How exactly do i use a RenderID pass inside nuke? I have a multipass render that ive putt together in a nukescript and it works fine. But how do i take a RenderID, ObjectID, MaterialID or any other ID pass to affect only a portion of the image when color correcting? I havent find the option for that.
Thanks!
Watching Un tour de Manège (Merry Go Round) is like flipping through the pastel drawings of a child—but coming away with clean fingers. Directed by Nicolas Anthanè, Brice Chevillard, Alexis Liddell, Francoise Losito, and Mai Nguyen, this latest Gobelins short is an impressionistic tale of being lost and found, as experienced through a child’s eyes.
Saying so much by doing so little, Un tour de Manège gets it right. It’s tactile: full of tonal and shading effects, chalky, and sprinkled in baby-powder. It’s innocent: tapping into the existential dramas of childhood, and like many works from the Gobelins school, crystallizing emotions like fear and loneliness in graphical simplicity. These moments are brief, but define a coming of age for the character, and help to humanize the inherent flaw by providing an escape from reality. Liberation by imagination.
The narrative is simple, buttressed by the fundamentals of good storytelling, and follows the same three-act structure documented at the turn of the 19th century. Much is left unexplained. The audience is left to fill in the blanks, without papering over the poetic nuance.
An Open Door, which will be released as both a :30 and :60, conveys the racing simulator’s hardcore car culture through dramatic shots of some of the world’s most notorious racing machines transposed against wind tunnels, workshops, or scenes of tremendous natural beauty. Varied and shifting lighting speak to the game’s astounding variety, as the races take place all over the world, in all sorts of weather and light conditions.
About Anonymous Content:
Anonymous Content is an industry-leading production and management firm that leverages its unrivaled reach and access to talent to create and produce innovative content across all its divisions: Film, Integrated, Commercials, Music Video, Television, and Talent.
Anonymous Content was formed in 1999 by a collaboration of business and creative minds responsible for developing some of the industry’s most respected entertainment and branded content. In launching the firm, the founders combined their unique talents, distinct vision for the future of content creation, and unmatched industry access. Since then, Anonymous has been able to extend its reach across entertainment, exercising its capacity to package talent and mine literary material from deep and powerful resources.
Company principals have developed longstanding direct relationships with talent, talent agencies, advertising agencies, domestic and international distributors, and broadcasters, reinforcing their ability to assemble the right team for any project. They create compelling and entertaining content while facilitating the development, production, and distribution of programming through both traditional and emerging media channels.
Anonymous is responsible for producing such features as 44 Inch Chest, 50 First Dates, Babel, Case 39, Eternal Sunshine of the Spotless Mind, Smiley Face and Rendition to name a few. Its commercial arm has been part of many of the industry.s most successful campaigns, as well being at the forefront of the evolution of brand integration campaigns such as BMW Films. The Anonymous team now consists of more than 100 full-time employees at its Culver City, New York, and London offices.
CREDITS
Client: Xbox
Spot title: An Open Door
Game title: Forza Motorsport 3
Air Date: November 2009
Agency: T.A.G.
Executive Creative Director(s): Scott Duchon, John Patroulis
Art Director: Rey Andrade
Copywriter: Joe Rose
Executive Producer: Hannah Murray
Associate Producer: Mandie Bowe
Prod Company: Anonymous Content
Director: Malcolm Venville
DP: Dion Beebe
EP/Head of Commercials: Dave Morrison
Head of Production: Sue Ellen Clair
Production Supervisor: Alex Fisch
Producer: John Benet
Editorial: Rock Paper Scissors
Editor: Angus Wall
Assistant Editor: Anton Capaldo-Smith
Post Producer: Kimberly Colen
Executive Producer: Carol Lynn Weaver
VFX: A52
Lead VFX/Flame Artist: Andy McKenna
Flame Assist: George Cuddy
Smoke Artist: Paul Yacono
Producer: Pete Kinga
Executive Producer: Jennifer Sofio Hall
Music & Sound Design: Robot Repair
Composer: Douglas Darnell
Audio Post: Lime Studios
Mixer: Rohan Young (:60)
Mixer: Mark Meyuhas (:30/:20/:15)
Related Links:
www.anonymouscontent.com
Im plannin to make a proper post production pipeline for the studio in which im working… can anyone suggest me a pipeline which involves maya & max as 3d softwares and NUKE as compositor.
1. How to set up 3d software’s ( output file format ).
2. How to set up NUKE.
3. How to calculate the man hours.
4. How to keep track of the shots & its status.
rough Matte Painting Demo Reel from Nick Giassullo on Vimeo.
Thursday, November 5th 2009: FX School of VFX & Filmmaking is hosting a FREE Webinar on Matching Live Action with CG using Maya 2009 render pass system for Mental Ray, on the 5th of November, at 7 pm. Please register at www.fxschool.in/webinar. This free class will be held online and is ideal for 3D Artists, Compositors, Production Managers, VFX Supervisors, Instructors, and Students of Advanced Lighting, Shading, or Rendering. For further details please contact 4235 4235.
Details of the Webinar:
Webinar: FREE Webinar on How to Match Live Action with CG using the Maya 2009 render pass system for Mental Ray
Where: Online www.fxschool.in/webinar
When: Thursday, 5th November, 2009
Timing: 7:00 pm
To register call: 022 4235 4235
Charges: FREE
Le Rabbit can not be described as the result of an extremely well organized and planned process
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