releases the official game of the ‘TE3N’ movie with a star studded event

With an aim to engage digital enthusiasts, Reliance Games today announced the official game for the movie TE3N, launched in the presence of the cast and crew of the movie including Bollywood stalwarts Amitabh Bachchan and Vidya Balan. The game features Amitabh Bachchan as the lead protagonist, playing the gamified ‘infinite runner’ from the movie TE3N. Gamers will get an opportunity to embody their favorite star, Amitabh Bachchan, bringing alive the excitement of the upcoming thriller and enthrall audiences in a challenging chase to unravel clues related to the movie.

Megastar Amitabh Bachchan himself spearheaded the first-of-its-kind digital campaign by inviting fans to share their suggestions to create posters, vote for their favourite songs and list their game preference. The contest saw participation from a whopping 45,000 participants visiting the official website ‘te3nitaround.in’ to give their preferences. The contest invited visitors to vote for their favourite genre – hidden object game, infinite runner game and side scrolling platform game. Of all the votes that came in ‘Infinite runner’ game garnered 61 per cent votes.

Commenting on Reliance Games’ association with TE3N, Reliance Entertainment – Digital, CEO, Amit Khanduja said, “We are thrilled to associate with an ambitious movie like TE3N and create a unique game which promises to take gaming to the next level; given its sheer intensity, edginess and introduction of new elements replicating the excitement and thrill of the movie. The collaboration with TE3N deepens our association with the Bollywood to develop movie based thematic games which gives Bollywood lovers an opportunity to combine their love for movies and games. We are confident gamers will enjoy experience and the adrenaline rush it offers.”

Speaking to AnimationXpress’ Krishanu Ghosal, Amit Khanduja asserted that it took a team of around 15 people from their Pune based studio to churn out the game in an average time of three months and it will be different from any other infinite runner games as it resonates with the characters and backdrop of the film which makes it more realistic. The game is set in surroundings just like the movie, including a ‘Howrah Bridge’ stage.

“The revenues will be shared by the Studio and Production company. The game will have constant support for the time being, with no plans of placing in app purchases for now”, informed Amit Khanduja. Although no figures of the revenue have been revealed.

Te3n

During the launch event, the actor Amitabh Bachchan also mentioned that as they did not have a hefty budget for the film’s promotion, they let the consumers decide what they would like to see, from the game to posters of the movie and more. With a large amount of entries from across the globe, a few winners were chosen who got a chance to meet and greet the cast at the event.

In the past, Reliance Games has associated with other high profile Bollywood movies like Singham Returns, Bodyguard, 3 Idiots, Wazir, to develop customised mobile games around their movie concepts although this seems to be an innovative strategy to incorporate the consumer opinion into the promotion of a film.

Game Features:

  • Ride as John Biswas (Amitabh Bachchan), driving on his trusted scooter
  • Ride in the streets of Calcutta searching and collecting clues to uncover the mystery
  • Collect Clues to solve this gripping thriller
  • Score high on the leader-board to be the best investigator
  • Designed to engage and reward fans of the movie, the game is pick up and play in nature

The post Reliance Games releases the official game of the ‘TE3N’ movie with a star studded event appeared first on AnimationXpress.

AMD to associate with Government of Telangana for VLSI Academy and IMAGE city

Telangana IT minister KT Rama Rao’s recent, official visit to the Silicon Valley seems to be really tapping the right chord. The USA based chip developer; AMD has announced that they will be partnering with VLSI Academy, which is being promoted actively by the Telangana government.

KT Rama Rao

Telangana IT minister KT Rama Rao

During the recent visit of a team of delegates from the Indian state, headed by KT Rama Rao, AMD expressed their interest in the VLSI Academy being promoted by Telangana government and also in the IMAGE City, the gaming and animation hub being developed by the Telangana government. The minister emphasised on the point, why Hyderabad is an ideal destination for gaming and animation in the meeting attended by AMD officials including chief technology officer Mark Papermaster and senior vice-president Ruth Cotter.

