For those in Brighton, London, Sheffield, Manchester, Edinburgh, Glasgow, Belfast and Melbourne: Absolut has teamed up with London based record and arts label Gamma Proforma to celebrate the success of the last twelve months. Absolut and GP will be taking the GP2010 Print series, featuring twelve of the world’s finest graphic artists on a […]
Álvaro de Almeida is a Portuguese Graphic designer/illustrator based in Amsterdam. Wonderful illustrations to see.
A couple of years old, but worth seeing if you missed it so far; Après la Pluie ~ Absolutely gorgeous illustration and animation from five talented Gobelins students. Someone really should introduce them to Studio Ghibli.
Shot in Prague in the Czech Republic by DP Kyle Kibbe using the ARRI Alexa camera, “Runaway” promotes West’s forthcoming studio album, “My Beautiful Dark Twisted Fantasy.” Company 3 created virtually all of the visual effects in the film, while sister company Beast NY hosted editor Derek Lee while he cut the film under West’s supervision.
Beast NY’s Flame artist Scott Bravo also handled cleanup and final conform. “This was a major step for Company 3’s visual effects division,” commented CO3 NY executive producer Angela Lupo. “Our work has primarily been on commercials until now.”
“It was really a joy to help bring Kanye’s vision to life,” said CO3 NY senior visual effects artist Tom McCullough. “He had very definite ideas about wanting the effects to have a look that has something of a graphic novel sensibility, but also a 1970s sci-fi movie feel to them.”
McCullough worked on the film with six other Autodesk Flame and Inferno artists, including Company 3 staffers Stephen Morris, Randie Swanberg and Chris Wiseman. The team handled everything from simple green screen composites and rig removal to explosion elements for the surreal and strikingly beautiful sequence when Ebanks arrives on Earth costumed as a phoenix.
About Company 3
Company 3 is a comprehensive postproduction facility for features, commercials and music videos. Known for our creative color artistry, pioneering technology and global reach, Company 3 is trusted to deliver a quality product every time.
Recent commercial projects include campaigns for Apple, Audi, BMW, Heineken, Nike, and others. Recent feature film credits include Unstoppable, Alice in Wonderland, Robin Hood, Prince of Persia: The Sands of Time, The Hurt Locker, A Single Man, Public Enemies, and Star Trek.
CREDITS
Kanye West “Runaway”
Executive Producer: Kanye West
Production Company: Island Def Jam Records Music Group
Production Company Producer: Jonathan Lia
Director: Kanye West
First Assistant Director: Mark Taylor
DP: Kyle Kibbe
Art Director: Vanesa Beecroft
Choreographer: Yemi Akinyemi
Editorial: Beast
Post Supervisor: David Kirchner
Post Producer: Elizabeth Krajewski
Editor: Derek Lee and Peter Johnson
Asst. Editor: Rebecca Beluk, Jai Shukla, Martin Henson, Drew Nissen
VFX: Scott Bravo
VFX and Finishing at: Company 3 NY
Company 3 VFX Producer: Angela Lupo
Company 3 Production Coordinator: Matthew Engel
VFX Flame Artists: Randie Swanberg, Steve Morris, Tom McCullough, Chris Wiseman, Kevin Quinlan, Yoshiko Hirata
Post Production Sound: Sound Lounge
Color Grading: Nice Shoes
Colorist: Ron Sudul
RELATED LINKS
www.company3.com
www.ascentmedia.com
I’m using c4d and I reall hate it’s cloth system. SO slow and inaccurate.
what is the shortcut key to hide the green expression lines on the dag..????,..
tried searching around but couldn’t get the answer…
:rollbaby: :rollbaby: :rollbaby:
😀
We now seek to appoint a Software Developer into this team in our London facility to develop new tools for some exciting upcoming feature film productions.
Primary Responsibilities:
Working with artists to understand production needs
Researching new techniques to meet those needs
Developing new artist tools to fit into MPCs VFX pipeline
Maintaining and updating existing tools
Technical and end user documentation
Supporting artists during shot production.
Skills and Experience:
Degree in Computer Science or equivalent
Previous development experience in a production environment
Good understanding of physics, 3D math, simulation technologies
Excellent knowledge of C++
Experience with Linux-based debuggers and profilers
Development experience using Mayas API
A good knowledge of Python is an advantage as is knowledge of other 3D software packages
Evidence of a good eye for aesthetics is desirable.
This is an ideal opportunity for an experienced VFX developer or someone looking to break into VFX from the games industry to work on some of the most exciting major feature films in production today. If you are interested please apply online.
http://www.moving-picture.com/index….cruitment.html
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
