[Byrobot PETRONE] Connect Petrone to DFX Controller


[Byrobot PETRONE] Connect Petrone to DFX Controller

you've never seen a car do this…


It works! I had to improvise a lot, use the materials available to me, and work on it sparingly when I could find the time. I decided to put them on my car. Unlike other omni capable wheels, my wheels do not require the vehicle to be built around them. This is a world first bolt-on application for anything with wheels. Designed to be used in all weather and road conditions. They are stronger, faster, and more accurately controlled than prior art. They can take a beating. The tires can have the same build characteristics (siping, grooves, rubber compounds etc.) as regular tires. Now you can drive in all directions, and turn on the spot, when needed. These are proof of concept prototypes. Finished wheels will be refined to target application requirements.

Setup on this car has an incredible 24,000 pounds of torque directly on the tires! Speed can be adjusted for target application requirements by changing up the gearing ratios and with a speed controller.

No-one knows about this invention. Please share/tell someone or forward this video to any company you think might want to license or partner with me to bring it to market. Thank-you.

Anyone can use this video news etc. All I ask is that you link back to full video here.

Drumi | World's Favourite Foot-Powered Washing Machine


Pre-Order the Drumi here: http://igg.me/at/yirego-drumi

THE HAMSTER


A film by Ryan Barger Produced by Katie Akana Starring Aaralyn Anderson and Ryan Barger with Pascal Yen-Pfister Narrated by Lance Henriksen Directory of Photography – Jon Furmanski Production Designer – Katie Akana Music by Fritz Myers Sound Design by Sarah Gibble

More Is More


Director & DP: Alexis Boling Featuring: Rolly Robinson Producer: Maura McNamara Website: http://www.harmonium.tv Huck Magazine: http://bit.ly/lessons-on-escapism Instagram: @harmoniumfilms + @rollyrobinson For more More Is More: www.harmonium.tv/more-is-more-next-installation Including music from Black Coast Feat. M Maggie and Lucian, ‘TRNDSTTR (Lucian Remix)’ and from Andrew Bayer, ‘Need Your Love’, ‘Let’s Hear That B Section Again’ and ‘We Will Return’ https://www.facebook.com/bayermusic https://open.spotify.com/artist/5dFuu05x8SPBuymudrTBU8 https://itunes.apple.com/us/artist/andrew-bayer/id299648908

For The Sky


Not many people have heard of Daniel Fleury. He isn’t really part of a riding scene and he doesn’t seem overly concerned with upping his Instagram rep. If you expected his feed to be a run of extreme bike shots, you’d be surprised to find a view on the world based on natural beauty with a series of images that present a creative view on everyday things like foliage, ocean and…sky. Daniel grew up in circumstances more likely to guide him into team sports than inspire an endeavor in bikes, but something drew him into the woods where he spent the better part of two years hand building a massive cluster of jumps known as ‘Laguna’. A line with features that reach for the tree tops and a coastal view that delivers breathtaking sunsets daily. Rider: Daniel Fleury Directed by: Rupert Walker Photography: Toby Cowley, Daniel Fleury, & Tyler Olson Words by: Ian Ritz Supported by: Chromag Bikes Music: Generdyn – Song For Stone (Licensing through The Music Bed)

Ten Days: A Modern Success Story


In the fall of 2015, while mindlessly thumbing through my Instagram feed, I stumbled across three images Michael Stevenson posted to his account. It was three white boxes, with the caption, “STARTING. FROM. SCRATCH.” I was intrigued, and after meeting up to chat about what prompted those posts, we embarked on a journey of trying to both understand and maybe even capture the moment. What follows is a film that has continued to morph and grow as realities changed before our very eyes. The film we set out to make is very different than the film you see here. I’m incredibly grateful to Mike, for allowing me to poke around a very personal and meaningful moment in his life, and for his unflinching honesty about something we don’t usually talk about in terms other than heroic. Also – thanks to Jared Hogan, whose “Films About Numbers” project was the intended point of distribution. But the story had other plans and timelines. CREDITS: Directed / Shot by: Ryan Booth Production Sound: Brian Albritton 1st AC: Brooks Cruzen Camera provided by: FilmLab Creative Edited by: Ryan Booth (with some efforts by Lucas Harger) Sound Design / Mix by: Steve Horne Kickstarter Video and Photographs by: Tim Daniels Special Thanks: Michael Stevenson Joshua Anderson Tyler Swanner Jared Hogan Christian Schulz Joey Mathews Aaron Tharpe Darius Trainer Jon Marzolla

Florian PERRON – "Aline"


Un jeune homme retrouve son ex-copine lors d’une soirée et prend conscience qu’il est toujours attiré par elle. A young man meets again his ex girlfriend in a party, and realizes he still fancies her.

Frank Underwood 2016

Netflix campaign “FU 2016” (Frank Underwood 2016), a promotion for the fourth season of House of Cards, won the Integrated Grand Prix at 2016 Cannes Lions International Festival of Creativity. Launched in December 2016 to coincide with the Republican presidential candidate debate, the campaign presented Frank (Kevin Spacey) as the best contender for the job of President of the USA. “It’s a new day in America. Today, more people will go to work, return home to their families and sleep more soundly than ever before all because one man refuses to settle, putting people before politics. That man is Frank Underwood.” A web site, fu2016.com, invites visitors to join Frank’s campaign and support issues such as dishonesty, inequality and entitlement. On the site, voters could view Frank’s platform, discover Easter eggs teasing at the fate of the First Lady, and use a digital tool to say “FU” to any issue facing America today on social media. The FU 2016 campaign continued into 2016 with the launch of a campaign headquarters in Greenville, South Carolina, and political campaign merchandise.

Frank Underwood 2016 site

Frank Underwood 2016
FU2016.com Frank Underwood 2016
Frank Underwood 2016 - Donald Trump
Frank Underwood 2016 bumper sticker
Frank Underwood 2016 HQ
Frank Underwood 2016 site FU progress
Frank Underwood 2016 Facebook
Frank Underwood 2016 poster
Frank Underwood 2016 logo

Frank Underwood 2016 Credits

The Frank Underwood 2016 campaign was developed at BBH New York by creative chairman John Patroulis, chief creative officer Ari Weiss, executive creative director Gerard Caputo, creative directors Dave Brown, Daniel Bonder, art director Alexandra Sobiecki, copywriter Taylor Marsh, communications planner Megan Piro, strategy director Mark Aronson, business lead Alison Moser, head of integrated production and technology Carey Head, head of content production Kate Morrison, senior producer Christina Carter, producer Simon Joseph, head of user experience Kelly Bignell-Asedo.

Filming was shot by director Wally Pfister via Reset Content with executive producers Dave Morrison and Jeff McDougall, director of photography Bryce Fortner. Editor was Matt Murphy at Exile. Post production was done at The Mill by VFX supervisor Jimmy Bullard. Sound was produced at Sound Lounge by Tom Jucarone. Music was produced at APM.

Photography was produced by Cassia Hoffman at Birds + Stone.

The FU2016.com website was developed at North Kingdom. Interactive work was done at Allied Advertising.

Branding was produced at Agency Promoshop and Ralph NY.

Media was handled by MEC, Netflix and The Refinery. PR was handled in-house at Netflix.

Introducing Project Bloks


Project Bloks is a research project with the aim of creating an open hardware platform to help developers, designers, and researchers build the next generation of tangible programming experiences for kids. Learn more at http://g.co/projectbloks