Nov
24
Ferro Fluid – Nigel Stanford Cymatics
Posted in: Animation
Behind the scenes of the music video ‘Cymatics’ http://NigelStanford.com/Cymatics
Nov
24
Ruben's Tube – Nigel Stanford Cymatics
Posted in: Animation
Behind the scenes of the music video ‘Cymatics’ http://NigelStanford.com/Cymatics
Nov
24
Speaker Dish – Nigel Stanford Cymatics
Posted in: Animation
Behind the scenes of the music video ‘Cymatics’ http://NigelStanford.com/Cymatics
Nov
24
Legacybox is an all-in-one, mailed kit, for preserving life’s treasured moments.
Nov
24
A little TOO late to upload this song, I know haha, but “Better late than never” right? Enjoy it, and leave your comments!
Nov
24
Les Hay Babies – Fil de téléphone
Posted in: Animation
Un vidéoclip de Pierre-Alexandre Girard Production : Simone Records Maison de production : DTO Films Producteur délégué: Daniel Abraham Directeur de production: Bruno Mercure Assistant de production: Philip Sabourin Directeur photo: Julien Boivin-Coutu Électro: Christian Mouzard Grip: Pierre-Luc Jobin Direction artistique: Yola Van Leeuwenkamp Assistante D.A.: Fannie Fortin Styliste: Andrée-Jade Hélie Maquillage & coiffure: Tania Guarnaccia Montage: Charles (Carlos) Bellerive Colorisation/Magicien: Thierry Sirois Cantinière: Marjolaine Lanoie
Nov
24
A young woman is running away in the forest. She finds shelter in a chapel where a strange ceremony is happening. In this experimental short film, Thibaut Duverneix and David Drury played with 4k resolution with 120fps high frame rate and 3d sound at 32.2. In this super high resolution binaural experience, the audience forgets the technology and is immersed into a slightly surreal world. This is an HD version at 30fps with Binaural sound, the 4k UHD 120fps version with 3d sound is broadcasted during special events. Directed by Thibaut Duverneix Created by Thibaut Duverneix, David Drury and Mathieu Léger Starring Célestine Rioux Riders: Marine Fleury, Marie Gabrielle Bronsard, Yves Landry and Isabelle Landry Extras: David Campbell, Philippe Dandonneau, Marie-Ève Demers, Laurie-Anne Langis, Clémence Ménard and Frédérique Rodier Associate Executive Producers: Emmanuelle Garnaud-Gamache – bcom, Bertrand Guilbaud – bcom, Richard Jean-Baptiste – JIMMY LEE and Benoit Martel – BLVD Producers: Marie-Lou Bouchard, Dominique D.Dufour, Nathalie Nadeau and Daniel Leblanc Post-production Producers: Éric Bolduc and Jason Breton Unit Production Manager: Eric Cinq-Mars Production Coordinator: Vicki Gagnon. Alexandra St-Michel and Joannie Tremblay Original Music and sound design: David Drury 1st Assistant Director: Marilou Nadeau Art Director: Martin Cusson Assistant Art Department: Joëlle Harbec, Julie-Christina Picher Choreographer: Audrey Rochette Stylist: Mélanie Brisson Hair and Make-Up: Amelie Ducharme Assistant Hair and Make-Up: Carmen Harbour Cinematographer: Gabriel Brault-Tardif Steadicam Operator: Simon Blouin 1st Camera Assistant: Christian Caperaa 2nd Camera Assistant: Desislava Hristova Data Wrangler: Alexis Leduc – BLVD Sound recordist: Keith McMullen HOA Sound recording: Jean-Yves Aubié and Andrey Fedosov Key Electro: Simon Thériault Best Boy electro: Guillaume Carbonneau Key Grip: Camille Bergeron Best Boy Grip: Samuel Boisvert Unit Manager: Francois Comte Production Assistant: Thomas Fortier Craft: Joannie Tremblay amd Nathalie Norambuena Color Grading: Gary Chuntz Color Assistant: Cristelle Bergeron Editor: Thibaut Duverneix VFX Artist: Alexis Leduc Coordinator: Sophie Champagne, Nathalie Norambuena and Joannie Tremblay Audio MixL: Olivier Rivard 3D AUDIO MIX: Jérôme Daniel, Grégory Pallone and David Pesce bcom Lab Manager: Jean-Yves Aubié SPECIAL THANKS: Sophie Bisson Cinepool Lysel Landry, La crinière centre d’entraînement Daniel Leblanc Sid Lee Video MTL Christian Navennec Andres Norembuena Hugo Roy Sylvia Syvret, Eileen Steele, Chapelle Grace Church Leslie-Ann Thomson Jean-Christophe Verbert Norris Wood Refuge is co-produced with bcom, a French Institute of Research & Technology specialized in hypermedia, Jimmy Lee, the production house of international communication agency Sid Lee, and BLVD, a multi-platform content production business. www.b-com.com www.jimmylee.tv www.blvd-mtl.com
Nov
24
Charlie Chicken, Canine Artist – [1080p Shot on Sony FS7 + Slog 3 + S Gamut.Cine Filmconvert + Grain
Posted in: Animation
