at the studio we’re doing some Motion Control tests, we already got the footage we need and the MoCo guy gave us an ASCII file from Kuper… he told us we can import it to Maya with Kuper Tools… not true!!!!
I need help!!! I have an ASCII file with Virtual Axes (VTrack, VEW, VNS, VPan, VTilt) and I need to get it to work inside Maya parameters.
Anyone??? :rolleyes:
Specializing in feature film visual effects and animation for international and local producers, Toronto based digital studio, Mr. X Inc. is comprised of a unique and gifted team of artists, filmmakers and programmers devoted to the art, craft and technology of visual story-telling.
We invite you to visit our website @ www.mrxfx.com.
Job Description: Compositor
·Working closely with Visual Effects Supervisors, Producers and the Compositing Supervisor, the Compositor will design, develop and produce large and/or small-scale digital composites for use in feature films,
·Will determine best approach to solve compositing challenges and develop final overall look that far exceeds client expectations,
·Candidate will perform tasks such as tracking, matte extraction, colour correction, paint fixes, roto and assembly of live action and 3D elements.
Qualifications:
·Must have at least 2 years experience in compositing digital visual effects for feature film,
·Must have thorough knowledge and ability to use the tools that produce Digital Composites such as NUKE, Shake, Combustion, Flame and Photoshop,
·Must present a show reel highlighting candidates eye for colour, lighting, attention to detail and composition,
·The candidate must have the ability to work autonomously and meet deadlines
·Strong communication skills are critical,
·Candidate must be able to work within a team environment,
·3D and/or on-set production experience is desirable.
All interested applicants should email their resumes to recruiting@mrxfx.com with the subject reading Compositor". Please include the address of your web portfolio in your cover letter and/or resume or send a DVD of your demo reel to:
Attention: Recruiting/ Compositor
Mr. X Inc.
35 McCaul Street, Suite 100
Toronto, ON
M5T 1V7
Demo materials will not be returned.
We thank all applicants for their interest. However, only those candidates selected for an interview will be contacted. No phone calls please.
if anyone has Maxon C4D can you tell me how they run their licenses?
Are they permanent licenses or do they expire within a certain amount of years?
to be honest at the moment all im looking for is a list of all the nodes in nuke and what they do, they don’t have to be to much detail. just if i want to add grain or de-grain what are my options (thats just an example) . i do know there are also various plug ins as well. so i know that is also some consideration. all i know is im in nukeX
thanks for any help. im still kinda new at this but i want to learn as much as i can as fast as i can
Gaspar Noé’s Enter the Void, is that NSFW trailer you’ve been dying to play. Not short on the T&A and graphic nature, it’s also full of crazy visuals, set in future time Tokyo and it’s red light district. You can expect lots of moody picturesque shots on top of all the inappropriateness for your work computer screen. View the trailer on the next page.
Click here to view the embedded video.
Short Film Directed by Gavin Kelly @ PiranhaBar. enjoy…
Hybridgraphics is a Tokyo based graphic and web design studio specializing in typographical drawing and developing experimental work through motion graphics. Founded by Takashi Okada 2004, Hybridgraphics.com has plenty of beautiful work to see, as well as on their experimental flash site www.okadada.com.
2.2 million vimeo hits tells me CPR is important to learn. It could save someones life, so pay attention.
I’ve got a couple of demo reel shots I’ve been working on that I’d love some feedback on. Right now they both feel about 85% there, but I’ve been staring at them so long, I can’t figure out where to go from here.
First is this old Star Trek bridge replacement shot. I wish I’d thought this through before getting really far on it, I’m not sure using TV show material like this was a good idea.
Next is a shot I did for an fxphd challenge, but I’d love any feedback on how I can complete the shot. I think something feels off but I don’t know if it’s the grade or the texturing of my model.
Both include some simple breakdowns of progress so far.
Thanks for checking these out!
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
