The Mill’s Tom Bussell talks Nike ‘Write the Future’ spot
In ‘Write the Future’, a World Cup themed 3-minute long Nike spot,
director Alejandro González Iñárritu called on The Mill to produce 236
VFX shots featuring a CG stadium, Massive crowds and other effects, as
a bunch of famous football and sporting stars do their thing. Here’s my interview over at fxguide with The Mill’s 3D lead Tom Bussell.
does anyone know how to retrieve the first and last frame from a read node created through Python?:
r=nuke.createNode(‘Read’)[‘file’].setValue(‘/the/file/folder/filename.%04d.dpx’)
when i do so the frame range is 1 to 1 and i dont want to set it via r[‘first’].setValue() and r[‘last’].setValue because for our project we dont know how many frames will be present in the sequence so i need to retrieve it from the read node. Cheers
Kim
Interview with Chris Sanders and Dean DeBlois about their latest film. This is a really great interview, and we hope you guys get …div class=”feedflare”
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Subsist is the creative output for aspiring graphic designer and art director Michael Kosmicki.
I had to transform a pacefully background on something really messed up, and i guess we did it! 😉
The software used were boujou 2d3, Photoshop and After Effects.
I hope you like it, don’t forget to give me your oppinion!
La candela accesa, simbolo di Amnesty International, ha ispirato il nuovo spot contro la pena di morte ideato dall’agenzia TBWA di Parigi per l’organizzazione umanitaria e prodotto dallo studio francese Pleix. Il filmato presenta quattro scene di esecuzioni capitali raffigurate in statuette che si sciolgono sotto il calore del logo di Amnesty International. Ognuna di queste quattro esecuzioni rappresenta […]
Also is there a command to query what type of node it is?
thanks people
Entity FX’s Mat Beck on Breaking Bad
For Breaking Bad, the TV series currently airing on AMC, Entity
FX was tasked with some crucial VFX shots to help tell the story of
high school teacher Walter White as he slowly descends into a suburban
drug culture. Here’s my interview at fxguide with VFX supe Mat Beck about the creation of a
digital fly which torments Walter in one of the episodes.
I’m just about to jump on a plane and trade in this Australian winter for a few weeks of New York summer. I haven’t been to NYC in a decade, so if there’s anything must-see you can recommend let me know..
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