The company also asserted that their new processor, chip Zen has been completely churned out by their facility based out of Hyderabad. Further adding to that, AMD said that they have had been crucial in creating computer graphics for movies like ‘Baahubali’ and would like to work closely with the Telugu film industry for graphics requirements.

A release that was issued by the state government also said that AMD would be interested to partner with other academic institutions in Telangana like International Institute of Information Technology (IIIT), Indian Institute of Technology (IIT), BITS Pilani for research purposes.

Once the pact comes into action, we can surely hope for some great outcome, now that the renowned chip maker company will be getting the government’s support.

The post AMD to associate with Government of Telangana for VLSI Academy and IMAGE city appeared first on AnimationXpress.

‘Teenage Mutant Ninja Turtles 2’ earns $69.3 million worldwide in its opening weekend

Sequels don’t always work and franchise often bears the brunt of the performance of its various ventures. Paramount and Nickelodeon Movies’ recent Teenage Mutant Ninja Turtles 2 (2016) which released on 3 June, 2016 earned $35.3 million in its opening weekend at the domestic box office (North America). However this was roughly half of the $65.6 million that its predecessor, Teenage Mutant Ninja Turtles 2014 grossed in its opening weekend thus, illustrating that not all sequels necessarily perform well.

Also, this opening was around 45 per cent down from the 2014 film. Teenage Mutant Ninja Turtles 2 has grossed $35.3 million in North America and $34 million in other territories for a worldwide total of $69.3 million.

Paramount spent $135 million on this film and released the movie across 4,071 locations. With an average opening for the film in its opening weekend, recovering the budget seems to be a task for the franchise.

Teenage Mutant Ninja Turtles 2 (1)

Speaking about the franchise, the 2014 film earned $191.2 million in North America and $302.1 million in other countries, for a worldwide total of $493.3 million. The film got such a leaping response as audiences both young and old had not seen a new live-action Teenage Mutant Ninja Turtles movie in 21 years. The budget of this film was $125 million and with the extensive returns, the franchise set its foot to build its name.

The 2016 film has opened in 40 international markets, including Russia, Mexico and the United Kingdom till date but still there are several major territories left to open, the biggest being China on 2 July, 2016. Therefore, this film still has some hope and opportunities to strike in order to come in par and stand true to its franchise.

The post ‘Teenage Mutant Ninja Turtles 2’ earns $69.3 million worldwide in its opening weekend appeared first on AnimationXpress.

COMPUTEX 2016: 7 takeaways from the event

Initiated in 1981, COMPUTEX has been one of the most prominent B2B events in the Asia Pacific domain, catering to the ICT industry. According to their website, this year’s event was based on four main pillars- “IoT applications, innovation and startups, business solutions and gaming.”

COMPUTEX 2016 was held from 31 May to 4 June at TWTC Exhibition Halls, the Taipei International Conference Center and Taipei Nangang Exhibition Center.

Here are few takeaways from the event:

AOC debuted its new 32-inch AG322FCX curved monitor and the 27-inch AG271QX QHD monitor with AMD FreeSync support. Both monitors are capable of running at 144Hz for fluid gaming, and feature adjustable stands and multiple inputs.

AOC

MSI showcased its latest components for the gamers starting a new line of Gaming series graphic cards that feature custom cooling for both of the NVIDIA GTX 1080 and the NVIDIA GTX 1070 graphic cards. Furthermore, MSI also unveiled its new motherboard models, including the upgraded Titanium and Carbon models.

MSI
Colorful displayed its latest line up of products including motherboards, graphic cards, and solid-state drives. Making its debut was Colorful’s flagship Colorful iGameGTX1080 X-TOP-8G that features a fully-modular cooler with integrated all-in-one cooling, which can be expanded to a full custom loop by the user. Colorful’s iGame series is best known for its focus on user customisation, and the modular heatsink and fans allow users to customise the graphic cards as they desire. Also on display were Colorful’s custom modded, liquid cooling machines that sport integrated waterblocks. Furthermore, the company also showcased its line of motherboards from the iGame series for LGA1151 processors, as well as its line up for the current NVIDIA GeForce GTX 900 series of graphic cards.

