We found this Squirrel in the backyard and thought at first it was hurt but then realized it had one too many fermented crabapples. Sorry about the shaky camera! Had a hard time keeping it steady while laughing. For licensing/usage please contact lincensing@viralhog.com.
16 month old girl cracking an egg better than most adults.
We were playing with our daughter in the kitchen and decided to give her an egg, fully expecting to have a mess to clean up. She never ceases to amaze.
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Jan. 2015 Channel 101 Written, Directed & Produced by Alex Kavutskiy & Ariel Gardner DP Nate Cornett Edited by Ariel Gardner Starring David Geis as Isaac Erin McGathy as Julie Danielle Billeaux as Maria Nancy Kronig as Mom Flip McManus as The Baby and the voice of Demorge Brown Original Music by Jason Martin Castillo Music mixed by Melinda Garcia Score produced by Jason Martin Castillo and Melinda Garcia with Sounds of the Sun Productions
In Rangeen, a family wedding celebration brings longtime friends, Maya and Maritza, played by Freida Pinto and Maritza Veer, to Rajasthan, India. Maritza brings along an unexpected travel companion, her brother, who immediately takes interest in Maya. It doesn’t take long before she lets her shyness fall away and the two take off together for adventures in the city. Love finally blossoms amidst the Holi Festival where they find their true colors unveiled. Shop the Free People March Collection: http://www.freepeople.com/march-outfit-1/ Rangeen has received an “Official Selection” for the International Fashion Film Awards and La Jolla Fashion Film Festival. CATALOG CREDITS: Models: Maritza Veer, Freida Pinto, Thomas Bull Photographer: Guy Aroch @ Jed Root, Inc. Hair: Tania Travers @ Anima Creative Makeup: Deanna Hagan ‘RANGEEN’ CREDITS: Actors: Freida Pinto, Thomas Bull, Maritza Veer, Varun Mitra Directors: CMCM, Guy Aroch and Carlos Veron Director of Photography: Carlos Veron Art Direction: Free People Edit: Ryan McKenna Producers: Freida Pinto and Carl Walters Local production: Elements Production Services Pvt. Ltd. Colorist: Michael Rossiter Sound Editor/Mixer: Dan Flosdorf First Assistant Director: Ben Kahn Hair: Tania Travers Makeup: Deanna Hagan Music Supervisor: Jonathan Hecht Voice Over Screen Writer: Peter Kline “Love More” Written and Performed by Sharon Van Etten Courtesy of Ba Da Bing! Records By Arrangement with Bank Robber Music
’emulsifier’ is a hand painted glass sculpture by Thomas Medicus. The anamorphic object is made out of 160 glass strips. more here: http://thomasmedicus.at/ or here: https://www.facebook.com/thomas.samot
“Treasures of Zakynthos” is a film completed in its entirety using the timelapse cinemtography technique in the most beautiful parts of the Greek island – Zakynthos. Some of the places portrayed in it are typical tourist destinations, while others are unique, quiet and magical. The real treasures for the eye are the unexplored, off-the-beaten-path locations. The film lets the viewer experience the extraordinary nature and magic of the formidable Greek landscapes. Enjoy and feel free to share. This film was made thanks to the enormous commitment of many wonderful people. 4 trips, 840 hours spent on Zakynthos, 2000 km travelled on the island, 28 days of shooting, 3TB of timelapse footage, 380 hours of post-production, 100 kg film equipment weight. Shot with multiple cameras: Canon 6D, 2x 5D Mark III, 5D mark II, 7D and Canon L lenses. Motion control equipment: DitoGear Multi-Axis Motion Control System Powered by DitoGear www.ditogear.com Watch Behind The Timelapse: vimeo.com/maciejtomkow/zakynthos vimeo.com/maciejtomkow/navagio Licensing: Treasures of Zakynthos is copyrighted and may not be used without permission. All footage is available for licensing under a rights-managed agreement. If you are interested in using any of my images or timelapse footage, contact me directly. Most of my clips are available up to 5K resolution. Visit my website www.maciejtomkow.com and follow me at: Facebook: facebook.com/maciejtomkow.cinematography Vimeo: vimeo.com/maciejtomkow Instagram: instagram.com/maciejtomkow LinkedIn: linkedin.com/in/maciejtomkow Nimia: app.nimia.com/profile/Maciej_Tomkow 500px: 500px.com/maciejtomkow
Shot and cut by Renn Brown. Music by Brain and Melissa. *If you haven’t seen the short film, please watch it first: https://vimeo.com/120401488 Behind the scenes montage of POWER/RANGERS starting from tech scout on July 27, 2014 to cast/crew screening on February 23, 2015. This project was self funded by me and not endorsed by Saban or Lionsgate. POWER/RANGERS is not for sale, it was not kickstarted, and I don’t want any money from any of you. It’s yours for free. I just want you to have nice things.
The characters in the films of Paul Thomas Anderson share many similarities. They come from dysfunctional families, they are desperately seeking acceptance, they let their emotions get the best of them, and the list goes on. But a similarity that seems to especially stand out is a sense of isolation. Anderson’s characters are adrift, looking for someone or something to connect with in their lonely worlds. This idea is expressed visually through the use of long/extreme long shots. We are often presented with characters lost within the frame, and therefore have trouble connecting with said characters–we become isolated ourselves. Here is a look at Anderson’s use of the long/extreme long shot throughout his first six feature films. MUSIC: “Alethia” by Jonny Greenwood Films: Hard Eight (1996) Boogie Nights (1997) Magnolia (1999) Punch-Drunk Love (2002) There Will be Blood (2007) The Master (2012) Featured at http://blogs.indiewire.com/pressplay/watch-a-video-essay-on-paul-thomas-andersons-provocative-use-of-the-long-shot-20150130 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
In an era that is saturated with lavish and complex camera movement, Steve McQueen stands out for implicating the contrary. McQueen often employs the static shot in crucial situations, a technique that partially defines the unique style of the director’s three feature-length films: 12 Years a Slave, Shame, and Hunger. Rather than using a slow dolly or handheld movement to convey poignancy, McQueen chooses to simply leave the camera be. In doing so, he urges us to fully absorb the moment–there are no pans to guide us away, or even a rack focus to slightly divert our attention. McQueen seems to especially favor the static shot during gruesome struggles and times of extreme distress. He often lingers on these moments for extended periods of time, yet the camera remains motionless. Like the characters, we cannot escape the moment and we are forced to endure every second. MUSIC: “Unravelling” by Harry Escott Films used: Hunger (2008) Shame (2011) 12 Years a Slave (2013) Featured at: http://blogs.indiewire.com/pressplay/watch-steve-mcqueens-lingering-camera-a-video-essay-20150206 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Classic commercials for defunct products, including Gro-Pup, Spectrocin-T, Pream, Gaines-Burgers, and Glamorene.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
