Imaginary Forces: Lexus Intensity

Imaginary Forces directors Michelle Dougherty and Karin Fong deliver a visceral, mind-bending ‘feeling’ in the new :45 “Intensity” for Lexus out of DentsuBos, Toronto. Produced for the Canadian market, the spot artfully visualizes an exhilarated mindscape, stimulated by driving the muscular new Lexus IS.

Says Dougherty, “We wanted to affect viewers in a more visceral way than the more traditional approach—using images evoking power and energy, butwith an element of fun and the unexpected.” Adds Fong, “The idea was to play up the senses. We deliberately shot the car and a mix of elements to create an eclectic mix that together capture the excitement of driving this car.”

“Intensity” opens on an IS speeding down a highway, before jolting inside the mind’s eye of its contented driver. Rapid-fire images fill the frame, delivering a pulsating visualization of the exhilarating driving experience. The sensory journey pitches forward, reveling in speeds akin to the most agile mammals and the feeling of leather as soft as a feminine palm. The senses collide, launching the driver into a driving experience so vivid, it feels as though they are, “Driving In Every Sense.”

A Product of Imaginary Forces

Top entertainment studios, global brands and A-list agencies tap Imaginary Forces (IF) to find new ways to engage and inspire audiences. IF’s diverse talent pool of artists and creative professionals bring elite conceptual design solutions to projects in commercials, digital media, feature films and film marketing, television and architectural spaces.

Underlying each endeavor is their passionate belief that no project is too large, too small or too complex to benefit from beautiful and inventive design.

The innovative studio has garnered numerous advertising industry awards as well as multiple Emmy Awards including an Emmy for their iconic titles work on AMC’s smash drama series Mad Men.

Credits:

Client: Lexus Canada

Title: “Intensity,” :45/:30/:15

Airdate: Currently airing

Agency: DentsuBos, Toronto

Agency Producer: Dena Thompson

Agency Creative Director: Andrew Manson

Agency Art Directors: Steven Kim

Agency Copywriter: Greg Frier

Production Company: Imaginary Forces

Directors: Michelle Dougherty & Karin Fong

Executive Producer: Ben Apley

Producer: Keith Bryant

Designer: Rob Bolick

Animator: Mike Cahill, Kim Im, Eric Demeusy, Hunter Thompson

Illustrator: Pete McDonald

Editor: Danielle White

Inferno Artist: Rod Basham, Phil Man

Coordinator: Joseph Abou-Sakher, Ryan Speers

Storyboard Artist: Bernard Custodio, Vincent Lucido

Audio Mix: POP Sound, L.A.

Dr. Easy Vision Tests

dr-easy

Password: cantor

Shynola has been releasing some clever movie marketing for their forthcoming feature, “The Red Men.” The latest is a research film from Monad Life Science, creators of the fictional Dr. Easy robot at the center of the film’s story. The film serves the dual purpose of building the backstory behind the Dr. Easy robot while also showing off the cool machine vision system Shynola has dreamed up.

In case you missed it, here’s a short film/prologue for The Red Men.

Posted on Motionographer

Digital Kitchen: LAX

Some beautiful work from Digital Kitchen: LAX – Bradley International Terminal. “For the epic digital landscape in LAX’s new Bradley International Terminal, we created engaging content at the intersection of sculpture, story and brand.” Read more on the DK site.

Psyop: Jack Daniels ~ Swarm

The latest work from Psyop for Jack Daniel’s Tennessee Honey: Swarm. Together with Arnold Worldwide and Smuggler, Psyop developed a spot that features an unstoppable force of CG bees on the hunt for a bottle of Tennessee Honey.

“Shooting on the Warner Bros backlot allowed us a lot of control over the shots,” commented Psyop Creative Director, Laurent Ledru. “Working with Arnold and Smuggler made for a smooth production, and we were able to get what we needed in camera with the expert eye of Director of Photography, Robert Elswitt.”

The new spot was first pre-released via Twitter/Facebook and garnered more than 10 million impressions before ever hitting the TV waves.

“’Swarm’ is an evolution of the original King Bee launch spot, we wanted the new spot to demonstrate the many fans that Tennessee Honey has acquired throughout the year,” said Jack Daniel’s Tennessee Honey Senior Brand Manager Casey Nelson. “King Bee is back with his swarm – his followers.”

“Swarm” has aired on NBA and NHL playoff games, late night TV, sports and lifestyle programming. Jack Honey and the “Swarm” TV spot will be back on air three more times this fiscal year in support of the other Jack Daniel’s Tennessee Honey program periods.
*Nielsen: Total US FDL, 52 weeks ending 5.27.13

Marc Rienzo: Heads-Up Display: Stereoscopic

You’ve probably already seen these two amazing spots from director Marc Rienzo, but now they are available in Stereoscopic Anaglyph … get your red and blue glasses out … quite nice!

Decoy Update

Decoy Summer Reel 2013 from Ryan Rothermel.

Decoy update with a new reel and website. enjoy…

Marbay Media: Reel + Site

Some great work in this new reel and site for the recently launched motion design and film boutique studio based in Sydney: The Marbay Media Group.

Shynola: Dr. Easy


Shynola is back, this time writing and directing a thought-provoking short film, “Dr. Easy.” With vfx by Jellyfish, the short follows a medical robot into the heart of a tense standoff between police and a psychologically unstable man.

If the ending feels abrupt, that may be because the film is “a prologue for a planned feature adaptation of ‘The Red Men,’” according to Shynola’s Vimeo page. The cry of “murderer” from an off-camera voice at the end of the film definitely suggests a longer plot that puts the robotic protagonist at the center of an ethical quandary.

POV Overlay Test

Read more about Jellyfish’s work on “Dr. Easy” and “Jonah” (also posted on Motionographer) on the Film4 blog.

Posted on Motionographer

Factory Fifteen: Jonah

Kibwe Tavares’ vision for “Jonah” is a unique one. Though the film is laden with visual effects from Factory Fifteen and Jellyfish Pictures, they are there only to serve the story.

Themes of greed, hubris and loss are rendered in moving performances by the film’s three primary actors, Daniel Kaluuya, Malachi Kirby and Louis Mahoney. But the city is a star, too. Its ever-changing facades communicate the passage of time and the painful decay of a dream.

Synopsis

Mbwana and his best friend Juma are two young men with big dreams. These dreams become reality when they photograph a gigantic fish leaping out of the sea and their small town blossoms into a tourist hot-spot as a result. But for Mbwana, the reality isn’t what he dreamed – and when he meets the fish again, both of them forgotten, ruined and old, he decides only one of them can survive. Jonah is a big fish story about the old and the new, and the links and the distances between them. A visual feast, shot though with humour and warmth, it tells an old story in a completely new way.

VFX Breakdown

Full credits on the Vimeo page.

Hat tip to Ash Thorp.

Posted on Motionographer

Polynoid: Nike Hypervenom – Deadly Breed

Berlin based Polynoid never cease to impress, case-in-point: their latest work for Nike: an introduction to the new Hypervenom soccer boot.