Colorful
Thermaltake, once again brought its A-game with the best case modders from around the world for its annual CaseMod Invitational tournament. They showcased the best mods for its high-end chassis equipped with custom watercooling, all provided by the company. All in its booth were gaming peripherals under the Tt eSports brand, with a wave of new products on display including the Challenger Edge gaming keyboard, the Draconem RGB illuminated mousepad and the Ventus Z portable gaming mouse amongst others. Thermaltake also unveiled its new gaming chair products as well as prototype desk chassis, which will surely turn heads.

Thermaltake
BitFenix unveils new gear each year, and this year’s COMPUTEX 2016 wasn’t any different. When it came to case brand showcasing, the company definitely stood up to the expectations with an array of new products including its wide range of modding tools to help users looking to style their PC cases. BitFenix will now offer an entire kit of its Alchemy 2.0 cables to replace the standard modular PSU cables with its premium quality cables. Also on display were the company’s BitFenix Whisper and BitFenix Formula Bronze PSUs that featured a new case design that highlights the booth with the new debut of the BitFenix Trident, Cap and Aurora chassis. All of these gaming products feature newly integrated RGB lightning, fully modular internal bays, and full-window panels on both sides.

Bitfenix
Republic of Gamers, the flagship gaming brand of ASUS, has taken center stage as it once again steals the show with its latest range of high-performance gaming products. Focusing on the Republic of Gamers division, ASUS ROG shows off its new X99 motherboards including the ROG RAMPAGE V EDITION 10 and the ROG STRIX X99, both of which support the new Broadwell-E processors from Intel. The new ASUS GX900 liquid-cooled motherboard also made its way into the limelight as it arrives with all new hardware specifications that stand above its older brother, the GX700. Amongst others, ASUS ROG also demonstrated new virtual reality experience and games via its gaming notebooks.

ROG
Team Group, a company dealing in flash memory solutions, showcased their new line up of high-performance gear for its T-Force series, including its new series of memory modules designed for overclocking and gaming. The T-Force Xtreem memory modules showcase extremely high frequencies of up to DDR4-4266 CL 18, and the new Night Hawk, intended for gaming, show-off a new style of heatspreader. Furthermore, on the display were the entire family of Team Group flash solutions for the consumers.

Team Group

Also, HWBOT World Tour Taipei crowned winners.

The last day of COMPUTEX 2016 set the stage for the finals of the HWBOT Amateur and Extreme competitions, with Lantzeyin taking on the top amateur crown and Xtreme_Addict getting a spot at the global championship in his victory against Hazzan in the Extreme competition.

HWBOT

The post COMPUTEX 2016: 7 takeaways from the event appeared first on AnimationXpress.

Big ticket publishers/developers backfoot on VR could prove costly for the platform

The year 2016 is to be the year when most of the major players in the gaming industry have or will release their Virtual Reality headsets and platforms for consumers. The year will be sort of a second innings for VR to come back into gaming scene after the disastrous debut in the late 80s with Nintendo and Sega systems causing dizzy and non-enjoyable experience.

The platform revived after Palmer Lucky started a Kickstarter campaign in 2012 for mass production of his version of VR headset ‘Oculus Rift’ which was supposed to cause a stir in the gaming market in the years to come. Today, there are at least half a dozen big companies fighting the VR headset war to capture the market and have a sizeable lead in the VR race.

However, to capture the market and draw the user’s attention, the consumer/gamer needs to have big pockets or a very powerful PC to run such graphic intensive VR games. With the minimum requirements of 8GB RAM, NVIDIA GTX 970/AMD 290 or equivalent, Intel i5-4590 processor equivalent plus Windows 7 SP1, this will cost you anywhere between $600 to $1000. In addition, VR headsets like Oculus cost you another $599 plus shipping costs if you are not in America. So if you want to play the new age VR games you need to have deep pockets and some place in your home to setup a dedicated VR unit.

