Hasta La Motion!

Burton Inc. had an interesting display on 3D projectors. Rather than simply using a screen that had artificial depth to it, they used a single green laser to project onto a blast of ozone within a sealed container. Because the laser was rotating so rapidly, it was quickly burning out from the use, but looked much better earlier in the week.

Ten Hours of Princess Leia Walking in NYC

Princess Leia is propositioned numerous times as she walks down the streets of New York City.

Produced and written by Josh Apter (@pjmakemovies) and Gary Mahmoud (@garyleenyc) of Are We There Yet.

Directed and edited by Josh Apter.

Special thanks to http://abracadabrasuperstore.com/ for the great costumes!

And a big thank you as well to Alex Grybauskas for the lightsaber FX!
http://alexgry.wordpress.com/

Filmed on an iPad mini using http://thepadcaster.com/ Turn your iPad into a mobile production studio!

Thanks to great performances from:

Michele McNally…Leia
Nathan…Jawa
Robert…Jawa
Rob King…Lando
Jane…Yoda
Dan Jamieson…Han
Scott Bolohan…Stormtrooper/Luke
Alden Gewirtz…Lobot
Laurence Cantor…Obi Wan
Andrew Ginsburg…Vader

…with Josh Apter as Boba Fett and Gary Mahmoud as The Emperor and Indiana Jones

The Padcaster® is a multifunctional case made from a durable yet lightweight aluminum frame and a flexible urethane insert that holds your iPad securely in place.

You can simply attach The Padcaster to a tripod or turn it into a complete and portable production studio for steady shooting on-the-go by attaching an external microphone, lights,and other camera accessories to enhance filming with the iPad.

The Padcaster is endlessly adaptable and an affordable solution that can satisfy our high expectations for creating videos. The Padcaster is now available for all Apple iPad sizes (iPad, iPad Air and now the iPad mini).

Accessories mentioned – www.filmicpro.com, www.apogeedigital.com/products/jam, www.rodemic.com/microphones/videomic most of which are included with The Padcaster Bundles and can be purchased at www.thepadcaster.com

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Alain Ducasse’s restaurant at the Plaza Athénée has just re-opened. The Chef tells a more personal and radical story, following a path he initiated twenty-five years ago. He introduces a cuisine of naturality, that revolves around three key elements: fish, vegetables and cereals. A healthier, more sustainable and environmentally-conscious approach. Director: Simon Pénochet Director Of Photography: Yann Tribolle Soundman: Julien Ferrente Colorist: Yann Tribolle Supervising Sound Editor: Les Cosmonotes Music: Michel Nassif, Amandine Butterworth, Antoine Chabert Label: La Prod Entreprise Producer: Pierre Baussaron Executive Producer: Martin Zarka Production Company: Blast production

Music video shot last summer with little time and zero budget in Greensboro, NC. Premiered on Pigeons & Planes (October 27th): http://pigeonsandplanes.com/2014/10/video-jk-the-reaper-exodia/ http://www.themaskedgorilla.com/jk-the-reaper-exodia-music-video/ http://potholesinmyblog.com/jk-the-reaper-exodia-video/ “The black-and-white music video has plenty of interesting visuals such as JK care-free spitting through what could be the sun roof of a car, hair blowing in the wind, talking his shit. Prepare yourself for the ride that is to come.” –Jonathan Wigfall (Potholes In My Blog) INSTAGRAM @fnglife @thisisyates http://THISISYATES.com

Here at Royale we’re suckers for sci-fi; pulsars, quasars, Barbarella, you name it. Jay can’t get enough of Buck Rogers in the 25th or any other Century. So when the creators of The CW’s post-apocalyptic show “The 100” approached us to help craft a title sequence that expands on the already vast landscape created for the sci-fi drama, we jumped at the opportunity quick as a Flash (Gordon). We worked closely with The 100 show creators to develop an intro that harkens back to a more traditional prologue that both sets the stage for the show’s complex narrative and reveals a unique perspectives on show locations and characters. We wanted to expand on the show and give viewers a reason to pay close attention to the titles. There is narrative information in each and every shot that is built upon real story elements. These small bits of story give die-hard fans and casual viewers alike a sense of a much larger world yet to be fully explored. Everything from the locations to the telemetric data being displayed is pulled straight from the show’s cannon. Each shot was built around a location that echoed that from the show. Every shot has unique CG elements placed within. Crashed space stations, buried bridges, and broken monuments dot the post apocalyptic landscape and give hints to narrative events that take place within the show. Through a mix of live action plates, CG elements and motion graphics, we provided a unique perspective on the world. Taking this even further, the first and last shot of the sequence will change for each and every episode. A bespoke approach to a show’s title sequence is exactly how we think it should be done.