Rubber Johnny by Chris Cunningham & Aphex Twin (1080p HD)
Info from Wikipedia:
The concept for Rubber Johnny came from Cunningham’s imagining a raver morphing as he danced. The idea evolved to the present film, in which Johnny (played by Cunningham) is an isolated deformed (possibly hydrocephalic) teenager kept on a wheelchair and locked in a dark basement with his chihuahua. The film was originally intended to be a 30-second TV commercial for the Aphex Twin album drukqs, using the track “afx237 v7”. However, Cunningham grew to like the concept more and more and decided to expand the concept into a greater length (the original commercial remains in the film in an altered form.) The film was shot partially in infrared night vision on digital video. The film’s music is “afx237 v7 (w19rhbasement remix)”, a remix made by Cunningham; the credits music is “gwarek2”, also from drukqs.
Les chats sont partout chez eux… du moins c’est ce qu’ils croient !
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Vidéo d’origine :
https://www.youtube.com/watch?v=Yie9Bgo69m8
Musique :
Camaguey – YouTube Audio Library
Sous-titres :
Céline Lemoine
Merci aussi à Patrick Bouchitey, klaatu42, John Lang et Mozinor pour l’inspiration 😉
Tycho – See (Official Performance Cut)
Posted in: Animation
Upon releasing the Music Video for Tycho’s track ‘See’ on Ghostly International, we decided a special release of the Performance Cut was worthy of public consumption, ultimately editing a montage of the entire band performance using only Kinect-informed, infrared footage with practical selects dappled amongst the 5 minutes for visual reprieve.. The result is a visual journey into the band’s aural landscape, immersing the eyes in a sea of bokeh where the instruments and performers melt into a performance charged with circular aberrations of light and color.. THE FILM TECHNIQUE We started experimenting with infrared lighting and discovered that the IR emitter in the Microsoft Kinect projected a starfield-like dot pattern not unlike what a 3D render of point cloud data looks like.. Captured with our full spectrum camera it became photographic, where fields of bokeh and shimmering discs reveal multiple layers of shape and form.. In addition, some of the lens flares we were able to make with the Kinect are unlike anything we’ve ever seen before – creating super dense moire patterns and 3D-like caustic inversions of lens geometry. The set in which we shot the Performance was totally dark, aside from a red laser as our backdrop – we could not see anything except while looking through the cameras viewfinder. Operating a camera in this situation was like a real manifestation of virtual reality. The band also couldn’t see each other and couldn’t tell who or what the camera was looking at – which ultimately made the performance feel very raw and unhindered.. The visual results tie perfectly with the concept of ’See’ in which we always seem to reveal new worlds that are beyond our terrestrial abilities of sight.. LINKS: Tycho — See ( Official Music Video ) – https://vimeo.com/95368144 Tycho — See ( Process Video ) – https://vimeo.com/94932979 Read more about the piece at the Creator’s Project: http://thecreatorsproject.vice.com/blog/premiere-tychos-music-video-redux-for-see-turns-the-musicians-into-living-constellations Tycho – See ( Performance ) Credit List Director: Bradley G Munkowitz Assistant Director: Ian Colon Executive / Line Producer: Andrew Devansky Director of Photography: Joe Picard Practical Effects Artists: Conor Grebel, Mike Williams Editor: Bradley G Munkowitz Colorist: Matt ‘Prince Wesley’ Hare 1st Camera Assistants: Magaera Stephens 2nd Camera Assistants: Dakota Wilder Smith Lighting: Tej Verde, Dakota Wilder Smith, Patrick Walsh Production Company: Ground Control UK Executive Producer: Michael Stanish Extra Special Thanks: Ground Control UK, Ghostly
Space cat Hob
Posted in: Animation
Space cat Hob is an independant project done without money, on our spare time and over a course of two years. more info & artworks : space-cat-hob.com/gallery.html direction: Loïc bramoullé http://www.artstation.com/artist/liok music: Pyramid soundcloud.com/pyramidhall Sound Design: Olivier Michelot https://myspace.com/oliviermichelot/music/songs production: Delapost Paris delapostparis.com/ A huge thank to everyone who believed in the project and gave time and energy on it: Martial Le Minoux, Hugo Cierzniak, Axel Digoix, Foehn Gallet, Aline Hanael, Adrien Kédochim, Paul Lavau, Quentin Rétif, Geoffrey Lerus, Larson liberlin, Zhen Li, Florent Penisson, Alexandre Wolfromm, David Atexide, Laurent Mercereau, Lisa Hulot, Samir Necib, Doris Bachelier, Mathieu Krysztoforski, thomas Arsene, Maxime Granger, André Delphin, Vincent Mineli, Alexis Beaudoin, François-Maxence Desplanque, Mathieu Gouget de Landres, Cedric Lenepveu, Louis Manjares, Fabian Nowak, Alexis Bechet, Aurélie Deconinck, Vivien Ebran, Marielle Santens, Rosita Soares, Tony Lacroix, Romain Leclerc, François Debonnet.