Playstation VR unit

Playstation VR unit

Not only these, there are some AAA publishers and developers who have resorted to wait and watch game when it comes to jumping on the VR bandwagon, and see the response the platform will get once it is out of its early stage. One such person is Take-Two CEO Strauss Zelnick who recently voiced his concern about VR at the Cowen and Company 44th Annual Technology, Media & Telecom Conference. He said VR’s current asking price $2,000 (when you factor in high-powered PC costs) and need for a dedicated play space, limit the potential for mass appeal.

“We have $300 to spend on an entertainment device and we do not have a dedicated room,” he said. “We have a room for a screen, a couch, and controllers. We don’t have something where you stand in a big open space and hold two controllers with something on your head and, you know, not crash into the coffee table. We don’t have that.”

“We’re not incentivised to be at the frontline of (VR) development,” Zelnick said. “We are actually incentivised to wait and see a bit if there’s an installed base, let the format settle down, and let other people test the market. We’re quite happy to be a free rider—if there’s a market, we’ll get to the market in six to twelve months and we’ll be just fine.”

Zelnick is not the only one who seems to be unenthusiastic about the current scenario of VR and not be a part of the format. Others big game developers and publishers too have been sceptical like Activision CEO Eric Hirshberg said in an interview last year, “We don’t say, OK, there’s this new technology, this new platform, let’s go design new games for it, anymore than we did with the Move or Kinect. There are some ideas where it’s a lot more natural to imagine and some that aren’t.”

There are more names in the list who have been sceptical when it comes to VR. Nintendo of America president Reggie Fils-Aime said that VR is not fun at the moment. He said that for VR to be a fun experience for the players, it needs to be more social and engaging. The scoffing does not stop at the gaming industry big-wigs. One of the biggest directors, Steven Spielberg too has been questioning the over reliance and over enthusiasm of the VR platform and suggested that VR as a means of creation could be dangerous for the future of storytelling.

Such a stance by the industry leaders will stir trouble for VR platform which has been quite an interesting platform since it has started to gain traction for all quarters not only gaming. If game developers and publishers keep away from the platform it will give out wrong notion to consumers and people who want to be early adopters of this new tech. With a limited audience attraction, these devs/publishers will keep sitting out, creating an unwanted cycle until VR becomes a technology that comes, sees and conquers.

AMD RX 480

AMD Radeon RX 480

There are a few signs that people who want to adopt the technology early will have the option to spend a little less. Tech giant Advanced Micro Devices (AMD) recently introduced a $200 AMD Radeon RX 480, which the company claims that it can handle all the requirements for running VR headsets and one does not need $500 – $600 expensive graphics cards. This is just a start for the platform and as it starts maturing, the costs are likely to come down. However, for that to happen, the developers and publishers too need show interest and announce big ticket games to attract more people to the platform. For the platform to gain momentum and become big, this will always be the case.

Not all big name publishers have shown hesitancy on the mention of VR. Names like Ubisoft, Electronic Arts, Square Enix, Bandai Namco, Capcom 2K Games, Warner Bros. Interactive have been planning to come up with VR content in a big manner. Ubisoft has promised to port major of its franchises to VR. Valve too is betting big on virtual reality and may ship a number of its titles for its Vive headsets.

Sony’s PlayStation VR also could mean more affordable VR experience as the headset directly connects to PS4. Sony has said it is bringing in more AAA developers to VR space thanks to its close ties with major studios. Sony claims that more than 200 developers are on board developing content for PlayStation VR software. When Sony has plans for VR, one cannot keep Microsoft out for long. Microsoft announced that its opening up its HoloLens so that more people can pick up the headset and start making their own versions of the holographic lens which could draw more attention to VR.

Although in its nascent period, VR has taken big leaps in being one of the most exciting things in the technology space in the recent times. Distance from the industry leaders will only pull the platform back. Support will not only help the platform but will also bring in the new verve from the audience towards these new titles from publishers and developers.

