I received a few email, from people asking me to put up a tutorial, which goes a little into depth with the Device, which we use in the Protocol shorts. Well as you can see I pulled myself together and made my first tutorial :). I hope you like it and f you do, subscribe and hit me up with your suggestions on a new tutorial.
I have just run into this site called cinema4dtutorial.net, they provide both Cinema 4d and Adobe After Effects tutorials and complete projects. (scenes, models, project files, color correction, etc):)
This was what happened after we watched a great vid, based on a very long time freeze sequence. We rushed out and gave it a shot… It was not supposed to be released but actually it shows how the camera movement plays an essential role in the whole process of time freezing and what it adds to the result…
So I got a few emails asking how we did this effect and since we are not into making on screen tutorials I will try to give you a little step by step guide:
1. You shoot your footage while you try to move your camera as steady as possible (If you can use a dolly or Glide/Steady cam).
What is important is that your actor has to try to stand as still as possible (try to use a position which already looks freezed like shooting a gun and having your mouth wide open as if you shout).
What you do now is try to make the pan as quick as possible so you can later slow it down so you won´t see the movement of you actor. (slow it down to 50-60 percent)
2. You import your footage into AE and track your shot with the inbuilt motion tracker (if you have bojou or any other tracking software use it, its way better), but for a shot like this the AE tracker does the job.
3. After having tracked you shot you will see that you have to adjust some of your frames, since the tracker is not 100% accurate. Now you slow down your shot about 60-70%.
4. Now you have a steady shot of the camera panning and your actor being kind of freezed. What you need to do next is to give whole shot a mood.
5. To give the shot the right mood you need to add some nice colors etc to give it the right touch.
6. Now comes the part where you make your shot look “real” again. You create a new camera and depending on your shot (we did 24mm) you adjust the settings of your camera. now you go into the position settings and add a “wiggle” to your camera which adds a fake camera movement and makes your shot look hand held and more realistic.
7. Now you might think your done, but the most important thing has been left out: The Sound…
Many people tend to ignore or just add a song from Hans Zimmer and think “wow that’s so cool” but no… it´s not.
Every shot needs to have it´s individually designed sound effect and music. In a shot like this we should focus on the sound effects. the best thing to do it to use some kind of build-up sound in the beginning. When it freezes you simply add a “swoosh” sound ( we use Pro Scores from Video Copilot) and reverse the sound you used before and slow it down. In that way you keep the same atmosphere when it freezes and when it is in regular motion.
8. Now that you have done this you can add muzzle-flares or what ever fits your shot and needs to be added to make it fit your scene. This was only a simple test to try out a freeze. We did a full freeze-motion scene in one of our movies. you can find it here:
1 Day Course
Date: Saturday 26th March
Times: 10.30am to 4.30pm
Price: £100.00
Instructor: Pierre Vella
Ideal for those that have already completed our own introduction course (or similar) and would like to take their compositing and design skills further.
After Effects is one of the main weapons of choice when it comes to producing Motion Graphics for Broadcast. Our Level 2 course will be based around the principles and techniques of creating broadcast graphics with After Effects. Primarily project based, the class will explore different techniques to create animated sequences from beginning to end. The class will also look at specific areas of After Effects, such as the included particle systems and some 3rd party solutions. Other aspects of the course that will be covered include expressions, cameras, lighting, parenting, project management and workflow, working with type, shape layers and masks.
General
Each student has their own workstation for the practical parts of the course and can discuss any specific areas of interest they may have towards the end of the day with the tutor.
1 Day Course
Date: Saturday 19th March
Times: 10.30am to 4.30pm
Price: £100.00
Instructor: Pierre Vella
The introduction to After Effects course is designed for those new to post production techniques to get the most from this immensely powerful application. Whether you are a motion graphics designer, a web designer, rich media artist or broadcast video editor, Adobe After Effects allows you to create stunning motion graphics and visual effects.
The emphasis throughout this introduction is on practical exercises. These exercises will cover incorporating video with Photoshop and Illustrator graphics, video layering techniques, working with transitions and key frames, creating and animating text along Bezier motion paths, using filters for special effects and rendering the final output for video playback.
General
Each student has their own workstation for the practical parts of the course and can discuss any specific areas of interest they may have towards the end of the day with the tutor.
1 Day Course
Date: 28 March 2011
Times: 10.30am to 4.30pm
Price: £100.00
Instructor: Pierre Vella
Mocha Pro is a popular tracking and rotosoping software based on an innovative 2.5 D planar tracking system which helps visual effects artists solve complex tracking challenges. As a rotoscoping station, Mocha’s ability to accurately track mask shapes saves hours of manual labor for articulate matte creation. Create & render mattes with less keyframes!
Course Outline
The introduction to Mocha Pro is an in-depth look at 2.5D planar tracking and will show you from the ground up how to use Mocha Pro to generate accurate tracks without relying on traditional tracking markers (feature tracking) and how to export that data into After Effects and other applications.
Youll also learn a much easier way to perform rotoscoping including the use of the mocha Shape plug in for After Effects CS4 and above. The extensive practical exploration will also include working with alpha channels, embedded mattes, edge controls, off screen tracking, and removing objects.
*Mocha interface
*Tracking multiple objects
*Adjusting tracks and exporting corner pin data for use in After Effects
*Using Mocha for Rotoscoping inside After Effects
*Tracking organic objects
*Tracking complicated shots with extreme perspective tracks
*Exporting shape data with the Mocha shape plug-in for After Effects
*Rotoscoping and shape export
General
Each student has their own workstation for the practical parts of the course and can discuss any specific areas of interest they may have towards the end of the day with the tutor.
This is my first ever tutorial i made for a friend on youtube. I personally don’t like it too much but perhaps I could gain some pointers as well as helping somebody out 🙂
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