CG Portfolio: Sergey Harchenko

This week featured artist is from Belarus. He is also available for freelance work. Create and complete your portfolio to get listeddiv class=”feedflare”
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Pigeon Impossible: Final Podcasts

This is the final part which contains four podcasts from the film, two are video and last 2 are audio podcasts, hope you will enjoydiv class=”feedflare”
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Brickyard VFX campaign for Yahoo

Campaign from Hungry Man director Bryan Buckley via Goodby combines CG and live action to promote Yahoo!’s Search Enginediv class=”feedflare”
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Interview with Mariano Steiner

Interview with Mariano Steiner, a talented Brazilian 3D artist, who specializes in sculpturing and working as pro 3D artistdiv class=”feedflare”
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Spot: Running Green

In the spec spot, a pair of photo-real New Balance 509 sneakers jogs in super slo-mo along a high speed, time-lapsed streetscapediv class=”feedflare”
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DVD: Low-res Character Creation

Instructor shows you his techniques in exporting the high-res model from ZBrush, reconstructing the low-res meshes, creating the U…div class=”feedflare”
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Breakfast Wars

In this tutorial will be showing the process and some techniques which you can apply this method to a variety of your art projects…div class=”feedflare”
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Fake a studio shoot in Photoshop

If you don’t have the budget for studio photography get a model and conduct a leisurely photo shoot, the chances are you’re going …div class=”feedflare”
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VFX Show covers Speed

VFX Show covers Speed

Speed-keanu-bullock

I love Jan de Bont’s Speed. For me, it’s a perfect action film, and is made even better by a great combination of practical, digital and miniature effects. That’s why I’m really excited to be part of a Speed VFX Show with Mike Seymour and special guest Ron Brinkmann, who was actually a CG supervisor on the film for Sony Pictures Imageworks. Check out the show at fxguide here or at iTunes.

ILM’s visual effects for The Last Airbender

ILM’s visual effects for The Last Airbender

LA-FX-0104

For The Last Airbender, director M. Night Shyamalan turned to
Industrial Light Magic to create dynamic fighting scenes
featuring elemental manipulation, as well as complex creatures and
environments for the film. VFX supe Pablo Helman and associate VFX
supervisor Craig Hammack take fxguide through some of ILM’s main technical
challenges.