If the companies want numbers, HTC Vive sold more than 15,000 headsets since it’s launch and Oculus is giving out strong numbers but is currently facing issues due to component shortage which has delayed its shipping further. Sony and Microsoft too will soon follow the suite, giving all big players in the gaming industry, a tough competition in the VR space. It is certainly an exciting time to be a part of the VR space and it has a great potential not only for the games but also for the film, medicine, defence, design sectors to name a few. VR cannot survive on a few big names and a lot of indie developers. It has to have major developers/publishers backing it up and throw some weight behind it.

The post Big ticket publishers/developers backfoot on VR could prove costly for the platform appeared first on AnimationXpress.

Disney’s ‘Zootopia’ earns $1 billion

Reigning above the rest, Disney’s Zootopia has earned $1 billion at the global box office. It has thus become the second film of 2016 to reach this summit after Disney’s Captain America: Civil War ($1.132 billion).

Zootopia is the fourth animated feature to reach $1 billion after Disney Animation’s Frozen ($1.277 billion), Illumination Entertainment’s Minions ($1.159 billion) and Pixar’s Toy Story 3 ($1.063 billion).

Moreover, this animal adventure has become the second highest-grossing film of 2016, and the twenty sixth highest-grossing film of all time. It became a surprising hit after Deadpool and then went on to outdo Disney’s greatest creations Big Hero 6 (2014) and Frozen (2013) in its first weekend.

Zootopia 64

Zootopia has till date grossed $337.2 million in North America and $662.8 million in other territories for a worldwide total of $1 billion. The film released on 4 March, 2016 and in its first weekend itself collected $73.7 million in North America and $232.5 million worldwide.

Infact in its first weekend, the film broke opening records for a non-Pixar Disney animated film in China by grossing $23.6 million. On 24 April, it became the first ever film of 2016 to cross $900 million.

Produced by Walt Disney Animation Studios with a budget of $150 million, Zootopia opened in 3,100 3D theaters, 365 IMAX theaters and 325 premium large formats screens in North America and received a whooping response.

But considering the foreign market as well, apart from just the domestic market of North America, this film has performed well in other considerable markets like China and India too. Disney can definitely boast about this film both for its unique art of storytelling and box office numbers.

The post Disney’s ‘Zootopia’ earns $1 billion appeared first on AnimationXpress.

Bathstore Silent Loo App

On April 1 2016, bathstore and Saatchi & Saatchi London announced the launch of their ‘Silent Loo’ app – designed to mimic the sound of water and drown out those embarrassing bathroom noises. Though it was actually an April Fool’s hoax, demand for the free Bathstore Silent Loo App on social media was so high that Bathstore has now launched it for real to celebrate World Environment Day. With billions of litres of water being wasted annually, the app addresses the plight of water wastage in the UK. Research collected into water consumption reveals that on average 75% of water used in bathrooms is wasted. bathstore’s app aims to raise awareness of this issue and eradicate the need to use the shower or the tap to mask embarrassing bathroom noises. Helping to save water, money and reduce energy use and carbon emissions, the revolutionary app reproduces different sounds of water running at varying sound levels. The app forms part of bathstore’s continuing quest to create the perfect bathroom experience for its customers. The settings on the app range from Tap and Shower, right up to Costa Rican River and the Tsunami setting – for use in emergency situations only. ‘Silent Loo’ is available globally for iOS and Android devices and can be downloaded now for free from the App Store and Google Play.

Bathstore Silent Loo App

Drown out unwanted bathroom noises with our new ‘Silent Loo app’. Choose from Tap, Shower, Costa Rican River or Tsunami and protect both modesty and the planet with one simple to use solution, available for download now!

Credits

The Bathstore Silent Loo App was developed at Saatchi & Saatchi London, by executive creative directors Andy Jex and Rob Potts, creatives Jose Hernandez and Víctor Morón, account team Katrina Bain and Jessie Doel.

The app was developed by Daniel Levitt, Developer at n0tice.

Filming was shot by director Tom Clarkson via Tomboy Films with director of photography Jan Vrhonik, 1st AC Kash Khan, producer Benedict Murray and editor Jake Saunders. Post production was done at Prodigious.