Polo Ralph Lauren – Record Store
Posted in: Animation
“The Polo women loves the mix of color and texture, old and new, romantic and bold. She creates her own personal style every day.” — Ralph Lauren
Shop the collection: http://rlauren.co/WomensPolo
“Record Store” is filmed by Bruce Weber. Experience the World of POLO: http://rlauren.co/1riMKag
#POLO
Penguin Books Captured in Audio
Posted in: AnimationPenguin Audio Books advertising campaign “Captured in Audio” continues to win awards, the latest including Gold for Print Technique for Moby Dick at the Clio Awards. Designed at Y&R Beijing the campaign features the brand’s iconic penguin holding a microphone in crafted classic illustrations and artistic drawings. Books covered in the series are Herman Melville’s Moby Dick, Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, Cervante’s Don Quixote, Lewis Carroll’s Alice in Wonderland, Antony Befvor’s D-Day The Battle for Normandy, Roger Lancelyn’s Tales of the Greek Heroes, Arthur Conan Doyle’s The Adventures of Sharlock Holmes.
Credits
The Penguin Books Captured in Audio campaign was developed at Y&R Beijing by chief creative officer Nils Andersson, group creative director Ronnie Wu, creative director Chen Lei, associate creative director Gao Han, senior copywriter Zhang Wei, art directors Bruce Xie, Johnny Zhang, Jianjun Geng, Bruce Xie, Johnny Zhang, illustrators Jared Muralt (Moby Dick), Wylie Beckert (Alice), Zhang Weimang (Dracula), Mark Summers (Don Quixote), Richard Hello (Frankenstein), Nicolas Delort (D-Day), CEO Charles Sampson, senior studio manager Shi Jian.
See No Evil October
Posted in: AnimationTuesday 7th October See No Evil presents an evening with design and animation super team, Found Studio.
Genndy Tartakovsky, creator of Dexter’s Laboratory and director of Hotel Transylvania, has been hard at work with Sony Pictures Animation in bringing Popeye, the beloved spinach-eating sailor man, back to the big-screen. Inspired by the Fleischer shorts for Paramount in the 1930s, Tartakovsky has released an official animation test showcasing the stylistic approach of the upcoming film…. Read more »
Known in his early days as graffiti icon ESPO, Steve Powers has been a charismatic figure in both New York’s art and graffiti world throughout the past 20 years. Seen all over the streets of Philadelphia, New York, and Brooklyn, his flat top and name have been synonymous throughout these street scenes since the mid-90s. However, after ESPO’s success for several years, Steve decided to step away from the shadow lands of graffiti and establish himself as a sign painter. In this episode of Art Talk we accompany Steve to explore his new project “Love Letter to Brooklyn” in the heart of downtown at the old Macy’s parking garage. We get a behind the scenes look into his life as ESPO, how his work has developed over the years, and his life as a dad.
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Originally aired in 2010 on http://VICE.com
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