This is the 1080p camera nerd version where we can all geek out about the new Sony FS7 camera and talk good things and bad things about it, compare it to other cameras that we own or don’t own and pretty much not do tests or anything scientific, just waste valuable time until eventually we grow old and die. Charlie Chicken is a world-renowned canine artist. Originally a rescue from Puerto Rico, he works out of Brooklyn, NY, where his art has been featured in MOMA, the Louvre, and the Getty. This is his story. TRT: 3 min. [Official selection] Puppy Pound International Film Festival. Shot on the new Sony FS7 with leica-r 50 and 24mm 3-cam lenses. Camera provided by my friend Bart McNeil at Omega Broadcast. I love these guys. Bart is very handsome and has a love for enchiladas! www.omegabroadcast.com We got Charlie from AARF http://www.arfhamptons.org/ – they are an amazing shelter. Director/Editor/Colorist/Screenwriter/Voiceover: ED DAVID www.kittyguerrilla.com Camera Operators: ADAM WELZ, ED DAVID, JOHN LARSON www.adamwelz.net Concept by: LILY HENDERSON + ED DAVID www.lilyfranceshenderson.com Special thanks to: LILY HENDERSON + FRIENDS. Bart McNeil at Omega Broadcast. And of course AARF for letting us to adopt Charlie!! http://www.arfhamptons.org/ PLEASE ADOPT A RESCUE! There are so many of them that need homes! Executive Producer: LARS VON TRIER www.kittyguerrilla.com The film was fun to make – it was an idea Lily and I had floating in our heads for a while. So many short doc portraits of artists that take themselves very seriously. Not this one. No way. Wait, maybe a little. GEEKY TECH STUFF: Shot on FS7 to internal media – xqd 32gb card. Camera was donated by Omega Broadcast. Shot s log 3 with s gamut.cine gamma. recorded to avc-intra codec. 4k recording up to 60 fps. for 180 fps stuff – went 1080p same codec avc-intra. Used 2 lenses – leica-r 50mm f1.4 and leica 24mm f2.0 . Set the iso to 1600 and for the 180 fps stuff set to 800 iso. Graded in da vinci resolve with film convert kodak lut. did slight modification to this – nothing that crazy . The great: Camera is incredibly ergonomic, small, and intuitive. the viewfinder – the weight – the balance – everything feels great. This camera is nothing short of a miracle for doc work. the bad: I couldn’t find out if it had a waveform – so I was just protecting for the highlights. the zebra feature doesn’t seem intuitive or perfect -hard to see blow out – also hard to make sure it was working okay. hope there is a future firmware upgrade to fix this. there is some jello – not too bad, but not as good as the alexa. Also the menu system is crazy hard to figure out like the f5 and f55. shooting super slo mo had some pretty blocky noise – maybe going to an external recorder will be better. I have so much faith especially seeing fs700 internal slo mo vs fs700 to odyssey 7q slo mo. but overall – can you really complain with a camera that costs 9k and basically a Sony F5. On making the film – we shot following the principles of Dogma ’95. All natural light. All handheld. Lars Von Trier is really excited and put his name on as executive producer due to the subject matter and verified on set that we followed each step.
Nov
24
Timelapse & Edit by Kirill Neiezhmakov e-mail: nk87@mail.ru http://vk.com/nk_design https://www.facebook.com/kirill.neiezhmakov music: The Glitch Mob – Starve The Ego Feed The Soul (Sub Swara Remix) This timelapse was shot in September 2014 when I came to UAE. And this is first part of my timelapse about UAE (second is about Dubai coming soon). YouTube: http://youtu.be/8u9WNBIs55w Equipment: Canon 60d, 550d Sigma 10-20 mm 4.0-5.6 Samyang 8 mm 3.5 Canon 17-55 mm 2.8 Canon 70-200 mm 4L Vanguard Alta Pro tripod GoPro Hero 3+ Konova Smart head http://konovaphoto.com
Nov
24
Introducing Snapcash!
Posted in: Animation
Lyrics:
Snapchat has Snapcash
Just use your Cashtag
Send money easy, it’s oh so breezy
Snapcash with Snapchat
Chat your cash amount
Straight from your bank account
Send money easy, it’s fast and breezy
Snapcash
(Tap the dollar sign)
And you’ll be feelin’ fine
(Put in your debit card)
To get Snapcash online
You can connect your card
And it will be stored securely for future transactions
A wise investment at any age!
*Tap dancing*
Here’s a new feature we’re rolling out
We’re so excited to tell you about
Swipe three [two] fingers to make it rain
Paying people back will never be the same
The dollars float down to their bank account
No longer carry singles in large amounts
Swipe-to-send. Will. Make. Your. Day.
Snapchat has Snapcash
Just use your Cashtag
Send money easy, it’s oh so breezy
Snapcash with Snapchat
Chat your cash amount
Straight from your bank account
Send money easy, it’s fast and breezy
Snapcash, Snapcash, Snapcash in Snapchat!
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