How do you attach a layer to a point in a tracking cloud – similarly to how you would in a shake multiplane?
I have exported the camera into a nuke project from PFTRACk and can see the yellow diamond tracking refernces by viewing the camera node.
How do I position a layer onto this reference point? – and also is there a way to control the size or pan of the image when its attached….
any help much appreciated!
CGSociety profiles ILM model maker John Goodson.
For those of you who attended F5 last April, you know that our speakers were a diverse and inspiring mix of creative people from a wide spectrum of fields. As promised, we’re sharing those talks with the world, starting with Simon Robson and Tim Rayner’s presentation about their collaborative project, The Coalition of the Willing.
Although Simon and Tim weren’t the first speakers of our two-day event, we’re sharing their talk first for two reasons. 1) We believe in their cause, and 2) They need your support.
I asked Simon to tell us about his experience of F5:
Talking at F5 was a real pleasure. It gave Tim and I the chance to introduce the project we are currently developing, entitled ‘Coalition of The Willing’. It also gave us a deadline for which to prepare enough material to give the audience a good idea of what the project is all about. In short, F5 gave us a shot in the arm.
I won’t go too much into what ‘Coalition’ is about here, Tim does a fantastic job in the presentation of distilling the thinking and ideas behind the project. Suffice it to say that it’s a film that suggests a collaborative, technological way of combating climate change.
The film is also being made in a collaborative way. In the presentation, I talk about artists who became involved prior to F5. Since F5, Loyalkaspar, Parasol Island and World Leaders have all begun creating sections for the film. I’m thrilled and excited by the good will and the caliber of the artists who’ve thrown themselves into this project.
We plan to give the film a staggered online release, starting by publishing the written argument online and then fleshing this out with shots as and when they are completed. It’s an idea that Tim and I have been developing with Chris O’Reilly from Nexus Productions.
We hope that people will engage with the argument and then respond to the way ideas are visualised as the shots are published. It’s all about keeping the argument current and alive. To this end, we will be making the film the ‘core’ of a site that will evolve as people post comment and invited writers post articles on issues that branch off from topics introduced in the film.We’ve been inspired by online data visualisation by artists like Manuel Lima, and we’re currently looking for an online partner to help us develop our online aspirations for this project.
So finally I’ll just echo the last thing I said at F5: If you’re a great moving-image maker or a creative interaction designer and you’d like to get involved with Coalition of The Willing, then please get in touch with me at simon@knife-party.net.
I hope you enjoy the talk.
Behind the Scenes of Terminator: Imaginary Forces, at fxguide, looks at the titles and machine vision work in the film.
I want to "add" masks to each other in order to rotoscope a moving object which will consist of multiple masks.. how can this be so hard to find!!? I’ve been using fusion for almost 3 years now and this was a very simple process… HELP!
Alex
Now this is incredibly interesting. CTRL is a 5 min series of Nestea commercials disguised as a television show starring Tony Hale (Buster from Arrested Developement) The good thing is…it works…it’s really well produced, it’s funny and it is served in small bites, so it’s easy to watch at work before starting the day (kinda like a live action comic strip). This is actually where I hope advertising heads. If I can be entertained by an ad then I am fine with being advertised to.
Notice how noone ever really uses the product, it’s just always in frame, is occasionally a prop, and is the catalyst for the premise. Really clever!
This one is really good, and I will continue to tune in to the coming episodes! Looks like they are trusting them and actually getting some compositing into the next one.
http://www.veoh.com/browse/videos/ca…557493kAWSq7XJ
is a link to the original short film it was based on.
We is 3D modelers, an operational experience of 5 years. We do the
work qualitatively and in terms, but we live in Ukraine and we can
work only as Freelance.
our resume:
3Davj is a team of like-minded people. Our major activities include
the following:
– 3D modeling of Characters, architecture hi polygonal, low polygonal
technical devices modeling;
– Texturing, mapping, bump, specular;
– Setup, morphing, rigging characters;
– Sketches in details, 3D pictures.
– Animastion
– 3D Print
We are experienced in creating graphics for games.
High-quality work in time, creative and interesting cooperation is proposed.
We are young and talented, vigorous and dreamers realizing our creativeness.
There is a window, and I want to add "glass pieces" to the air. there will be reflections and refractions.
What is the simplest pipeline too add this 3d element to my video ?
I’m using c4d as my 3d package.
Some time ago I watched a nice tut of some frozen moment: It was like something like this:
First the tutorial guy replaced the body of the actor with someone using a baseball bat
then added some nice chatters
than made a camera movement.
The final was something like:
Camera moving out and wee pass through shutters
I forgot who was the tutorial goy, this reminds anything to anybody ?
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